This is placeholder text. To change this content, double-click on the element and click Change Content. < Back This is a Title 03 This is placeholder text. To change this content, double-click on the element and click Change Content. This is placeholder text. To change this content, double-click on the element and click Change Content. Want to view and manage all your collections? Click on the Content Manager button in the Add panel on the left. Here, you can make changes to your content, add new fields, create dynamic pages and more. You can create as many collections as you need. Your collection is already set up for you with fields and content. Add your own, or import content from a CSV file. Add fields for any type of content you want to display, such as rich text, images, videos and more. You can also collect and store information from your site visitors using input elements like custom forms and fields. Be sure to click Sync after making changes in a collection, so visitors can see your newest content on your live site. Preview your site to check that all your elements are displaying content from the right collection fields. Previous Next

Angus Sullivan < Back Originally Published On: July 25, 2017 Originally Published By: Haliburton Echo C to C, Unity Gate, Spiral Ascent and the Sam Slick Park Bridge Written By: Angus Sullivan Works include C to C, Unity Gate, Spiral Ascent and the Sam Slick Park Bridge were created by John Shaw-Rimmington. You may have noticed what looked like a construction site last week in Sam Slick Park, across the road from the high school. Stones were strewn about the ground, and a team was working furiously stacking and moving these stones on top of a curved wooden structure. This was the Haliburton School of Art + Design’s Dry Stone Structure course led by John Shaw-Rimmington. John has taught a Dry Stone Structure course at the college for many years. Students come from all over North America to work and learn from John. This year’s group spent a week in Haliburton, creating a stone bridge which now spans the stream that flows through Sam Slick Park into Head Lake. Dry stone is an ancient building technique used to create stone structures without any mortar. Bridges and arches can be created by placing stones on a rounded wooden form, putting a keystone at the top of the arch, and then removing the support. The force of the rocks pushing into the keystone keeps all of the rocks in place. Over the years, John has worked with his students to produce three sculptures in the Haliburton Sculpture Forest; C to C, Unity Gate, and Spiral Ascent. Each year John introduces different methods, but you can see similar elements in the bridge and the sculptures. Structures are made using stones standing on edge, Spiral Ascent, Unity Gate and the bridge have arches held in place by keystones, and all are made from local granite. These structures are beautiful and surprisingly solid. To see more of John Shaw Rimmington’s work, visit the Haliburton Sculpture Forest or John’s blog thinking-stoneman.blogspot.ca. The Haliburton Sculpture Forest is located in Glebe Park on 297 College Drive. It is open dawn to dusk with free guided tours in July and August on Tuesdays, 10:00 – 11:30 am, and on Wednesdays at 12:10 – 12:50pm. Meet at the information kiosk next to the parking lot at Fleming College. You can use the Sculpture Forest app (download PocketSights and search for Haliburton) or visit www.haliburtonsculptureforest.ca to learn more about the sculptures. < Previous Article Next Article >

2024 < All Sculptures 2024 Downtown Haliburton Sculpture Exhibition $4200.00 Nature Prevails Mark Puigmarti Nature Prevails I Mark Puigmarti created Nature Prevails I using forged and fabricated structural steel. The sculpture stands 72" high and weighs approximately 200lbs. Nature Prevails I is intended to inspire hope. No matter what humankind builds, creates, or discards, nature will prevail. This piece represents a minute example of a structural bridge detail called a gusset plate connection. Carefully designed and engineered for structural integrity using steel elements like angle iron and steel plates riveted throughout, is in itself an amazing feat of human innovation and progress. Yet even these monumental structures uncared for, or abandoned are always trying to revert back to their elemental beginnings through slow decay. These three angle iron sections have been hot forged into vine like growth returning back to their natural origins. Mark Puigmarti What seems like lifetimes ago I was refrigeration and HVAC mechanic. Working on commercial industrial gizmos that kept things or people warm or cold, while usually experiencing the polar opposite temperature of whatever it was I was trying to rectify. It is a respectable trade that many men and some women make a respectable living at. However, as much as I tried to make the piping arrangements visually pleasing, orderly, and followable there was something lacking. It just never quite clicked with my persistent dream to follow a more artistic path. One day about half way into a 25-year run at HVACR, I made it my mission to try and change what seemed truly unchangeable. Slowly with a long list of coincidences, happy accidents and a load of sacrifices, particularly by my supportive wife Chris, positive results started to accumulate in the intended direction of working with hot metal. This did indeed take 10 years of incremental progression to end up at the beginning of a new and completely unrecognizable life and style. It is not lost on me to grasp the sheer improbability to do that mid-career, in that career, or any for that matter. That cord was cut 14 years ago now." Artist Contact Information Email : mark@sparkswillflyforge.ca Website : sparkswillflyforge.ca Instagram: @sparkswillflyforge Facebook: @SparksWillFlyForge

Youkie Stagg < Back Originally Published On: January 1, 2016 Originally Published By: Haliburton Echo Visionary: A Tribute to Sir Sanford Fleming Written By: Youkie Stagg Sir Sandford Fleming was born in 1827 in Scotland but later moved to Peterborough in 1845 with his older brother. Fleming made several major contributions to the Peterborough community as well as the rest of the world. His most notable achievement was the establishment of Universal Standard Time which he recommended to the Royal Canadian Institute in 1879 and was adopted universally in 1884. His other achievements include: his design of a prototype of in-line skates, the Foundation of the Royal Canadian Institute in Toronto, the Threepenny Beaver – Canada’s first adhesive postage stamp, a proposal for a railway line spanning “British North America,” a submarine cable that would connect all the nations of the British Empire by telegraph, appointed as Chief Engineer of the Northern Railway, and knighthood by Queen Victoria in 1897. This sculpture includes the elements of a surveyor’s transit, compass, a clock representing time, significant dates in Fleming’s life, and the globe. The Sculpture Forest offers free guided tours each Tuesday from 10-11:30 am and a shorter “Curator Selection” tour on Wednesday from 12:10 – 12:50. Meet at the kiosk in the Fleming College parking lot. < Previous Article Next Article >

Ian LaBlance is from Sault Ste. Marie, Ontario, Canada. He graduated from St. Mary’s High School in 1990 and joined the US Navy. In the Navy, he served 22 years as an Electronics Technician (ET) and retirement from the Naval Reserve in 2015. Some of the units he served in include USS Ponce LPD-15, MIUWU 201 (Toledo, OH), 203 (Bronx, NY in Crete, Greece) and 214 (Buffalo, NY), Navy Mobilization Processing Site, Gulfport, MS. And Expeditionary Maintenance Det. G, Great Lakes, IL. He earned a Bachelor of Arts degree in Art Education with from Western Michigan University in 2001 and received a Master of Fine Arts in Sculpture in 2004. He also received an Associate in Applied Science in Digital Media form the College of Lake County in 2013. Ian has always been a very creative person and has worked in many educational and creative positions. He has worked as a Stained Glass Workshop assistant for Willet Hauser Architectural Glass in Philadelphia, PA. and as a Studio Technician/Part Time Instructor at Fleming College’s Haliburton School of the Arts + Design, in Haliburton Ontario. In 2008, he moved to Chicago and worked as a Metal Fabricator for SVI Themed Construction Solutions, Inc. in Morton Grove, IL working on projects for the Shred Aquarium, the Phoenix Zoo’s “Little People” Discovery Farm and American Girl Store Chicago. From 2013 to 2015, he worked as a Craftsman/CNC Operator in Potbelly Restaurants Warehouse designing and building décor to Potbelly’s new and renovated restaurants. In 2015 he started working as a Building Manager Assistant on Great Lakes Naval Base, IL. and in October of 2018, Ian excepted the Exhibit Specialist position for the National Museum of the American Sailor also on Great Lakes Naval Base. As Exhibit Specialist, he will be designing and fabricating the museum’s new exhibits, designing advertising and promotional materials for the museum and assisting in the museum’s building restoration. < All Artists Ian LaBlance ABOUT SCULPTOR Artist Bio Ian LaBlance is from Sault Ste. Marie, Ontario, Canada. He graduated from St. Mary’s High School in 1990 and joined the US Navy. In the Navy, he served 22 years as an Electronics Technician (ET) and retirement from the Naval Reserve in 2015. Some of the units he served in include USS Ponce LPD-15, MIUWU 201 (Toledo, OH), 203 (Bronx, NY in Crete, Greece) and 214 (Buffalo, NY), Navy Mobilization Processing Site, Gulfport, MS. And Expeditionary Maintenance Det. G, Great Lakes, IL. He earned a Bachelor of Arts degree in Art Education with from Western Michigan University in 2001 and received a Master of Fine Arts in Sculpture in 2004. He also received an Associate in Applied Science in Digital Media form the College of Lake County in 2013. Ian has always been a very creative person and has worked in many educational and creative positions. He has worked as a Stained Glass Workshop assistant for Willet Hauser Architectural Glass in Philadelphia, PA. and as a Studio Technician/Part Time Instructor at Fleming College’s Haliburton School of the Arts + Design, in Haliburton Ontario. In 2008, he moved to Chicago and worked as a Metal Fabricator for SVI Themed Construction Solutions, Inc. in Morton Grove, IL working on projects for the Shred Aquarium, the Phoenix Zoo’s “Little People” Discovery Farm and American Girl Store Chicago. From 2013 to 2015, he worked as a Craftsman/CNC Operator in Potbelly Restaurants Warehouse designing and building décor to Potbelly’s new and renovated restaurants. In 2015 he started working as a Building Manager Assistant on Great Lakes Naval Base, IL. and in October of 2018, Ian excepted the Exhibit Specialist position for the National Museum of the American Sailor also on Great Lakes Naval Base. As Exhibit Specialist, he will be designing and fabricating the museum’s new exhibits, designing advertising and promotional materials for the museum and assisting in the museum’s building restoration. Link Unavailable Installed Sculptures Shadow Caster Previous Sculpture Next Sculpture

John has spent most of the past 40 years working in stone, bronze, steel, clay, concrete and mixed-media. John is known primarily as a sculptor, although he also expresses himself through other disciplines such as painting, printmaking, drawing and multi-media. Throughout his career he has endeavoured to play and experiment with whatever came his way. He feels that an idea that cannot be expressed with one media can be expressed well in another. From time to time over the years he has worked in the commercial art business which has inspired some of his later artwork. In the past 12 years he has developed an interest in working in the ephemeral media of ice, snow and sand. The creation of these non-permanent works give him what he refers to as the Zen-Sculpting experience and have taken him to many exotic places around the world. Teaching has been a great inspiration for John. In the early eighties he taught at David Thompson University in Nelson. From the mid eighties until now he has taught modern hard stone carving technique to Inuit carvers in many communities in the Canadian Arctic. During this period he also taught many courses in Sculpture at Fleming College’s Haliburton School of The Arts in Haliburton, Ontario. John lives in Nelson, British Columbia. < All Artists John McKinnon ABOUT SCULPTOR Artist Bio John has spent most of the past 40 years working in stone, bronze, steel, clay, concrete and mixed-media. John is known primarily as a sculptor, although he also expresses himself through other disciplines such as painting, printmaking, drawing and multi-media. Throughout his career he has endeavoured to play and experiment with whatever came his way. He feels that an idea that cannot be expressed with one media can be expressed well in another. From time to time over the years he has worked in the commercial art business which has inspired some of his later artwork. In the past 12 years he has developed an interest in working in the ephemeral media of ice, snow and sand. The creation of these non-permanent works give him what he refers to as the Zen-Sculpting experience and have taken him to many exotic places around the world. Teaching has been a great inspiration for John. In the early eighties he taught at David Thompson University in Nelson. From the mid eighties until now he has taught modern hard stone carving technique to Inuit carvers in many communities in the Canadian Arctic. During this period he also taught many courses in Sculpture at Fleming College’s Haliburton School of The Arts in Haliburton, Ontario. John lives in Nelson, British Columbia. Artist Website Installed Sculptures Wind Dervish Atmo-Sphere Conspiracy of Ravens Previous Sculpture Next Sculpture

A dance event in three parts. < All Events Dance Rx³: Re-emergence, Re-engagement, & Re-connection A dance event in three parts. Tuesday, September 13, 2022 Saturday, October 22, 2022 Address: Haliburton Sculpture Forest, College Drive, Haliburton, ON, Canada About Dance RX3 A dance event in three parts: Re-emergence and Re-engagement in September 2021 and Re-connection in October 2022. This project was made possible via a collaboration between Dance Happens Here Haliburton (DH³), Throwdown Collective, and the Haliburton Sculpture Forest. From September 13-18 visitors had the chance to see dance artists Brian Solomon, Noriko Yamamoto, Phylicia Browne-Charles, Madeline Friel and Throwdown Collective (Mairéad Filgate, Brodie Stevenson and Irvin Chow) as they spent a week in solo creative dance residency in the Haliburton Sculpture Forest. These selected artists were invited to take an existing work or idea—perhaps halted by the pandemic—and to re-engage, re-configure, and adapt it to the outdoor environment, exploring it through a new lens. In Winter of 2022 (date TBD) the dancers and choreographers will get reconvene for a live event do discuss their work, sit in for a Q&A and possibly perform their work live (depending on pandemic restrictions). Toronto-based Throwdown Collective is an award-winning contemporary dance company that supports the collaborative creative pursuits of founders Zhenya Cerneacov, Mairéad Filgate and Brodie Stevenson. The Collective’s first three site-specific works, originally commissioned for Toronto's Dusk Dances Festival, went on to tour throughout Canada and beyond, including the 85th Anniversary Celebration of Jacob’s Pillow Dance Festival, MA and Fall for Dance North at the Sony Centre for the Performing Arts. Their first full-length evening of stage works, presented by DanceWorks (TO) received two Dora Mavor Moore Awards for Outstanding Choreography and a total of eight nominations. Throwdown Collective enjoys a long-standing relationship with Dance Happens Here Haliburton and the Haliburton community. They created two full-length works as artists-in-residence at the Sculpture Forest (2018, 2019), and a short film commissioned by DH3 during the COVID-19 lockdown. They are thrilled to be returning to Haliburton for another exciting project. Learn More About: The Dancers Throwdown Collective DH3 September 13-18, 2021 Re-emergence We asked the Throwdown Collective to invite four dancers/choreographers, Brian Solomon, Anishinaabe dance artist, Noriko Yamamoto, Japanese-Canadian mime/dance artist and two emerging dance artists Phylicia Browne-Charles and Madeline Friel to spend a week in solo creative dance residency in the Haliburton Sculpture Forest in September 2021. These selected artists have been invited to take an existing work or idea—perhaps halted by the pandemic—and to re-engage, re-configure, and adapt it to the outdoor environment, exploring it through a new lens. Coming a year and a half after most creative rehearsals and performances were halted, this creative time in Haliburton will offer artists an open week of personal reflection, re-emergence into creative life post-pandemic, and a gentle entry back into artistic social exchange. September 13-18, 2021 Re-engagement The dance artists will reside in Haliburton with seven days to think, create, and experiment, inspired by the beautiful forest surroundings, the changing colour of the leaves and the sculptures nestled along the trails. Community members and visitors are invited to wander through the Sculpture Forest and observe the artists in their process. The Sculpture Forest attracts a culturally diverse group of visitors of all ages from the GTA and throughout the region. It is also a favourite place to walk for local residents, within walking distance of three local schools and adjacent to the Haliburton School of Art + Design. A casual meet and greet for artists and community members will be organized at the end of the week, as well as informal events for participating artists to gather, socialize, and exchange ideas. The objective of the week is to offer artists a supportive and nurturing space and opportunity to re-ignite their creativity and spark artistic exchange after a tumultuous time. The focus is on process with no expectation of a final product. Throughout the week the process will be documented on film including short interviews with participating artists. October 22, 2022 Re-connection This film footage has been edited into a creative montage and will be screened at a culminating live event in Haliburton in Fall 2022. The participating artists are returning to Haliburton for the screening, to perform their work before a live audience and to participate in a artists talkback about their experience with re-emergence, re-engagement and re-connection! Watch the video here. Thank you to all our sponsors! This event is funded by the Goverment of Canada Photo Gallery: < Previous Next >

2019 < All Sculptures 2019 Downtown Haliburton Sculpture Exhibition $1,900.00 Earth and Sky Julie Campagna Julie Campagna lives in Toronto and has been a sculptor since graduating from the Ontario College of Art and Design in 1991. Along with her study of the human condition and her dedication to realizing her ideas in three-dimensions, the personal connection between artist and viewer has always been an integral part of Campagna’s life’s work. In 2001 she converted a second story apartment into a studio gallery and opened her door to the public. Campagna Bronze studio gallery offers a unique window into the sculpting process as well as the opportunity to take private workshops and learn the technique of wax modelling. Campagna’s sculptures are in private and public collections worldwide and her work can be viewed at www.campagnabronze.com “My quest for clarity in this tangled existence is why my ideas take form." Artist Contact Information 416.539.9206 julie@campagnabronze.com

Doug Stephens All Sculptures Sleep of the Huntress Number on Map 14 Artist Doug Stephens Material Belmont Rose Granite Installation Date August 1, 2004 Learn About the Artist Walking through the forest is, for me, a time of contemplation: of peace and reflection. I see the viewer coming upon a rock, a ruddy rock, fitting for this place but not of this place. It is rough hewn and gnarled. As they approach it becomes evident that they are not alone; that they have happened upon an elegant sleeping woman, lost in the deep world of dreams. She exists in a spiritual realm: out of time and immaterial. All is quiet except for the sounds of the woods. The viewer is held for a moment in silence: hesitant and reflective in the presence of this woman of nature, calmly nestled on her craggy bed. More Photos Previous Next

Marianne Reim (BA, SCA, SSC) graduated with a B.A. in Art & Art History from McMaster University in Hamilton, Ontario, Canada. She has been Artist in Residence in Japan, Yugoslavia, Italy and British Columbia, Canada. She has had many solo exhibitions and participated in numerous group shows. She exhibited her sculptures from 1994 to the present at such prestigious venues as: Art Gallery of Ontario, Toronto; Hamilton Art Gallery, Hamilton, Sculpture Society of Canada; Canadian Embassy, Tokyo; Gallery Fukashi, Matsumoto, Japan, Künstlerhaus, Ulm, Germany; Dante Centre, Ravenna, Italy; and at the Crawford Arts Centre, St. Andrew Scotland, Her works can be found in public and private collections. < All Artists Marianne Reim ABOUT SCULPTOR Artist Bio Marianne Reim (BA, SCA, SSC) graduated with a B.A. in Art & Art History from McMaster University in Hamilton, Ontario, Canada. She has been Artist in Residence in Japan, Yugoslavia, Italy and British Columbia, Canada. She has had many solo exhibitions and participated in numerous group shows. She exhibited her sculptures from 1994 to the present at such prestigious venues as: Art Gallery of Ontario, Toronto; Hamilton Art Gallery, Hamilton, Sculpture Society of Canada; Canadian Embassy, Tokyo; Gallery Fukashi, Matsumoto, Japan, Künstlerhaus, Ulm, Germany; Dante Centre, Ravenna, Italy; and at the Crawford Arts Centre, St. Andrew Scotland, Her works can be found in public and private collections. Artist Website Installed Sculptures Terminus Das Buch XXIII Previous Sculpture Next Sculpture

Nyasha Mabika was born on July 2, 1974 in Mutare Manicaland Province, in the Eastern Highlands of Zimbabwe. He was the 4th born in a family of 6 children. Nyasha attended both primary and secondary school in Bvumba, a beautiful mountainous region, near the Mozambique border. When Nyasha completed high school in 1991 he began visiting local sculpting co-operatives and assisting sculptors with sanding and polishing their sculptures. Having decided stone sculpting was a career he wished to pursue, Nyasha moved to St. Mary's in Chitungwiza to begin a formal apprenticeship with his late cousin Winston Magura. Winston taught Nyasha and they worked together from 1994 to 1996. In 1996, Nyasha had completed his apprenticeship and was looking for new challenges. He joined a group of other artists and founded an arts co-operative, the Chitungwiza Arts Centre, where he remained an active member until 2016. He now works from his home studio in Epworth. Nyasha goes to the mine himself to select stone, which is his first source of information. He enjoys working with hard stones such as Leopard Rock, Springstone and Opal. Attracted to wildlife, Nyasha says that is what most often he sees in the raw stone. Nyasha enjoys sculpting hippos and abstract pieces. His sculptures have sold to galleries and collectors from Germany, the Netherlands, the UK and Canada. ZimArt started to represent Nyasha in Canada in 2017. < All Artists Nyasha Mabika ABOUT SCULPTOR Artist Bio Nyasha Mabika was born on July 2, 1974 in Mutare Manicaland Province, in the Eastern Highlands of Zimbabwe. He was the 4th born in a family of 6 children. Nyasha attended both primary and secondary school in Bvumba, a beautiful mountainous region, near the Mozambique border. When Nyasha completed high school in 1991 he began visiting local sculpting co-operatives and assisting sculptors with sanding and polishing their sculptures. Having decided stone sculpting was a career he wished to pursue, Nyasha moved to St. Mary's in Chitungwiza to begin a formal apprenticeship with his late cousin Winston Magura. Winston taught Nyasha and they worked together from 1994 to 1996. In 1996, Nyasha had completed his apprenticeship and was looking for new challenges. He joined a group of other artists and founded an arts co-operative, the Chitungwiza Arts Centre, where he remained an active member until 2016. He now works from his home studio in Epworth. Nyasha goes to the mine himself to select stone, which is his first source of information. He enjoys working with hard stones such as Leopard Rock, Springstone and Opal. Attracted to wildlife, Nyasha says that is what most often he sees in the raw stone. Nyasha enjoys sculpting hippos and abstract pieces. His sculptures have sold to galleries and collectors from Germany, the Netherlands, the UK and Canada. ZimArt started to represent Nyasha in Canada in 2017. Installed Sculptures Previous Sculpture Next Sculpture

John Beachli All Sculptures To Cut or Not To Cut Number on Map 15 Artist John Beachli Material Local Granite Installation Date August 1, 2006 Learn About the Artist Haliburton County has a long history of men working in the forest, in logging camps—such those run by Mossom Boyd—or cutting timber on their own land and also a history of sons learning skills from their fathers as they helped them with their work. This sculpture, carved out of local stone recovered from rock blasted from the Pre-Cambrian shield at a nearby building site, tells the story of a man and his son having a conversation over the stump of a tree that has just been felled. “To Cut or Not to Cut” is about the conversations that occur when a son is working with his father. It is also a representation of the never-ending push and pull of our relationship with the forest. We need the timber for building shelter, for heat, for a thousand different reasons; we also need the forests to conserve our environment, to protect our water, to provide habitat and to purify the air. How do you decide what to cut and what not to cut? More Photos Previous Next