top of page

Search Results

Search this site

505 results found with an empty search

  • 404 | Sculpture Forest

    There’s Nothing Here... We can’t find the page you’re looking for. Check the URL, or head back home. Go Home

  • 404 | Sculpture Forest

    There’s Nothing Here... We can’t find the page you’re looking for. Check the URL, or head back home. Go Home

  • 404 | Sculpture Forest

    There’s Nothing Here... We can’t find the page you’re looking for. Check the URL, or head back home. Go Home

  • Botanical Canendensis

    Liz Menard < Art Huts Location Art Hut 2 Directions Art Hut 2 is located behind Fleming College. To find Art Hut 2: Walk to 19. Kennisis: Horse and Rider Enter the Red Fleming College Doors Walk straight across the Great Hall and exit the back doors to find Art Hut 2 Installation Start: June 1, 2025 Installation End: August 31, 2025 Liz Menard Botanical Canendensis Performance painting in the Art Hut: eight paintings, acrylic on canvas and wood panels About the Artist Liz Menard Previous Next

  • The Mystery Shack, 2023

    Sayde Demers < Art Huts Location Art Hut 3 Directions Art Hut 3 is located at the Eastern edge of the Sculpture Forest, close to the water. To find Art Hut 3: Walk to 27. Together We Explore the Wild, Art Hut 3 is located behind this sculpture Installation Start: March 1, 2023 Installation End: August 31, 2023 Sayde Demers The Mystery Shack, 2023 Mixed media installation made of found objects, sculptural elements and vitrines The Mystery Shack is a captivating exploration of the intersection between art, nature, and the surreal. Reminiscent of an historic Cabinet of Curiosities—a curated collection of objects that represent moments in time, as well as the exotic interests of its collector—this installation challenges our perceptions of what is natural and what is real. The works showcased are designed to create a sense of intrigue and wonder—drawing the audience into a world that is at once familiar and yet, strangely foreign. By featuring animals with bizarre and fantastical characteristics, this installation aims to explore the boundaries of our imagination and challenge our understanding of the natural world. Can we think beyond our industrialized and digitized present to a future where all creatures can co-exist without having to be placed in a museum or zoo, in order to appreciate the wonders of our earthly paradise? About the Artist Sayde Demers Sayde Demers brings memories from childhood to life with her awesome imagination and playful creativity.Growing up in a concrete suburban jungle (Oakville, ON), she found herself yearning for nature and finding inspiration and comfort within the natural world. Through the use of different materials, a unique palette and out-of-the-box thinking, Demers is able to splatter her imagination onto anything she touches. Unable to conform to one medium, Sayde has developed her skills in painting, fibre art, ceramics, sculpture and assemblage, in order to present her mixed media works. Spontaneous and fun, with some darkness thrown in for good measure, her artworks deliver a creative vibe that’s reminiscent of the carefree attitudes most of us have experienced as children. Instagram: @sayde.fuse Sayde Demers is an Integrated Design Diploma student at Fleming College's Haliburton School of Art and Design. Previous Next

  • Articles

    Articles Read about the Sculpture Forest featured in other publications. This is placeholder text. To connect this element to content from your collection, select the element and click Connect to Data. Item Title Read More This is placeholder text. To connect this element to content from your collection, select the element and click Connect to Data. Item Title Read More This is placeholder text. To connect this element to content from your collection, select the element and click Connect to Data. Item Title Read More Load More

  • Sound Vessel: Forest

    Don Dickson, Amy Doolittle All Sculptures Sound Vessel: Forest Number on Map 05 Artist Don Dickson, Amy Doolittle Material Corten Steel Plate, stainless steel rods Installation Date August 1, 2003 Learn About the Artist Synonymous with the perception of “up north” is the image of trees. They are so numerous that one takes them for granted. Solid yet pliant, they are part of our horizons and landscapes. Like a tree that is still, yet filled with life, the vessel holds sound and, like a tree, is animated and given voice by the wind. More Photos Previous Next

  • Shadow Caster

    Ian LaBlance All Sculptures Shadow Caster Number on Map 18 Artist Ian LaBlance Material Steel Rods Installation Date June 1, 2006 Learn About the Artist Shadow Caster is sculpture based on my joy of studying insects and fossils. It actually is a biomorphic shape based on bees and beehives and the fossil remains of a trilobite. This sculpture is made out of metal rods and has an articulating spine, creating cascading layers trapping pentagons and hexagons in shadows. Metal rod was used purposefully so that the viewer can look through it and constantly enjoy the ever-changing shadow. More Photos Previous Next

  • Redwing Frond

    Darlene Bolahood All Sculptures Redwing Frond Number on Map 09 Artist Darlene Bolahood Material Steel, Acrylic Panels Installation Date August 1, 2003 Learn About the Artist The sculpture’s axis, from base to tip, is perfectly aligned: the compass needle pointing to the true north. The sun’s rays, at this latitude, find the lenses of the coloured panels, casting shadows that change with the skies. The streaks of pigment opaque on the transparent surfaces along with the overlapping edges of the panels create kaleidoscopic forms within these shapes. The form is explosive red. Like transparent marble veined with golds, silvers and black, the leaf/feather/louver-paged panels reflect the flight of birds, growth of the forests and books of the art of learning. Catching the wind, changing frequencies, perhaps it will even posses a voice where it stands. Imagine the red of this leaf against the white of the snow, the red of this leaf opposing the brilliance of the new spring greens, softening into the aging dust of summer, and then disappearing into the famous autumn colours of the Haliburton Highlands. The leaf for growth, the feather: mark of freedom and flight, the pages of the book: the freedom in self-knowledge… which marks the only absolute measure of success in the uncovering and unleashing of an artist’s soul. I pay tribute to the land and the rock, sun, sky and wind and the school standing within that space. More Photos Previous Next

  • Catharsis

    Rene Petitjean All Sculptures Catharsis Number on Map 41 Artist Rene Petitjean Material Steel Installation Date June 25, 2025 Learn About the Artist This sculpture was created using forged and bent steel frame and powder coated steel skin. More Photos Previous Next

  • To Cut or Not To Cut

    John Beachli All Sculptures To Cut or Not To Cut Number on Map 15 Artist John Beachli Material Local Granite Installation Date August 1, 2006 Learn About the Artist Haliburton County has a long history of men working in the forest, in logging camps—such those run by Mossom Boyd—or cutting timber on their own land and also a history of sons learning skills from their fathers as they helped them with their work. This sculpture, carved out of local stone recovered from rock blasted from the Pre-Cambrian shield at a nearby building site, tells the story of a man and his son having a conversation over the stump of a tree that has just been felled. “To Cut or Not to Cut” is about the conversations that occur when a son is working with his father. It is also a representation of the never-ending push and pull of our relationship with the forest. We need the timber for building shelter, for heat, for a thousand different reasons; we also need the forests to conserve our environment, to protect our water, to provide habitat and to purify the air. How do you decide what to cut and what not to cut? More Photos Previous Next

  • Sun Bench

    Scott McKay All Sculptures Sun Bench Number on Map D Artist Scott McKay Material Corten Steel Installation Date January 1, 2018 Learn About the Artist Wendy Wilkins, the patron who purchased Mother Earth and commissioned the Sun Bench to accompany it, thought it would be lovely to add a couple more Scott McKay one-of-a-kind benches to create Mother Earth’s living room where a whole family or group of friends could gather. So, she worked with the Sculpture Forest to commission two new nature inspired benches to complete the set and create Mother Earth's living room. In 2018 the Haliburton Sculpture Forest teamed up with the Haliburton Village BIA (business Improvement Area) to create the Downtown Haliburton Sculpture Exhibition. This featured the display of six sculptures on the main street from Ontario artists from June to October. McKay’s Mother Earth was one of them. Mother Earth is McKay’s vision of the classical mother figure who is one with the tree of life. More Photos Previous Next

Land Acknowledgment

We would like to acknowledge that we are located on ancestral lands, the traditional territory of the Mississauga Anishinaabe covered by the Williams Treaties. This area, known to the Anishinaabe as “Gidaaki”, has been inhabited for thousands of years – as territories for hunting, fishing, gathering and growing food.


For thousands of years Indigenous people have been the stewards of this place. The intent and spirit of the treaties that form the legal basis of Canada bind us to share the land “for as long as the sun shines, the grass grows and the rivers flow”.

MYHH_Colour_edited.jpg

Location:

297 College Drive
Haliburton, ON K0M 1S0
Tel:

(705) 457-3555

Email:

info@haliburtonsculptureforest.ca

To find out more about all of the extraordinary things to see and do in the Haliburton Highlands in every season click here!

  • Instagram
  • Facebook
  • Youtube
  • Twitter

© 2023 Haliburton Sculpture Forest

Images © 2021 Kristy L. Bourgeois | Youkie Stagg | Angus Sullivan | Noelle Dupret Smith | Teodora Vukosavljevic | Nadia Pagliaro

bottom of page