Four artists from three countries visited Haliburton for a three week sculpture symposium in 2017 in celebration of Dysart 150, Ontario 150, and Canada 150. < All Events Carved in the Canadian Shield Four artists from three countries visited Haliburton for a three week sculpture symposium in 2017 in celebration of Dysart 150, Ontario 150, and Canada 150. Tuesday, May 30, 2017 Wednesday, June 7, 2017 Address: Haliburton School of Art and Design, College Drive, Haliburton, ON, Canada Read More Four artists from three countries visited Haliburton for a three week sculpture symposium in 2017 in celebration of Dysart 150, Ontario 150, and Canada 150. Beginning with four blocks of limestone, each artist was tasked with creating a piece that reflected the theme of carving on the Canadian Shield. Featured Artists Mary Ellen Farrow , Georgetown, Ontario, Canada Jiří Genzer , Prague, Czech Republic Carole Turner , Portland, Oregon and Istanbul, Turkey John McKinnon , Nelson, B.C, Canada Artist's Talk On May 30th, the Haliburton School of Art + Design hosted an Artist's Talk for the sculptors. The audience in the great hall got to hear the inside story on the work and lives of the four sculptors visiting Haliburton for the Symposium. They also got to enjoy desserts and treats at the same time! Artist's Panel - Carving in Place On June 7th, as part of the Carved on the Canadian Shield Sculpture Symposium, a panel discussion was held at the Rail's End Gallery between the four artists here for the symposium and local sculptor Mary Anne Barkhouse. The panel focused on place in the creative process and the sculptors' experiences of creating sculptures in different places and landscapes in the world and how this affects and inspires their work. Sculpture Unveiling We will be holding a community celebration in July to have an official unveiling of the sculptures . Contributors A special thank you to our contributors for this initiative: Ontario 150 Carol Moffatt and Tony Aymong Barb Bolin The Estate of Bob Blake Rotary Club of Haliburton Anonymous Donor Photo Gallery: < Previous Next >

2026 < All Sculptures 2026 Downtown Haliburton Sculpture Exhibition $1200.00 Choose Life, Choose Love Angela Burdon Artist's Statement: “ My sculpture is called Choose Life, Choose Love. I imagined and created this sculpture this year as a response to current events. We all make choices, on how we will live our lives, every day. We choose whether to embrace the real, sometimes complicated parts of life or to drown ourselves in distraction; numb ourselves with the unreal.

William Lishman All Sculptures Kennisis: Horse and Rider Number on Map 19 Artist William Lishman Material Milled Steel Installation Date October 1, 2008 Learn About the Artist The theme of Expo 86 in Vancouver was transportation and communications. There were three plazas that focused on various forms of transportation; land, sea and air. My concept won the commission for the centerpiece sculpture for the Land Transportation plaza. My thoughts (inspired by Terry Fox and Steve Fonyo) were that muscle power has been the mainstay of our transportation in human history. Legs have carried humankind around the planet since our forbearers crawled from the sea, and who knows when we first started riding various animals. The horse more than any other animal has carried us for many millennia. The overall piece was comprised of many elements depicting the devolution of the wheel. It started at the bottom out of a traffic jam as if wheeled vehicles had been caught in some tornado-like blender, and were torn apart in an upward spiral of varying colours around a central cone to a height of 86 feet. The vehicle parts re-congealed into muscle powered transportation. A celebration of legs! Aside from the wheeled vehicles at the bottom, it was comprised of 55 figures which gradually diminished in size as they spiraled skyward giving the piece a forced perspective and making it appear much higher than its 86 feet. The horse sculpture was in the second step down in scale, just a bit smaller than life size. It represented the history of equestrian transportation depicting a North American aboriginal rider as one with the horse in mind and muscle. The segments that are welded together to make the sculpture are off cuts from a metal stamping plant that made parts for General Motors in Oshawa. The overall piece was entitled Transcending the Traffic. The sculpture was purchased by Janis Parker and donated to Fleming College which has provided the sculpture on permanent loan to the Haliburton Sculpture Forest. Janis chose the name Kennisis, the name of a racehorse owned by Gary Vasey and Don Finn, to honour the Vasey and Finn families. More Photos Previous Next

​Carolanne MacLean was born in Toronto in 1949. She is a graduate with honours of the Ontario College of Art in Fine Art and has a B.A. from the University of Toronto. Her large encaustic abstract works are a study in light, colour and texture, sometimes involving the figure, often nonrepresentational. Her City Souls paintings capture moments, passing expressions on the faces around us. She pursues the beauty of the figure through a regular sculpture practice. Artist's Statement: I feel I am working with energy, whether painting or sculpting. I am interested in the healing value of colour and the surprising beauty of the accidental mark, and intrigued by the very existence of our response to beauty. E-mail: cmtoronto@pm.me < All Artists Carolanne MacLean ABOUT SCULPTOR Artist Bio Carolanne MacLean was born in Toronto in 1949. She is a graduate with honours of the Ontario College of Art in Fine Art and has a B.A. from the University of Toronto. Her large encaustic abstract works are a study in light, colour and texture, sometimes involving the figure, often nonrepresentational. Her City Souls paintings capture moments, passing expressions on the faces around us. She pursues the beauty of the figure through a regular sculpture practice. Artist's Statement: I feel I am working with energy, whether painting or sculpting. I am interested in the healing value of colour and the surprising beauty of the accidental mark, and intrigued by the very existence of our response to beauty. E-mail: cmtoronto@pm.me Artist Website Installed Sculptures Double Take Previous Sculpture Next Sculpture

2021 < All Sculptures 2021 Downtown Haliburton Sculpture Exhibition Part of Sculpture Forest Collection Depth Don Frost https://www.youtube.com/watch?v=k12AcbJEso8 Depth I had a lot of fun making this piece during the COVID-19 lockdowns. It was a real escape from the world and just evolved into this primitive, organic shape. I live beside a bike trail and this piece brought in many people off the path to see what I was working on. The mount is also unusual for me, going up on a diagonal which gives the piece some extra movement. The finish is graphite, top coated in a prismatic gold to magenta paint. The piece is made from fiberglass, and composites and is designed to withstand weather extremely well. Don Frost “The act of being a sculptor and continually experiencing the creative challenges in this multidimensional world causes a thought process that spills over into all facets of life causing the world of the artist to become a work of art” Peterborough born Don Frost had his future path laid out for him by winning first prize in a city wide art exposition at age six in grade one. The following year at age seven, Don had a group showing at thePeterborough Public Library. Public school had its usual trials and tribulations and it was not until grade 10 that Don discovered that he was colour blind to all but the primary colours. At this point Don’s life took a right turn and sculpture was all that he focused on. Don teamed up with a friend in grade 11 who became his art agent and they enjoyed considerable success in the Peterborough area. Afterhigh school Don took some time off to do his art and apprentice as a mechanic for a year. In 1973-74 he attended Sheridan Art College followed by a decision to become a professional sculptor having just received a major commission for a large 15' tall sculpture for a new mall being built in Peterborough, Ontario. This was followed by the creation of the largest sculpture in Canada in 1983 by winning a competition for an indoor work for the Michael Starr Building in Oshawa, Ontario. Always seeking new outlets for art Don acquired an art agent in Ottawa which led to an introduction to a patron who kept Don busy creating more than 40 sculptures in a period of twenty years. Don’s work internationally was recently a commission for four large works for a garden in Club Medjulis in Riyadh, Saudi Arabia. Previously to this in an expansive design project by the late King Hussein for a 1.6 km wall of huge relief panels commemorating the history of Jordan, Don’s work on six of these panels was accepted by King Abdullah. Experiencing greater notoriety for the global uniqueness of his art, Don was presented with awards from Peterborough County and commemorated in the Walk of Fame. Presently Don has art representatives across the United States and Canada. Artist Contact Information donfrostsculptor.com don.frost@sympatico.ca 705-652-7200

2025 < All Sculptures 2025 Downtown Haliburton Sculpture Exhibition $2400.00 Geese Please Kim Collins Geese Please Mixed recycled contents: fabric sculpture-ripstop nylon/polyester from kitesurfing, windsurfing and camping tents, speciality sailcloth with kevlar, woven tarp, aluminum rigging rod, polyurethane foam, cotton, felt, and wood From the discarded remnants of high-performance outdoor textiles—tents, kitesurfing sails, and windsurfing sails—emerges a striking Canadian Goose sculpture. This artwork embodies the spirit of outdoor adventure and wildlife through its recycled composition. The process of repurposing these technical fabrics challenges the traditional linear consumption model, acting as a direct intervention against waste culture and drawing attention to the pervasive problem of microplastic pollution. The initial spark for this project was a single, damaged camping tent, a piece of waste that ignited an investigation into the possibilities of textile up-cycling. Kim Collins Kim is a multidisciplinary artist and graphic designer residing in Niagara. Captivated by our natural world, her colourful 2 and 3 dimensional pieces express joy and humour. Known for her inventive use of recycled contents, Kim paints, collages and stitches together mixed materials to best emphasize the aesthetic qualities.For over a decade, Kim's design career has been in the sports industry, creating bicycle graphics and supporting marketing collateral. Check out the bike department at Canadian Tire to see her latest work.Kim has a B. Des from York University/Sheridan College and a B. Ed (Visual Art) fromNipissing University. She has exhibited her work in Thornbury, Collingwood, Haliburton,Waterloo, St. Catharines, Burlington, Mississauga and Toronto. Artist Contact Information Email : kim.a.collins@gmail.com Website : kimcollinsart.ca Instagram: @4x5design

Community members joined Jared Tait to learn about traditional woodland style painting and help to create and paint an installation for the Haliburton Sculpture Forest. < All Events Bawaajigan - To Dream Community members joined Jared Tait to learn about traditional woodland style painting and help to create and paint an installation for the Haliburton Sculpture Forest. Monday, August 12, 2024 Friday, August 16, 2024 Address: 297 College Drive, Haliburton, ON, Canada Bawaajigan means "To Dream". Jared Tait was the artist in residence in the Haliburton Sculpture Forest in August 2024. He worked with community members at the campus of the Fleming Haliburton School of Art + Design to create 3-dimensional woodland style paintings, which were installed in the Sculpture Forest on Saturday, August 17th, 2024. Jared Tait is a member of the Sachigo Lake First Nation an Oji-Cree First Nation in Treaty 9, territory in the far north of Ontario near the Manitoba border. Jared was raised in Thunder Bay. He currently resides with his family in the countryside near Bancroft, Ontario. In 2018, Jared began painting under the mentorship of his father, Tim Tait a self-taught artist. Jared recalls his childhood being surrounded by his father's paintings and being told the stories within them. Since his exposure to art at a young age, Jared has created a strong appreciation and connection to art. Through his understanding of the Woodland style and the methods of telling a story through his work, Jared captures the deep relations to the land and its creatures. He builds on these motivations to preserve the sacred stories, symbolism and teachings. Jared creates imagery inspired by his personal and spiritual experiences and hopes to pass his teachings on to future generations. People can see Jared’s work hanging near the registration desk of the Haliburton School of Art and Design. An image of his mural Biingiden can be seen on one of the panels in the kiosks at the entrances to the Sculpture Forest and Glebe Park. Photo Gallery: < Previous Next >

2025 < All Sculptures 2025 Downtown Haliburton Sculpture Exhibition $1500.00 Bronze Sky Pods Danielle Reddick Bronze Sky Pods When I discovered bronze mesh, I realized that I could create forms that capture and return a light source. These forms gather life energy, balancing on the edge of sentience. Working with these materials as well as with universal light is a great privilege. With that in mind, I have created a bouquet of bronze pods. The notion is that they will look like giant golden blossoms in the raised garden beds. We cannot create light, we can radiate it, capture it and reflect it back. Danielle Reddick Danielle Reddick is a multimedia artist who has lived in Prince Edward County since 1984. From a very young age, it was clear that Danielle was an artist. Her current works reference the ethereal qualities she discovered in lithography at Queens University where she received an Hon BFA. Danielle has received a number of commissions for sculptures. She recently completed a large outdoor shrine for a client in Kingston. It is made from locally sourced stone and complete with solar lighting. In 2019, Danielle was commissioned by Glenwood Cemetery to create a WW2 soldier out of chicken wire. This project was funded by grants from the Prince Edward Arts Council and Huffs’ Estates Winery. This winter, Danielle manifested three large figures (10′-12’) of the Madonna, Maiden and Crone for a private collection. Over the years, Danielle has continued to make artworks outside of commissions. One of these, an art quilt, was displayed (with 5 other Canadian quilts) at quilt shows worldwide for 1 1/2 years representing Canada. Danielle was also a participant in the Royal Ontario Museum’s “Greenbelt Quilt of Possibilities.” Danielle has participated in many Juried shows including Art in the County, often winning Juror’s Choice awards and honourable mentions.

Gord Peteran All Sculptures Passage Number on Map 38 Artist Gord Peteran Material Red Cedar Installation Date June 16, 2021 Learn About the Artist My artwork is fuelled by the historical decorative arts.Unlike most artists I’m not looking for “new”, but rather the very, very old.I’m interested in testing the boundaries of what we know and trust. Disrupting the iconography of culture slightly, either by altering their context or proximity, can destabilize assumptions and suggest ideas that seem both correct and wrong in the same moment. Doorways are thresholds of our buildings, and also represent the threshold of our anxieties. Two doorway openings placed apart to imply a room, stand as both sentinels and facilitators of flow and passage. A dining table, . . . with oars, placed between these frames suggests both the safe space of home and references to this rural location. A table implies gathering, and in many ways represents the core of the family. Are there directional implications to a dining table? Is it in any way mobile? Who propels the ideas discussed at dinner? Can they stagnate or change course? The emblems and events of summer at a lake cannot be underestimated. They become imbedded in our psyche for life. Perhaps because they are filled with moments of joy, of discovery, learning, curiosity and camaraderie, . . . (the conditions necessary for creativity). The new conditions our world now faces provide potential opportunities. This artwork’s references are vast, from global warming and migratory populations, to the intimate summer ponderings of a child. The swinging doors once hanging from the doorframes have long since disappeared with only vague remnants of each left visible. Visitors can freely pass into, through, and out of this scene, setting in motion their own transformative art moment. More Photos Previous Next

George Pratt All Sculptures Together We Explore the Wild Number on Map 27 Artist George Pratt Material Salt and Pepper Granite Installation Date August 1, 2016 Learn About the Artist The sculpture “Together We Explore the Wild” was commissioned in appreciation of the life of Shawn Hagerman, family man, outdoorsman, canoeist, camper, fisherman, hunter, photographer, hiker, meditator, poet, and health and fitness enthusiast. He found peace and joy in exploring the wilderness alongside his family and friends. https://www.youtube.com/watch?v=dMhe3CmT1r0 More Photos Previous Next

Ostrya viginiana < Back Ironwood Ojibwe Name: maananoons Scientific Name: Ostrya viginiana Significance in Ojibwe Cultures: --- How to Identify the Leaves: "Ironwood has simple, alternating oval-shaped leaves with sharp teeth that are successively larger towards the end of a growing shoot. Male flowers, called catkins, hang in early spring to release pollen. This tree may also be called hop hornbeam, because the maturing clusters of fruit looks like hops. Older trunks have rough, peeling strips of grayish-brown bark." Sources: Translation: https://ojibwe.lib.umn.edu/main-entry/maananoons-na Image: https://www.ontario.ca/page/basswood How to Identify Tree: https://www.ontario.ca/page/basswood < Back Next >

George Pratt All Sculptures Pan Number on Map 02 Artist George Pratt Material Salt and Pepper Granite Installation Date May 1, 2003 Learn About the Artist One of Pan’s favourite sports was pursuing beautiful wood nymphs that strayed into the high forests where he lived. His strange, coarse goat-like features frightened the nymphs and they would flee in fear of him. From this we got the term “panic”. He was particularly smitten by one nymph whose name was Syrinx but she did not welcome his attentions. One day, being pursued by Pan, she came to the river. Exhausted, she beseeched the water nymphs to protect her. Just as Pan was about to grasp her, she was transformed into one of the many reeds that grew along the river bank. Frustrated, Pan plucked the reeds and fashioned them into the first flute. Since that day, he can be found playing sweet music on the flute which is the embodiment of his unrequited love. We have come to call his instrument the ‘pan-flute’ but more correctly, its name is Syrinx after Pan’s lost nymph. This sculpture was carved out of an 8,700 Kg (19,300 Lbs) block. By the time the sculpture was completed, George had removed more than 3,000 Kg (7,000 Lbs) of stone, an impressive feat considering the work was done outdoors in blackfly season! More Photos Previous Next