Search Results

2025 < All Sculptures 2025 Downtown Haliburton Sculpture Exhibition Not For Sale Ma'iingan Jared Tait Ma'iingen This two sided woodland painting of a spirit wolf is part of a larger installation "Bawaajigan" "To Dream" located in the Haliburton Sculpture Forest. (see Bawaajigan ) Jared Tait Jared Tait is a member of the Sachigo Lake First Nation an Oji-Cree First Nation in Treaty 9, territory in the far north of Ontario near the Manitoba border. Jared was raised in Thunder Bay. He currently resides with his family in the countryside near Bancroft. In 2018, Jared began painting under the mentorship of his father, Tim Tait, a self-taught artist. Jared recalls his childhood being surrounded by his father’s paintings and being told stories within them. Since his exposure to art at a young age, Jared has created a strong appreciation and connection to art. Through his understanding of the Woodland style and the methods of telling stories through his work, Jared captures the deep relations to the land and its creatures. He builds on these motivations to preserve the sacred stories, symbolism and teachings. Jared creates imagery inspired by his personal and spiritual experiences and hopes to pass his teachings on to future generations.

Jared Tait is a member of the Sachigo Lake First Nation an Oji-Cree First Nation in Treaty 9, territory in the far north of Ontario near the Manitoba border. Jared was raised in Thunder Bay. He currently resides with his family in the countryside near Bancroft. In 2018, Jared began painting under the mentorship of his father, Tim Tait, a self-taught artist. Jared recalls his childhood being surrounded by his father’s paintings and being told stories within them. Since his exposure to art at a young age, Jared has created a strong appreciation and connection to art. Through his understanding of the Woodland style and the methods of telling stories through his work, Jared captures the deep relations to the land and its creatures. He builds on these motivations to preserve the sacred stories, symbolism and teachings. Jared creates imagery inspired by his personal and spiritual experiences and hopes to pass his teachings on to future generations. < All Artists Jared Tait ABOUT SCULPTOR Artist Bio Jared Tait is a member of the Sachigo Lake First Nation an Oji-Cree First Nation in Treaty 9, territory in the far north of Ontario near the Manitoba border. Jared was raised in Thunder Bay. He currently resides with his family in the countryside near Bancroft. In 2018, Jared began painting under the mentorship of his father, Tim Tait, a self-taught artist. Jared recalls his childhood being surrounded by his father’s paintings and being told stories within them. Since his exposure to art at a young age, Jared has created a strong appreciation and connection to art. Through his understanding of the Woodland style and the methods of telling stories through his work, Jared captures the deep relations to the land and its creatures. He builds on these motivations to preserve the sacred stories, symbolism and teachings. Jared creates imagery inspired by his personal and spiritual experiences and hopes to pass his teachings on to future generations. Installed Sculptures Bawaajigan - To Dream Previous Sculpture Next Sculpture

2023 < All Sculptures 2023 Downtown Haliburton Sculpture Exhibition $1,800.00 Innocence Carolanne MacLean Innocence In the thoughtful pose of this piece, I am trying to capture the contemplative state of a young woman, loosely capturing the energy. Carolanne MacLean I feel I am working with energy, whether painting or sculpting. I am interested in the healing value of colour and the surprising beauty of the accidental mark, and intrigued by the very existence of our response to beauty. Carolanne MacLean was born in Toronto in 1949. She is a graduate with honours of the Ontario College of Art in Fine Art and has a B.A. from the University of Toronto. Her large encaustic abstract works are a study in light, colour and texture, sometimes involving the figure, often nonrepresentational. Her City Souls paintings capture moments, passing expressions on the faces around us. She pursues the beauty of the figure through a regular sculpture practice. Artist Contact Information Website : carolannemaclean.com Instagram: @ carolannemaclean Email : cmtoronto@pm.me Phone: 647-296-7259

John has spent most of the past 40 years working in stone, bronze, steel, clay, concrete and mixed-media. John is known primarily as a sculptor, although he also expresses himself through other disciplines such as painting, printmaking, drawing and multi-media. Throughout his career he has endeavoured to play and experiment with whatever came his way. He feels that an idea that cannot be expressed with one media can be expressed well in another. From time to time over the years he has worked in the commercial art business which has inspired some of his later artwork. In the past 12 years he has developed an interest in working in the ephemeral media of ice, snow and sand. The creation of these non-permanent works give him what he refers to as the Zen-Sculpting experience and have taken him to many exotic places around the world. Teaching has been a great inspiration for John. In the early eighties he taught at David Thompson University in Nelson. From the mid eighties until now he has taught modern hard stone carving technique to Inuit carvers in many communities in the Canadian Arctic. During this period he also taught many courses in Sculpture at Fleming College’s Haliburton School of The Arts in Haliburton, Ontario. John lives in Nelson, British Columbia. < All Artists John McKinnon ABOUT SCULPTOR Artist Bio John has spent most of the past 40 years working in stone, bronze, steel, clay, concrete and mixed-media. John is known primarily as a sculptor, although he also expresses himself through other disciplines such as painting, printmaking, drawing and multi-media. Throughout his career he has endeavoured to play and experiment with whatever came his way. He feels that an idea that cannot be expressed with one media can be expressed well in another. From time to time over the years he has worked in the commercial art business which has inspired some of his later artwork. In the past 12 years he has developed an interest in working in the ephemeral media of ice, snow and sand. The creation of these non-permanent works give him what he refers to as the Zen-Sculpting experience and have taken him to many exotic places around the world. Teaching has been a great inspiration for John. In the early eighties he taught at David Thompson University in Nelson. From the mid eighties until now he has taught modern hard stone carving technique to Inuit carvers in many communities in the Canadian Arctic. During this period he also taught many courses in Sculpture at Fleming College’s Haliburton School of The Arts in Haliburton, Ontario. John lives in Nelson, British Columbia. Artist Website Installed Sculptures Wind Dervish Atmo-Sphere Conspiracy of Ravens Previous Sculpture Next Sculpture

2024 < All Sculptures 2024 Downtown Haliburton Sculpture Exhibition $4200.00 Nature Prevails Mark Puigmarti Nature Prevails I Mark Puigmarti created Nature Prevails I using forged and fabricated structural steel. The sculpture stands 72" high and weighs approximately 200lbs. Nature Prevails I is intended to inspire hope. No matter what humankind builds, creates, or discards, nature will prevail. This piece represents a minute example of a structural bridge detail called a gusset plate connection. Carefully designed and engineered for structural integrity using steel elements like angle iron and steel plates riveted throughout, is in itself an amazing feat of human innovation and progress. Yet even these monumental structures uncared for, or abandoned are always trying to revert back to their elemental beginnings through slow decay. These three angle iron sections have been hot forged into vine like growth returning back to their natural origins. Mark Puigmarti What seems like lifetimes ago I was refrigeration and HVAC mechanic. Working on commercial industrial gizmos that kept things or people warm or cold, while usually experiencing the polar opposite temperature of whatever it was I was trying to rectify. It is a respectable trade that many men and some women make a respectable living at. However, as much as I tried to make the piping arrangements visually pleasing, orderly, and followable there was something lacking. It just never quite clicked with my persistent dream to follow a more artistic path. One day about half way into a 25-year run at HVACR, I made it my mission to try and change what seemed truly unchangeable. Slowly with a long list of coincidences, happy accidents and a load of sacrifices, particularly by my supportive wife Chris, positive results started to accumulate in the intended direction of working with hot metal. This did indeed take 10 years of incremental progression to end up at the beginning of a new and completely unrecognizable life and style. It is not lost on me to grasp the sheer improbability to do that mid-career, in that career, or any for that matter. That cord was cut 14 years ago now." Artist Contact Information Email : mark@sparkswillflyforge.ca Website : sparkswillflyforge.ca Instagram: @sparkswillflyforge Facebook: @SparksWillFlyForge

Tarzan Sithole is a third-generation Zimbabwean stone sculptor, born on February 27th, 1975. He started sculpting in 1994 in Tafara, Harare, Zimbabwe. Tarzan started carving with a group of 4 men, Test Sithhole, Clemence Jump and Charles Nembaware. Their group was called Svikiro. Tarzan was inspired by his parents and his friends, Witness and Lameck Bonjisi. Tarzan is known for his captivating works that celebrate the essence of everyday life with a profound focus on the strength, beauty and resilience of women. His mixed masterpiece creations blend traditional techniques with modern flair breathing life in to stories of the human experience. He prefers to use harder stones in his sculpture work, such as springstone, limestone and granite. Tarzan has exhibited his work in various countries around the world, including, The National Gallery of Zimbabwe, The Kirstenbosch National Botanical Gardens and Kew Gardens in London as well as other various galleries in Europe, Canada, Asia, Australia and the United States, earning him international acclaim. Tarzan aspires to become one of the leading sculptors of his generation, mentoring and empowering emerging artists in Zimbabwe and beyond. < All Artists Tarzan Sithole ABOUT SCULPTOR Artist Bio Tarzan Sithole is a third-generation Zimbabwean stone sculptor, born on February 27th, 1975. He started sculpting in 1994 in Tafara, Harare, Zimbabwe. Tarzan started carving with a group of 4 men, Test Sithhole, Clemence Jump and Charles Nembaware. Their group was called Svikiro. Tarzan was inspired by his parents and his friends, Witness and Lameck Bonjisi. Tarzan is known for his captivating works that celebrate the essence of everyday life with a profound focus on the strength, beauty and resilience of women. His mixed masterpiece creations blend traditional techniques with modern flair breathing life in to stories of the human experience. He prefers to use harder stones in his sculpture work, such as springstone, limestone and granite. Tarzan has exhibited his work in various countries around the world, including, The National Gallery of Zimbabwe, The Kirstenbosch National Botanical Gardens and Kew Gardens in London as well as other various galleries in Europe, Canada, Asia, Australia and the United States, earning him international acclaim. Tarzan aspires to become one of the leading sculptors of his generation, mentoring and empowering emerging artists in Zimbabwe and beyond. Link Unavailable Installed Sculptures Matriarchy Previous Sculpture Next Sculpture

Metalgenesis means the creation of art from an idea as well as the changing properties of a medium. Metalgenesis originated as the artist team and husband and wife, Don Dickson Sculptor, and Amy Doolittle Administrator / Promoter and Assistant. Don was well known across North America for his sound sculptures and public art. From Don’s studio in Mississauga Ontario, his sculptural works were commissioned for public spaces by The District Court of Appeals, Dayton Beach, Florida; Town Hall Park, Osoyoos, British Columbia; University of Florida, Gainesville, Florida; the City of Brampton Performing Arts Centre; the Richard and Annette Bloch Cancer Survivor Garden, Columbia, South Carolina; the Science and Engineering Building at University of North Florida, Jacksonville Florida and the Frank McKechnie Community Centre, Mississauga. Metalgenesis has two works in the Sculpture Forest – Forest Sound Vessel and Evolution. Don was a member of the Sculptors Society of Canada, Society of Canadian Artists, Colour and Form Society, and the Metal Arts Guild, and has won numerous awards for his work. ​After a long and courageous battle with ALS, Amy Doolittle died in 2009. Don Dickson, has carried on the work of Metalgenesis. Don describes his work in the following way: “I have always been making things with my hands. I have worked with many materials but have gravitated to metal and stone. I made the leap to professional artist in 1998 and discovered two sides to my sculptor’s personality; the abstract and the musical sound. Both paths of expression are important to me and have driven me to create a diverse range of work. The abstracts explore combinations of line and form as well as the political, social, and ecological issues of the world around me. The sound sculptures continue to combine kinetic, visual, and auditory aspects and have evolved from single sound pieces to combining sound sculpture with other abstract sculptural elements. My newest group of works are for the garden, from small sound sculptures to whimsical bugs and creatures. Combining mediums is intriguing for me as is the textures and types of marble, granite, and limestone that I have been working with. I am fascinated by the four elements which have influenced my recent stone pieces. These works are based on the four creative energies of the universe: Earth, Water, Air, Fire, and the balance between them. The elements work in harmony, seeking balance even though at times their contrary aspects may seem in conflict with each other, to create and to sustain life.” < All Artists Metalgenesis: Don Dickson & Amy Doolittle ABOUT SCULPTOR Artist Bio Metalgenesis means the creation of art from an idea as well as the changing properties of a medium. Metalgenesis originated as the artist team and husband and wife, Don Dickson Sculptor, and Amy Doolittle Administrator / Promoter and Assistant. Don was well known across North America for his sound sculptures and public art. From Don’s studio in Mississauga Ontario, his sculptural works were commissioned for public spaces by The District Court of Appeals, Dayton Beach, Florida; Town Hall Park, Osoyoos, British Columbia; University of Florida, Gainesville, Florida; the City of Brampton Performing Arts Centre; the Richard and Annette Bloch Cancer Survivor Garden, Columbia, South Carolina; the Science and Engineering Building at University of North Florida, Jacksonville Florida and the Frank McKechnie Community Centre, Mississauga. Metalgenesis has two works in the Sculpture Forest – Forest Sound Vessel and Evolution. Don was a member of the Sculptors Society of Canada, Society of Canadian Artists, Colour and Form Society, and the Metal Arts Guild, and has won numerous awards for his work. After a long and courageous battle with ALS, Amy Doolittle died in 2009. Don Dickson, has carried on the work of Metalgenesis. Don describes his work in the following way: “I have always been making things with my hands. I have worked with many materials but have gravitated to metal and stone. I made the leap to professional artist in 1998 and discovered two sides to my sculptor’s personality; the abstract and the musical sound. Both paths of expression are important to me and have driven me to create a diverse range of work. The abstracts explore combinations of line and form as well as the political, social, and ecological issues of the world around me. The sound sculptures continue to combine kinetic, visual, and auditory aspects and have evolved from single sound pieces to combining sound sculpture with other abstract sculptural elements. My newest group of works are for the garden, from small sound sculptures to whimsical bugs and creatures. Combining mediums is intriguing for me as is the textures and types of marble, granite, and limestone that I have been working with. I am fascinated by the four elements which have influenced my recent stone pieces. These works are based on the four creative energies of the universe: Earth, Water, Air, Fire, and the balance between them. The elements work in harmony, seeking balance even though at times their contrary aspects may seem in conflict with each other, to create and to sustain life.” Artist Website Installed Sculptures Sound Vessel: Forest Evolution Previous Sculpture Next Sculpture

2024 < All Sculptures 2024 Downtown Haliburton Sculpture Exhibition $2000.00 Oracle Rosalinde Baumgartner Oracle This sculpture was created using sculpture clay, fired cone 6 and was then smoke fired. Oracle is presented on a wooden base which has been treated to withstand the elements. Oracle stands 17 inches tall, gazing upon and holding a precious rock. A contemplative figure contemplating the future. So much coming our way, so many trying to help, will we make the right decisions? Searching for wisdom. ~Rosalinde Baumgartner~ Rosalinde Baumgartner Rosalinde is a mixed media artist who resides outside of Belwood, Ontario. You can visit her studio by making an appointment. This year she also has a sculpture, "Georgina", in the Fenelon Falls Outdoor Sculpture Exhibition and "Lightwalker", in the Burlington Waterfront Sculpture Project. We would like to welcome Rosalinde to Haliburton this year. Artist Contact Information Phone: 519-803-6435 Website : www.artevoke.com Email : rosalinde.baumgartner@gmail.com Instagram: @ rosalindebaumgartnerartist

John Beachli All Sculptures To Cut or Not To Cut Number on Map 15 Artist John Beachli Material Local Granite Installation Date August 1, 2006 Learn About the Artist Haliburton County has a long history of men working in the forest, in logging camps—such those run by Mossom Boyd—or cutting timber on their own land and also a history of sons learning skills from their fathers as they helped them with their work. This sculpture, carved out of local stone recovered from rock blasted from the Pre-Cambrian shield at a nearby building site, tells the story of a man and his son having a conversation over the stump of a tree that has just been felled. “To Cut or Not to Cut” is about the conversations that occur when a son is working with his father. It is also a representation of the never-ending push and pull of our relationship with the forest. We need the timber for building shelter, for heat, for a thousand different reasons; we also need the forests to conserve our environment, to protect our water, to provide habitat and to purify the air. How do you decide what to cut and what not to cut? More Photos Previous Next

Andrew Rothfischer has studied art both in Canada and abroad. While he has been on the artist's path for many years, in 2009 he finally graduated from the Haliburton School of Arts with a diploma in Visual Arts. Andrew specializes in two seemingly disparate areas; pastel paintings of landscapes and outdoor sculptures. His paintings often highlight places in nature that we tend to overlook or take for granted. In 2004 he produced the exhibit, “Jackson Creek – Travels through an Urban Watershed” that featured 25 paintings depicting the hard realities and the beauty that shape urban waterways today. Since that time, this idea of special places has evolved into the theme of “Sense of Place" that has continued in the the current series, the "Warsaw Project". Andrew's sculptures are almost exclusively created for the outdoors. They are designed to live in a field or in a garden. They are sometimes functional garden accents like dividers, bird baths or benches. The materials used are kiln formed glass, stone, cement or metal retrieved from the local junkyard. He works with these hard materials - fusing, casting, molding and shaping, reclaiming -, to create new forms that both startle and delight the viewer with their simplicity and beauty. So how do these two disciplines tie together? For the artist, the paintings are "of the land"; recognizing and capturing the essence of those special places that stir us. The sculptures take these impressions a step further. They play with those same colours and shapes and light, creating forms that are "on the land". Both forms, however, in their own way, celebrate and pay homage to the landscape around us. For information about the purchase of Lissome#5 or other of Andy's works visit andrewrothfischer-art.com or contact info@haliburtonsculptureforest.ca < All Artists Andrew Rothfischer ABOUT SCULPTOR Artist Bio Andrew Rothfischer has studied art both in Canada and abroad. While he has been on the artist's path for many years, in 2009 he finally graduated from the Haliburton School of Arts with a diploma in Visual Arts. Andrew specializes in two seemingly disparate areas; pastel paintings of landscapes and outdoor sculptures. His paintings often highlight places in nature that we tend to overlook or take for granted. In 2004 he produced the exhibit, “Jackson Creek – Travels through an Urban Watershed” that featured 25 paintings depicting the hard realities and the beauty that shape urban waterways today. Since that time, this idea of special places has evolved into the theme of “Sense of Place" that has continued in the the current series, the "Warsaw Project". Andrew's sculptures are almost exclusively created for the outdoors. They are designed to live in a field or in a garden. They are sometimes functional garden accents like dividers, bird baths or benches. The materials used are kiln formed glass, stone, cement or metal retrieved from the local junkyard. He works with these hard materials - fusing, casting, molding and shaping, reclaiming -, to create new forms that both startle and delight the viewer with their simplicity and beauty. So how do these two disciplines tie together? For the artist, the paintings are "of the land"; recognizing and capturing the essence of those special places that stir us. The sculptures take these impressions a step further. They play with those same colours and shapes and light, creating forms that are "on the land". Both forms, however, in their own way, celebrate and pay homage to the landscape around us. For information about the purchase of Lissome#5 or other of Andy's works visit andrewrothfischer-art.com or contact info@haliburtonsculptureforest.ca Artist Website Installed Sculptures Lissome 5 Previous Sculpture Next Sculpture

Charles O'Neil All Sculptures Fire and Ice: A Really Big Shoe Number on Map 20 Artist Charles O'Neil Material Milled Steel, Czech Fire Polished Glass Beads, Faceted Crystal Glass Beads, Stainless Steel Wire Installation Date May 1, 2009 Learn About the Artist A few years ago Charles O'Neil was displaying his work at the Buyers Market of American Craft in Philadelphia, when his wire sculptures of animals and human figures caught the eye of world renowned shoe designer Stuart Weitzman. Weitzman, impressed with the sculptures, approached O’Neil and asked him to sculpt wire shoes for their corporate art collection. O’Neil was delighted to take on the challenge. Designing a shoe sculpture for Weitzman added a new dimension to O’Neil's work. Aside from exposing his work to a broader audience, it also inspired him to create a series of shoe sculptures, adding glass beads to the wire structures. O’Neil's shoe sculptures turned many heads as they appeared in art shows and galleries across the Haliburton Highlands and Ontario. When Barb Bolin retired as principal of Fleming College, Haliburton Campus, and the Haliburton School of The Arts in 2007, after 35 years with the College, her friends and coworkers donated to a fund to help buy a sculpture for the Forest in her honour. Bolin was asked to choose which artist would be commissioned to create the sculpture, and it wasn't long before her mind turned to Charles O’Neil and his brilliant shoes. Bolin believed that O’Neil would be a good choice for many reasons. He had already contributed to the Sculpture Forest with his piece Embracing Eos, which has delighted many visitors, so she knew his work would 'fit in' well. O’Neil also lives in the Highlands, and Bolin was interested in commissioning work from a local artist. She loved the fact that O’Neil's shoe sculptures are bright, bold, and colourful, and Bolin wanted to add an extra dash of colour to the Sculpture Forest. O’Neil gladly accepted the commission, and began researching for the project. Deciding to create a shoe of grand proportions, and realizing that the sculpture would have to endure the harsh elements of the Highlands, he crafted his sculpture out of steel rods, stainless steel wiring, and large fire glazed glass beads from the Czech Republic and faceted clear beads from China. Fire and Ice: A Really Big Shoe was installed in the Sculpture Forest in the spring of 2009. More Photos Previous Next

Darlene Bolahood All Sculptures Redwing Frond Number on Map 09 Artist Darlene Bolahood Material Steel, Acrylic Panels Installation Date August 1, 2003 Learn About the Artist The sculpture’s axis, from base to tip, is perfectly aligned: the compass needle pointing to the true north. The sun’s rays, at this latitude, find the lenses of the coloured panels, casting shadows that change with the skies. The streaks of pigment opaque on the transparent surfaces along with the overlapping edges of the panels create kaleidoscopic forms within these shapes. The form is explosive red. Like transparent marble veined with golds, silvers and black, the leaf/feather/louver-paged panels reflect the flight of birds, growth of the forests and books of the art of learning. Catching the wind, changing frequencies, perhaps it will even posses a voice where it stands. Imagine the red of this leaf against the white of the snow, the red of this leaf opposing the brilliance of the new spring greens, softening into the aging dust of summer, and then disappearing into the famous autumn colours of the Haliburton Highlands. The leaf for growth, the feather: mark of freedom and flight, the pages of the book: the freedom in self-knowledge… which marks the only absolute measure of success in the uncovering and unleashing of an artist’s soul. I pay tribute to the land and the rock, sun, sky and wind and the school standing within that space. More Photos Previous Next