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2025 < All Sculptures 2025 Downtown Haliburton Sculpture Exhibition $1500.00 Bronze Sky Pods Danielle Reddick Bronze Sky Pods When I discovered bronze mesh, I realized that I could create forms that capture and return a light source. These forms gather life energy, balancing on the edge of sentience. Working with these materials as well as with universal light is a great privilege. With that in mind, I have created a bouquet of bronze pods. The notion is that they will look like giant golden blossoms in the raised garden beds. We cannot create light, we can radiate it, capture it and reflect it back. Danielle Reddick Danielle Reddick is a multimedia artist who has lived in Prince Edward County since 1984. From a very young age, it was clear that Danielle was an artist. Her current works reference the ethereal qualities she discovered in lithography at Queens University where she received an Hon BFA. Danielle has received a number of commissions for sculptures. She recently completed a large outdoor shrine for a client in Kingston. It is made from locally sourced stone and complete with solar lighting. In 2019, Danielle was commissioned by Glenwood Cemetery to create a WW2 soldier out of chicken wire. This project was funded by grants from the Prince Edward Arts Council and Huffs’ Estates Winery. This winter, Danielle manifested three large figures (10′-12’) of the Madonna, Maiden and Crone for a private collection. Over the years, Danielle has continued to make artworks outside of commissions. One of these, an art quilt, was displayed (with 5 other Canadian quilts) at quilt shows worldwide for 1 1/2 years representing Canada. Danielle was also a participant in the Royal Ontario Museum’s “Greenbelt Quilt of Possibilities.” Danielle has participated in many Juried shows including Art in the County, often winning Juror’s Choice awards and honourable mentions.

Brett Davis was born in Toronto, Ontario, Canada in 1957. He graduated with honors from Toronto’s Central Technical School Special Fine Art Program in 1981 where he majored in sculpture, and won The K.A.Griffith Award and The Peter Haworth Award for Meritorious Achievement, and is a member of The Sculptors Society of Canada. He works in all facets of ferrous and non-ferrous metals from welding, fabrication, chasing and fountain design. Brett has also studied ancient and historical patinas for more than 25 years, while practicing in the art of chemical patination, which has gained him a notable reputation as a Patina Specialist in Metal Conservation. With over 25 years of experience, he specializes in the design, manufacturing, installation and maintenance of custom and commissioned bronze works designed specifically for interior and exterior environments. He has worked with many prominent landscaping and architectural firms integrating bronze sculptures and fountains into their unique designs and has won many public art competitions in Ontario, Canada. Brett’s travels abroad have also earned him an international reputation as a bronze artist, participating in many invitational international exhibitions and symposiums, and has numerous private and public works in Asia, United Kingdom, USA and Canada. < All Artists Brett Davis ABOUT SCULPTOR Artist Bio Brett Davis was born in Toronto, Ontario, Canada in 1957. He graduated with honors from Toronto’s Central Technical School Special Fine Art Program in 1981 where he majored in sculpture, and won The K.A.Griffith Award and The Peter Haworth Award for Meritorious Achievement, and is a member of The Sculptors Society of Canada. He works in all facets of ferrous and non-ferrous metals from welding, fabrication, chasing and fountain design. Brett has also studied ancient and historical patinas for more than 25 years, while practicing in the art of chemical patination, which has gained him a notable reputation as a Patina Specialist in Metal Conservation. With over 25 years of experience, he specializes in the design, manufacturing, installation and maintenance of custom and commissioned bronze works designed specifically for interior and exterior environments. He has worked with many prominent landscaping and architectural firms integrating bronze sculptures and fountains into their unique designs and has won many public art competitions in Ontario, Canada. Brett’s travels abroad have also earned him an international reputation as a bronze artist, participating in many invitational international exhibitions and symposiums, and has numerous private and public works in Asia, United Kingdom, USA and Canada. Artist Website Installed Sculptures Guardians of the Forest Previous Sculpture Next Sculpture

2018 < All Sculptures 2018 Downtown Haliburton Sculpture Exhibition Sold - Part of Sculpture Forest Collection Mother Earth Scott McKay Artist Contact Information 519-630-5155 scott@strongarmforge.com

Angus Sullivan < Back Originally Published On: August 8, 2017 Originally Published By: Haliburton Echo Embracing Eos Written By: Angus Sullivan Embracing Eos was created by Charles O’Neil in 2004. One of the joys of life in the Highlands is waking up early on the occasional morning to enjoy the sunrise. Sitting on your porch, dock, or on your way to work in the morning, you cannot help but marvel at the beauty of the dawn as the red rays of the sun creep over the horizon. “Embracing Eos” by Charles O’Neil is a tribute to the beauty of the dawn. O’Neil’s sculpture of a 14 foot man faces east, with arms uplifted, reaching towards the horizon as if he is embracing the sunrise. Eos was the Greek goddess of the dawn. Sister to Helios, god of the sun, Eos was said to have pulled back the curtain of dawn each day so her brother could ride the chariot of the sun across the sky. The red colours you see in the sky during the sunrise are Eos’ rosy fingers and arms as she pulls back the curtain. Eos was cursed by Aphrodite, for having slept with Ares, to have an insatiable desire for mortal men. This curse caused Eos to abduct many handsome men such Orion, Tithonus and Cleitus. The story of the man in O’Neil’s sculpture is unclear. Is he about to fall victim to Eos’ advances, is he simply admiring Eos’ beauty or is he a past lover of Eos, left behind as her advances turned upon another. Being a sculpture of black steel and dark wire standing removed from the main path of the sculpture forest, ‘Embracing Eos’ can be difficult to see at dusk. Some visitors have even reported that the sculpture has disappeared. However, when we check the next morning the man is there, standing on his rock looking towards the eastern sky. Who knows, perhaps he does walk the forest at night only to return each morning to greet the beautiful dawn. The Haliburton Sculpture Forest is located in Glebe Park on 297 College Drive. This unique collection of 36 sculptures by Canadian and international artists is open to the public, dawn to dusk, for your own discovery. Free guided tours occur on Tuesdays (10:00-11:00) and Wednesdays (12:10-12:50) in July and August. You can use the sculpture forest app (download PocketSights and search for Haliburton) or visit the website to learn more about the sculptures. www.haliburtonsculptureforest.ca < Previous Article Next Article >

Simon Chidharara was born in 1980 in Mutare in Nyanga, a beautiful mountainous region with a strong sculpting tradition located near the Mozambique border. He started sculpting at the age of 11, apprenticing with his older brother Kenneth, who is also represented by ZimArt. Simon completed his secondary education before deciding that he wanted to pursue his passion for carving full time. Learning is still important to him and he is voracious reader. “Any topic interests me,” he says. “Geography, history, science all influence human life and I like to find out more about what makes us do the things we do, and feel the way we feel.” Simon is one of the founding members of the Nyanga Arts Centre, a co-operative venture run by local artists in the Nyanga region. Having relocated to Chitungwiza following his residency with ZimArt in 2007, Simon is no longer a full time member but he remains connected to the Centre and still travels to Nyanga on a regular basis. He says the stone from the region is itself a vital source of inspiration to him and that he will always remain close to his rural roots. Indeed a strong influence in Simon's work is the natural world and man's connection to birds and animals. When he came to Canada in 2007 Simon was the first third-generation artist from the Nyanga region to travel overseas to represent himself and present his work directly to an international audience. He has long been popular with Canadian collectors who are drawn to the expressive range in his sculptures and the emotional depth. Simon's subjects are frequently women or “feminine spirits,” which are sometimes represented as mythical creatures. “Women are the centre of life,” he explains, “So I like to celebrate everything about them.” Simon has participated in several group exhibitions at the National Gallery of Zimbabwe in Mutare. His work has been bought by galleries and collectors from Holland, the UK, the US, South Africa, Canada and Germany. Simon Chidharara is represented in Canada exclusively by ZimArt. Phone: 705-939-6144 Email: zimart@sympatico.ca < All Artists Simon Chidharara ABOUT SCULPTOR Artist Bio Simon Chidharara was born in 1980 in Mutare in Nyanga, a beautiful mountainous region with a strong sculpting tradition located near the Mozambique border. He started sculpting at the age of 11, apprenticing with his older brother Kenneth, who is also represented by ZimArt. Simon completed his secondary education before deciding that he wanted to pursue his passion for carving full time. Learning is still important to him and he is voracious reader. “Any topic interests me,” he says. “Geography, history, science all influence human life and I like to find out more about what makes us do the things we do, and feel the way we feel.” Simon is one of the founding members of the Nyanga Arts Centre, a co-operative venture run by local artists in the Nyanga region. Having relocated to Chitungwiza following his residency with ZimArt in 2007, Simon is no longer a full time member but he remains connected to the Centre and still travels to Nyanga on a regular basis. He says the stone from the region is itself a vital source of inspiration to him and that he will always remain close to his rural roots. Indeed a strong influence in Simon's work is the natural world and man's connection to birds and animals. When he came to Canada in 2007 Simon was the first third-generation artist from the Nyanga region to travel overseas to represent himself and present his work directly to an international audience. He has long been popular with Canadian collectors who are drawn to the expressive range in his sculptures and the emotional depth. Simon's subjects are frequently women or “feminine spirits,” which are sometimes represented as mythical creatures. “Women are the centre of life,” he explains, “So I like to celebrate everything about them.” Simon has participated in several group exhibitions at the National Gallery of Zimbabwe in Mutare. His work has been bought by galleries and collectors from Holland, the UK, the US, South Africa, Canada and Germany. Simon Chidharara is represented in Canada exclusively by ZimArt. Phone: 705-939-6144 Email: zimart@sympatico.ca Article About Chidharara Installed Sculptures Musical Inspiration Previous Sculpture Next Sculpture

2025 < All Sculptures 2025 Downtown Haliburton Sculpture Exhibition $1800.00 Soul of A Boy Carole Chaloupka Burton Soul of a Boy This work is part of the "Fragile Masculinity" series, inspired by men and boys who struggle to find acceptance for the more vulnerable parts of their natures in a world that often doesn’t make space for the softer incarnations of masculinity. In particular, this work is an art-based response to the loss of the artist’s younger brother, and the manifestation of her compassion and concern for the men and boys who feel pressured to abandon the more tender sides of their natures in order to conform. Sculpted in water-based clay, a mold was then made to cast subsequent limited editions. Carole Chaloupka Burton Carole received her Master of Fine Arts at Toronto’s OCAD University and her BA (Hons) at Sunderland University in her native North East England. Carole specializes in evocative portraiture and figurative sculpture that captures fleeting moments of inner reflection that are both deeply private, and vastly universal. Her sensitive expressive work explores the embodied experience of having memories, thoughts, emotions and intuition contained within our bodies, and seeks to give form to these invisible and difficult-to-articulate feelings and sensations. Themes within Carole’s work include vulnerability, meaning-making and our achingly bittersweet knowledge of the impermanence of embodied mortal life.

Jake Mol first received public interest across North America in 1964 with a published portrait of J.F. Kennedy. Since going public in 1969 he had received many awards in juried shows, and by 2015 participated in over 90 solo/duo shows and numerous group shows. Jake was an elected member of the Canadian Society of Painters in Watercolour, a signature member of Toronto Watercolour Society, a charter member of the Vodka Painters of Canada and a member or associate member of numerous North American art societies. He was a respected and sought after painter, instructor and juror. He taught at the Haliburton School of the Arts for many years. Three of his larger than life size charcoal portraits of 1880's Indian Chief's "Joseph", "Santanta" and "Little Raven" are displayed in the Crazy Horse Museum in South Dakota. Jake loved the outdoors, the Canadian Shield and worldwide scenes can be found in many of his on- location paintings. Jake's art work, mostly in transparent watercolour since 1975, started to pioneer with the use of a special GoldenVarnish for paper works, which eliminates the use of glass as protection, on over one thousand watercolour paintings since 1997. Several of these have been exposed continuously in outdoor sculptures for many years in the Canadian climate. He pioneered the use of a board called Dura Plast, light weight and sturdy, which makes the varnished painting immune to mould and ultra violet light. This method is now slowly being accepted and used by watercolour artists of note across the world. In addition to his long career as a painter, Jake created a series of whimsical sculptures made with reclaimed materials and old farm implements. His work “The Homesteaders”, which he donated to the Haliburton Sculpture Forest, brings together his work as a sculptor and a painter. Jake’s work can be found in many private and corporate collections in North and South America, Asia, Australia, and Europe. Jake passed away in 2018 at 83 years old, surrounded by his family. "Life should NOT be a journey to the grave with the intention of arriving safely in a preserved body, but rather to skid out, having had love and joy with a partner, family, friends, and associates; experiencing good and bad, learning, loving, painting, discovering, detecting, travelling, enjoying scenery, harvesting, fishing, until physically worn out, while remembering the good life, and wishing those left behind the best that future will allow them." - Jake Mol < All Artists Jake Mol ABOUT SCULPTOR Artist Bio Jake Mol first received public interest across North America in 1964 with a published portrait of J.F. Kennedy. Since going public in 1969 he had received many awards in juried shows, and by 2015 participated in over 90 solo/duo shows and numerous group shows. Jake was an elected member of the Canadian Society of Painters in Watercolour, a signature member of Toronto Watercolour Society, a charter member of the Vodka Painters of Canada and a member or associate member of numerous North American art societies. He was a respected and sought after painter, instructor and juror. He taught at the Haliburton School of the Arts for many years. Three of his larger than life size charcoal portraits of 1880's Indian Chief's "Joseph", "Santanta" and "Little Raven" are displayed in the Crazy Horse Museum in South Dakota. Jake loved the outdoors, the Canadian Shield and worldwide scenes can be found in many of his on- location paintings. Jake's art work, mostly in transparent watercolour since 1975, started to pioneer with the use of a special GoldenVarnish for paper works, which eliminates the use of glass as protection, on over one thousand watercolour paintings since 1997. Several of these have been exposed continuously in outdoor sculptures for many years in the Canadian climate. He pioneered the use of a board called Dura Plast, light weight and sturdy, which makes the varnished painting immune to mould and ultra violet light. This method is now slowly being accepted and used by watercolour artists of note across the world. In addition to his long career as a painter, Jake created a series of whimsical sculptures made with reclaimed materials and old farm implements. His work “The Homesteaders”, which he donated to the Haliburton Sculpture Forest, brings together his work as a sculptor and a painter. Jake’s work can be found in many private and corporate collections in North and South America, Asia, Australia, and Europe. Jake passed away in 2018 at 83 years old, surrounded by his family. "Life should NOT be a journey to the grave with the intention of arriving safely in a preserved body, but rather to skid out, having had love and joy with a partner, family, friends, and associates; experiencing good and bad, learning, loving, painting, discovering, detecting, travelling, enjoying scenery, harvesting, fishing, until physically worn out, while remembering the good life, and wishing those left behind the best that future will allow them." - Jake Mol Artist Website Installed Sculptures Homesteaders Previous Sculpture Next Sculpture

Sayde Demers < Art Huts Location Art Hut 3 Directions Art Hut 3 is located at the Eastern edge of the Sculpture Forest, close to the water. To find Art Hut 3: Walk to 27. Together We Explore the Wild, Art Hut 3 is located behind this sculpture Installation Start: March 1, 2023 Installation End: August 31, 2023 Sayde Demers The Mystery Shack, 2023 Mixed media installation made of found objects, sculptural elements and vitrines The Mystery Shack is a captivating exploration of the intersection between art, nature, and the surreal. Reminiscent of an historic Cabinet of Curiosities—a curated collection of objects that represent moments in time, as well as the exotic interests of its collector—this installation challenges our perceptions of what is natural and what is real. The works showcased are designed to create a sense of intrigue and wonder—drawing the audience into a world that is at once familiar and yet, strangely foreign. By featuring animals with bizarre and fantastical characteristics, this installation aims to explore the boundaries of our imagination and challenge our understanding of the natural world. Can we think beyond our industrialized and digitized present to a future where all creatures can co-exist without having to be placed in a museum or zoo, in order to appreciate the wonders of our earthly paradise? About the Artist Sayde Demers Sayde Demers brings memories from childhood to life with her awesome imagination and playful creativity.Growing up in a concrete suburban jungle (Oakville, ON), she found herself yearning for nature and finding inspiration and comfort within the natural world. Through the use of different materials, a unique palette and out-of-the-box thinking, Demers is able to splatter her imagination onto anything she touches. Unable to conform to one medium, Sayde has developed her skills in painting, fibre art, ceramics, sculpture and assemblage, in order to present her mixed media works. Spontaneous and fun, with some darkness thrown in for good measure, her artworks deliver a creative vibe that’s reminiscent of the carefree attitudes most of us have experienced as children. Instagram: @sayde.fuse Sayde Demers is an Integrated Design Diploma student at Fleming College's Haliburton School of Art and Design. Previous Next

Betula alleghaniensis < Back Yellow Birch Ojibwe Name: wiinizik Scientific Name: Betula alleghaniensis Significance in Ojibwe Cultures: --- How to Identify the Leaves: Yellow birches are a slow growing medium sized tree and can grow up to 25 meters tall. Its leaves are deep yellowish-green oval leaves (8 to 11 centimetres long). The birch's bark begins thin, shiny, reddish-brown; as the tree ages it becomes dull yellow and darkens to bronze when mature. Sources: Translation: https://ojibwe.lib.umn.edu/main-entry/wiinizik-na Image: https://www.ontario.ca/page/yellow-birch Significance in Ojibwe Cultures: https://ojibwe.lib.umn.edu/main-entry/wiinizik-na How to Identify Tree: https://www.ontario.ca/page/yellow-birch < Back Next >

Betula papyrifera < Back White Birch Ojibwe Name: wiigwaasaatig Scientific Name: Betula papyrifera Significance in Ojibwe Cultures: Birch bark was used to make bowls and baskets for cooking, storing, and transporting food. How to Identify the Leaves: A medium sized tree that reaches about 25 meters in height. Its' leaves are egg-shaped or triangular, 5 to 10 centimetres long. In colouration, they are dull green on top and have a lighter green and are slightly hairy underneath. Sources: Image: https://www.ontario.ca/page/white-birch How to Identify Tree: https://www.ontario.ca/page/white-birch < Back Next >

A dance event in three parts. < All Events Dance Rx³: Re-emergence, Re-engagement, & Re-connection A dance event in three parts. Tuesday, September 13, 2022 Saturday, October 22, 2022 Address: Haliburton Sculpture Forest, College Drive, Haliburton, ON, Canada About Dance RX3 A dance event in three parts: Re-emergence and Re-engagement in September 2021 and Re-connection in October 2022. This project was made possible via a collaboration between Dance Happens Here Haliburton (DH³), Throwdown Collective, and the Haliburton Sculpture Forest. From September 13-18 visitors had the chance to see dance artists Brian Solomon, Noriko Yamamoto, Phylicia Browne-Charles, Madeline Friel and Throwdown Collective (Mairéad Filgate, Brodie Stevenson and Irvin Chow) as they spent a week in solo creative dance residency in the Haliburton Sculpture Forest. These selected artists were invited to take an existing work or idea—perhaps halted by the pandemic—and to re-engage, re-configure, and adapt it to the outdoor environment, exploring it through a new lens. In Winter of 2022 (date TBD) the dancers and choreographers will get reconvene for a live event do discuss their work, sit in for a Q&A and possibly perform their work live (depending on pandemic restrictions). Toronto-based Throwdown Collective is an award-winning contemporary dance company that supports the collaborative creative pursuits of founders Zhenya Cerneacov, Mairéad Filgate and Brodie Stevenson. The Collective’s first three site-specific works, originally commissioned for Toronto's Dusk Dances Festival, went on to tour throughout Canada and beyond, including the 85th Anniversary Celebration of Jacob’s Pillow Dance Festival, MA and Fall for Dance North at the Sony Centre for the Performing Arts. Their first full-length evening of stage works, presented by DanceWorks (TO) received two Dora Mavor Moore Awards for Outstanding Choreography and a total of eight nominations. Throwdown Collective enjoys a long-standing relationship with Dance Happens Here Haliburton and the Haliburton community. They created two full-length works as artists-in-residence at the Sculpture Forest (2018, 2019), and a short film commissioned by DH3 during the COVID-19 lockdown. They are thrilled to be returning to Haliburton for another exciting project. Learn More About: The Dancers Throwdown Collective DH3 September 13-18, 2021 Re-emergence We asked the Throwdown Collective to invite four dancers/choreographers, Brian Solomon, Anishinaabe dance artist, Noriko Yamamoto, Japanese-Canadian mime/dance artist and two emerging dance artists Phylicia Browne-Charles and Madeline Friel to spend a week in solo creative dance residency in the Haliburton Sculpture Forest in September 2021. These selected artists have been invited to take an existing work or idea—perhaps halted by the pandemic—and to re-engage, re-configure, and adapt it to the outdoor environment, exploring it through a new lens. Coming a year and a half after most creative rehearsals and performances were halted, this creative time in Haliburton will offer artists an open week of personal reflection, re-emergence into creative life post-pandemic, and a gentle entry back into artistic social exchange. September 13-18, 2021 Re-engagement The dance artists will reside in Haliburton with seven days to think, create, and experiment, inspired by the beautiful forest surroundings, the changing colour of the leaves and the sculptures nestled along the trails. Community members and visitors are invited to wander through the Sculpture Forest and observe the artists in their process. The Sculpture Forest attracts a culturally diverse group of visitors of all ages from the GTA and throughout the region. It is also a favourite place to walk for local residents, within walking distance of three local schools and adjacent to the Haliburton School of Art + Design. A casual meet and greet for artists and community members will be organized at the end of the week, as well as informal events for participating artists to gather, socialize, and exchange ideas. The objective of the week is to offer artists a supportive and nurturing space and opportunity to re-ignite their creativity and spark artistic exchange after a tumultuous time. The focus is on process with no expectation of a final product. Throughout the week the process will be documented on film including short interviews with participating artists. October 22, 2022 Re-connection This film footage has been edited into a creative montage and will be screened at a culminating live event in Haliburton in Fall 2022. The participating artists are returning to Haliburton for the screening, to perform their work before a live audience and to participate in a artists talkback about their experience with re-emergence, re-engagement and re-connection! Watch the video here. Thank you to all our sponsors! This event is funded by the Goverment of Canada Photo Gallery: < Previous Next >

Noelle Dupret Smith < Back Originally Published On: August 7, 2018 Originally Published By: Haliburton Sculpture Forest Sculptures Redefined Written By: Noelle Dupret Smith Have you walked past the large, compelling sculpture in downtown Haliburton in front of Wind in the Willows Spa? That is “This Side Up #9 “Shall We Dance” by Michael Truelove. At first glance, this sculpture looks like a many-faceted hexagon. This piece piques my curiosity—demanding a closer look. In reality the sculpture is a deconstructed cube, however the artist has manipulated the flat pieces of steel so that the sculpture looks as if it is jumping towards main street. A black, steel sculpture in the Sculpture Forest, also requiring a deeper look, is “Terminus” by Marianne Reim. It stands mysteriously on a large boulder; set back from the path. Look closely and you can see hands covering a face; while a winged shape covers the head. I get a lot of interesting reactions to this sculpture from people on tours. For my group last week, it brought to mind “The Flying Nun” from the 1970’s sitcom. For me, a more sombre interpretation resonates. This sculpture was acquired in 2002, the beginning of the war in Afghanistan. Pictures of women in burkas were in the news. For some people, the sculpture evoked this image. Look closer still and you see a barbed-wire ring on a finger—does this allude to an unwanted marriage or losing a partner at war? The longer you think about it, the more poignant the story. That is the great part about sculptures, everyone sees them differently. Sometimes you just need to look a little deeper to find your own story. Please wander down main street of Haliburton and see the Downtown Sculpture exhibition and visit Haliburton Sculpture Forest. The Sculpture Forest offers free tours, Tuesdays 10:00–11:30am and Wednesdays 12:10–12:50pm. You can see the Sculpture Forest in motion tonight (August 7) as the contemporary dance company, Throwdown Collective, performs with local artists (5:00pm picnic, 6:00-7:30pm show). www.haliburtonsculptureforest/re-imagined < Previous Article Next Article >