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Art Huts Slide the Door Open to Step into a New Experience at the Sculpture Forest Tucked into the forest lie three Art Huts with unique art installations within each. Over time, new artists will be invited to take over these spaces and tell more stories that pique our curiosity. New This project funded by the Federal Economic Development Agency for Southern Ontario Map of Art Huts in the Sculpture Forest Current Art Hut Installations AH1 Charmaine Lurch Seeing the Forest For the Bees These magnified wild bees as wire sculptures, allow the viewer to encounter a fly-by of bees—a reminder to us of our connection to the land, how plants are pollinated and food is produced. Discover Charmaine's work and the magic of how bees hibernate through the winter. Read More AH3 Throwdown Collective Sculpture Forest Re-imagined 2019 Read More History of the Art Huts The Art Huts were originally the three ice fishing huts custom built by Ed Burke for “The Ice Cube Gallery”— a unique arts event held on Lake Kashagawigamog in February 2019. The brain child of Collin Burke, “The Ice Cube Gallery” was billed as 3 ice huts, 4 artists, 1 frozen lake. It attracted over 500 people to see the artwork of Rod Prouse, Victoria Ward, Chris Hanson, and Hendrika Sonnenberg, enjoy the food of chef Christoph Carl of Rhubarb, and the hospitality of Bonnie View Inn’s lounge and bar. We have brought these huts back into action to live on as exhibition spaces in the Haliburton Sculpture Forest. Past Art Hut Installations August 31, 2025 Liz Menard Botanical Canendensis Read More August 31, 2023 Sayde Demers The Mystery Shack, 2023 Read More

Carolanne MacLean works with energy, whether painting or sculpting. She interested in the healing value of colour and the surprising beauty of the accidental mark, and intrigued by the very existence of our response to beauty. Her large encaustic abstract works are a study in light, colour and texture, sometimes involving the figure, often nonrepresentational. She also pursues the beauty of the figure through a regular sculpture practice. Carolanne MacLean Website: www.carolannemaclean E-mail: cmtoronto@pm.me Carolanne MacLean was born in Toronto in 1949. She is a graduate with honours of the Ontario College of Art in Fine Art and has a B.A. from the University of Toronto. Her large encaustic abstract works are a study in light, colour and texture, sometimes involving the figure, often nonrepresentational. Her City Souls paintings capture moments, passing expressions on the faces around us. She pursues the beauty of the figure through a regular sculpture practice. Artist's Statement: I feel I am working with energy, whether painting or sculpting. I am interested in the healing value of colour and the surprising beauty of the accidental mark, and intrigued by the very existence of our response to beauty.

Angus Sullivan < Back Originally Published On: August 8, 2017 Originally Published By: Haliburton Echo Embracing Eos Written By: Angus Sullivan Embracing Eos was created by Charles O’Neil in 2004. One of the joys of life in the Highlands is waking up early on the occasional morning to enjoy the sunrise. Sitting on your porch, dock, or on your way to work in the morning, you cannot help but marvel at the beauty of the dawn as the red rays of the sun creep over the horizon. “Embracing Eos” by Charles O’Neil is a tribute to the beauty of the dawn. O’Neil’s sculpture of a 14 foot man faces east, with arms uplifted, reaching towards the horizon as if he is embracing the sunrise. Eos was the Greek goddess of the dawn. Sister to Helios, god of the sun, Eos was said to have pulled back the curtain of dawn each day so her brother could ride the chariot of the sun across the sky. The red colours you see in the sky during the sunrise are Eos’ rosy fingers and arms as she pulls back the curtain. Eos was cursed by Aphrodite, for having slept with Ares, to have an insatiable desire for mortal men. This curse caused Eos to abduct many handsome men such Orion, Tithonus and Cleitus. The story of the man in O’Neil’s sculpture is unclear. Is he about to fall victim to Eos’ advances, is he simply admiring Eos’ beauty or is he a past lover of Eos, left behind as her advances turned upon another. Being a sculpture of black steel and dark wire standing removed from the main path of the sculpture forest, ‘Embracing Eos’ can be difficult to see at dusk. Some visitors have even reported that the sculpture has disappeared. However, when we check the next morning the man is there, standing on his rock looking towards the eastern sky. Who knows, perhaps he does walk the forest at night only to return each morning to greet the beautiful dawn. The Haliburton Sculpture Forest is located in Glebe Park on 297 College Drive. This unique collection of 36 sculptures by Canadian and international artists is open to the public, dawn to dusk, for your own discovery. Free guided tours occur on Tuesdays (10:00-11:00) and Wednesdays (12:10-12:50) in July and August. You can use the sculpture forest app (download PocketSights and search for Haliburton) or visit the website to learn more about the sculptures. www.haliburtonsculptureforest.ca < Previous Article Next Article >

Digital Guide Medicines of the Haliburton Sculpture Forest with Joseph Pitawanakwat Medicines of the Haliburton Sculpture Forest with Joseph Pitawanakwat The Medicines of the Sculpture Forest series is led by Joseph Pitawanakwat who is Anishinabe from Wiikwimkonng unceded territory on Manitoulin Island. Joseph Pitawanakwat is an educator who specializes in plant-based medicine. He is the founder & director of Creators Garden, a 365 days-a year, Indigenous outdoor-education based business. He focuses on plant identification, sustainable harvesting, and teaching every one of their linguistic, historical, cultural, edible, ecological, and medicinal significance through experience. The Haliburton Sculpture Forest had the privilege of having Joseph come and lead us on a journey of knowledge. In this series, Joseph discusses how native trees and plants within the Sculpture Forest were traditionally used. Follow along with us to learn about the plants of the Haliburton Sculpture Forest and their medicinal uses. Go to Joseph's Website White Ash Latin Name: Fraxinus americana Ojibway Name: Aagimak Uses: Used to prepare for pregnancy and to lessen the risk of miscarriage. Also used in shoes or around camps to deter rattlesnakes. Because of this, cradles are exclusively made from white ash. It is the type of tree that is the most resistant to lightning. Hemlock Latin Name: Tsuga canadensis Ojibway Name: Gaagaagiwanzhiki Uses: The bark is used as a stain for all woodenware. In the Great Lakes region there is lots of heavy metal toxicity in the soil which accumulates in plants and animals. The mixture of tanins and resins in the stain becomes absorbent and absorb the heavy metals in food. White Pine Latin Name: Pinus strobus Ojibway Name: Zhingwaak Uses: Used to make shingles because the tree can very easily be split. American Basswood Latin Name: Tillia americana Ojibway Name: Wiigobimizh Uses: Wiigobimizh translates to rope tree. If you strip the bark off this tree and put it in a swamp over time the microorganisms will eat away at what holds the bark together leaving strands of rope behind. The rope is used to tie other medicines together which then incorporates the cardiovascular medicinal properties into the medicine as well. Blue Cohosh Latin Name: Caulophyllum thalictroides Ojibway Name: Bezhigojiibik Uses: Blue cohosh and ash are two of the most important women’s medicines. Helps to have a healthy pregnancy and also aids in menopausal symptoms. Striped Maple Latin Name: Acer pensylvanicum Ojibway Name: Moozomizh Uses: When a moose gets injured they will go straight to striped maple because there is a medicinal property that helps heal bruises. Observing the behavior of moose allowed Indigenous peoples to realize the medicinal properties of this tree. This tree promotes and stimulates angiogenesis which is the production of new blood vessels. This series was filmed and edited by Scott Walling with additional edits and research by Nadia Pagliaro.

Deep in the Haliburton Sculpture Forest lays Sleep of the Huntress by Doug Stephens. Sleep of the Huntress Doug Stephens Materials: Belmont Rose Granite Description: Woman sleeping in stone Location: Haliburton Sculpture Forest; South end of Waterfront Trail Installation Date: August, 2004 Number on Map: 14 Go to Gallery Artist’s Vision for the Sculpture: Walking through the forest is, for me, a time of contemplation: of peace and reflection. I see the viewer coming upon a rock, a ruddy rock, fitting for this place but not of this place. It is rough hewn and gnarled. As they approach it becomes evident that they are not alone; that they have happened upon an elegant sleeping woman, lost in the deep world of dreams. She exists in a spiritual realm: out of time and immaterial. All is quiet except for the sounds of the woods. The viewer is held for a moment in silence: hesitant and reflective in the presence of this woman of nature, calmly nestled on her craggy bed. < Back to Sculptures

Jake Mol first received public interest across North America in 1964 with a published portrait of J.F. Kennedy. Since going public in 1969 he had received many awards in juried shows, and by 2015 participated in over 90 solo/duo shows and numerous group shows. Jake was an elected member of the Canadian Society of Painters in Watercolour, a signature member of Toronto Watercolour Society, a charter member of the Vodka Painters of Canada and a member or associate member of numerous North American art societies. He was a respected and sought after painter, instructor and juror. He taught at the Haliburton School of the Arts for many years. Three of his larger than life size charcoal portraits of 1880's Indian Chief's "Joseph", "Santanta" and "Little Raven" are displayed in the Crazy Horse Museum in South Dakota. Jake loved the outdoors, the Canadian Shield and worldwide scenes can be found in many of his on- location paintings. Jake's art work, mostly in transparent watercolour since 1975, started to pioneer with the use of a special GoldenVarnish for paper works, which eliminates the use of glass as protection, on over one thousand watercolour paintings since 1997. Several of these have been exposed continuously in outdoor sculptures for many years in the Canadian climate. He pioneered the use of a board called Dura Plast, light weight and sturdy, which makes the varnished painting immune to mould and ultra violet light. This method is now slowly being accepted and used by watercolour artists of note across the world. In addition to his long career as a painter, Jake created a series of whimsical sculptures made with reclaimed materials and old farm implements. His work “The Homesteaders”, which he donated to the Haliburton Sculpture Forest, brings together his work as a sculptor and a painter. Jake’s work can be found in many private and corporate collections in North and South America, Asia, Australia, and Europe. Jake passed away in 2018 at 83 years old, surrounded by his family. "Life should NOT be a journey to the grave with the intention of arriving safely in a preserved body, but rather to skid out, having had love and joy with a partner, family, friends, and associates; experiencing good and bad, learning, loving, painting, discovering, detecting, travelling, enjoying scenery, harvesting, fishing, until physically worn out, while remembering the good life, and wishing those left behind the best that future will allow them." - Jake Mol < All Artists Jake Mol ABOUT SCULPTOR Artist Bio Jake Mol first received public interest across North America in 1964 with a published portrait of J.F. Kennedy. Since going public in 1969 he had received many awards in juried shows, and by 2015 participated in over 90 solo/duo shows and numerous group shows. Jake was an elected member of the Canadian Society of Painters in Watercolour, a signature member of Toronto Watercolour Society, a charter member of the Vodka Painters of Canada and a member or associate member of numerous North American art societies. He was a respected and sought after painter, instructor and juror. He taught at the Haliburton School of the Arts for many years. Three of his larger than life size charcoal portraits of 1880's Indian Chief's "Joseph", "Santanta" and "Little Raven" are displayed in the Crazy Horse Museum in South Dakota. Jake loved the outdoors, the Canadian Shield and worldwide scenes can be found in many of his on- location paintings. Jake's art work, mostly in transparent watercolour since 1975, started to pioneer with the use of a special GoldenVarnish for paper works, which eliminates the use of glass as protection, on over one thousand watercolour paintings since 1997. Several of these have been exposed continuously in outdoor sculptures for many years in the Canadian climate. He pioneered the use of a board called Dura Plast, light weight and sturdy, which makes the varnished painting immune to mould and ultra violet light. This method is now slowly being accepted and used by watercolour artists of note across the world. In addition to his long career as a painter, Jake created a series of whimsical sculptures made with reclaimed materials and old farm implements. His work “The Homesteaders”, which he donated to the Haliburton Sculpture Forest, brings together his work as a sculptor and a painter. Jake’s work can be found in many private and corporate collections in North and South America, Asia, Australia, and Europe. Jake passed away in 2018 at 83 years old, surrounded by his family. "Life should NOT be a journey to the grave with the intention of arriving safely in a preserved body, but rather to skid out, having had love and joy with a partner, family, friends, and associates; experiencing good and bad, learning, loving, painting, discovering, detecting, travelling, enjoying scenery, harvesting, fishing, until physically worn out, while remembering the good life, and wishing those left behind the best that future will allow them." - Jake Mol Artist Website Installed Sculptures Homesteaders Previous Sculpture Next Sculpture

Meet the partners and sponsors supporting this year's Downtown Haliburton Sculpture Exhibition. Thank you! DHSE Partners and Sponsors The Downtown Haliburton Sculpture Exhibition is a collaborative initiative of the Haliburton Village BIA (Business Improvement Area) and the Haliburton Sculpture Forest with support from the Haliburton County Development Corporation. Putting on the Downtown Haliburton Sculpture Exhibition requires the support of many other individuals and organizations. In particular, we would like to recognize the participation of the following: 2025 Site Sponsors Dysart et al - Cultural Resources Committee Rails End Gallery and Arts Centre Rexall Pharmacy - Haliburton Wind in the Willows Spa & Boutique Haliburton Framing and Photo Glecoff's Family Store Foodland - Haliburton CENTURY 21 Granite Realty Group Emmerson Lumber Canoe FM 100.9 Community Radio Station Corner Gallery Parker Pad and Printing Country Pickin's Lakeview Motel The Space Redmans Records Curry Chevrolet The Rotary Club of Haliburton Xavier Massé Lorry and Ted Brandon 2025 Site Hosts Rails End Gallery and Arts Centre Municipality of Dysart et al Michael Easton Enterprises Glecoff’s Family Store Foodland – Haliburton Bank of Montreal Corner Gallery

A fibre arts installation by Susan Kendal < All Events Pop Goes the Forest A fibre arts installation by Susan Kendal Thursday, June 9, 2022 Thursday, October 27, 2022 Address: Haliburton Sculpture Forest, College Drive, Haliburton, ON, Canada More About the Artist Pop Goes the Forest is a series of textile sculptures—loud, macro interpretations of lichens, fungi, and bark of the region. The work is made of nylon paracord and Ottertex outdoor fabric with bright, popping colours in sharp contrast to the natural hues of the forest. This installation was originally commissioned by THEOP (The Deep River Theatre Operating Committee) and installed in the trees along the Lamure Beach path in Deep River, Ontario from August 2021-May 2022. Susan Kendal Susan Kendal is an artist newly-based in Deep River, Ontario as of 2020, on the unceded territory of the Anishinabewaki and Omàmìwininìwag (Algonquin), Williams and Robinson- Huron (Treaty 61) territory. She spent 15 years as a contemporary dance artist in Toronto working as a choreographer, dancer and costume designer. She also taught in the Young Dancers Program at The School of Toronto Dance Theatre for 13 years, and worked at The Dance Current magazine for 10 years in various capacities including writer and managing editor. Slowly but surely, Susan’s love of stitching and Craft crept to the forefront of her creative practice, and she now primarily works as a textile artist. Her work is featured in the book Strange Material: Storytelling Through Textiles by Leanne Prain. She recently spent eight years living in Barrie, Ontario where she developed her handwork skills, made textile art, and taught art and stitching to women in transitional housing with funding from the Ontario Arts Council’s Artists in Communities Project Grant. Susan spent the fall of 2021 at the Icelandic Textile Centre’s Ós Residency where she focused on natural dyeing and traditional rug hooking. There are two boys of 10 and 14 who make Susan a mom, which is surely a creative-inventive-improvisational journey in itself! Thank you to our sponsors!"Pop Goes the Forest" was sponsored by: & Photo Gallery: < Previous Next >

Sound Vessel: Forest by Metalgenesis is inspired by trees and given voice by the wind. Sound Vessel: Forest Metalgenesis: Don Dickson & Amy Doolittle Materials: Corten Steel Plate, stainless steel rods, etc Description: Forest designs in a rectangular prism encasing sound rods Location: Haliburton Sculpture Forest; Upper ski trail Installation Date: August, 2003 Number on Map: 5 Go to Gallery Artist's Vision for Sculpture: Synonymous with the perception of “up north” is the image of trees. They are so numerous that one takes them for granted. Solid yet pliant, they are part of our horizons and landscapes. Like a tree that is still, yet filled with life, the vessel holds sound and, like a tree, is animated and given voice by the wind. < Back to Sculptures

2022 < All Sculptures 2022 Downtown Haliburton Sculpture Exhibition Sold Oil Tanker Obelisk Brendan Duggan Oil Tanker Obelisk Oil Tanker Obelisk is part of my continuing series on Canadian transportation offering viewers the chance/choice to recognize or worship a public manifestation of their supply chain. Brendan Duggan Brendan Duggan was born in Toronto in 1971, settling in Gravenhurst in 2004 with a Fine Arts Diploma from the Toronto School of Art. His work shifts between design, craft and art. Combining elements from a broad scope of metalsmithing methodology that includes commercial fabrication and machinist skills to traditional blacksmithing techniques. His sculptures range from found art, constructivist assemblages, to free-form linear monoliths. Brendan has earned many awards for his sculptures and custom metal work, including “Ontario Craft Council Design” from March 2011 and “Best in Show” from March 2014. Brendan’s business Get Bent Metal Fabrication specializes in providing high-quality, detailed custom metal fabrication in the Gravenhurst – Muskoka region and ships worldwide. Get Bent Metal offers steel, stainless steel welding, aluminum welding, copper work, as well as forging and CNC plasma cutting for a variety of industries. Artist Contact Information getbentinfo@gmail.com

Simon Chidharara All Sculptures Musical Inspiration Number on Map 25 Artist Simon Chidharara Material Springstone, Dolomite Installation Date June 1, 2014 Learn About the Artist “The musical instrument in this sculpture has a natural bond and connection to human life. Music entertains and educates us and speaks a universal language. The Dolomite lines represent the lyrics accompanying the music from the guitar. The lady is listening to the inspiring lyrics and music and it gives her happiness and peace. Music can do that.” Simon found this particular piece of springstone in a quarry up a mountain side in Zimbabwe. He and a crew of men careful carried it down the mountain so that the stone face would not be damaged. The shape had immediately spoken to him and he had the image for his sculpture. With a stringed musical instrument on one side and a woman listening to the music on the other side. All of the work on the sculpture is done by hand. The smooth sections were sanded with 7 grades of sandpaper. These smooth surfaces were then heated with fire to open up the pores of the stone and wax infused into the stone, The white lines were created by cutting grooves in the stones, grinding up dolomite and gluing the white granules into the grooves. Simon has been the artist in residence twice over the past 10 years at ZimArt and was present for the installation of the sculpture. ZimArt was an initiative created by Fran Fearnley in the year 2000. ZimArt's Rice Lake Gallery, was located in Bailieboro, Ontario (mid-way between Peterborough and Port Hope), representing over 50 Zimbabwean stone sculptors. The most comprehensive collection of hand-carved Zimbabwean stone sculpture in Canada was on display in a beautiful natural setting overlooking Rice Lake. Each year ZimArt hosted a visiting artist from Zimbabwe. More Photos Previous Next

Beaver by Haliburton Highlands Secondary School 2002 students with support from Mary Anne Barkhouse & Michael Belmore. Beaver Haliburton Highlands Secondary School 2002 Students with support from Mary Anne Barkhouse and Michael Belmore Name of Sculpture: The Beaver Materials: Cement and Aluminum Lamp Post Description: The beaver contemplates a lamp post Installation Date: August, 2002 Number on Map: 6 Go to Gallery About the Work: In the winter of 2002, the Haliburton Sculpture Forest contracted with the artists Mary Anne Barkhouse and Michael Belmore to be artists-in-residence in the Haliburton Highlands Secondary School and work with the senior art students. Michael and Mary Anne worked with the students in the winter and spring, teaching the process of creating public sculpture – from concept to drawings to models to creating the sculpture out of clay to making a plaster cast to casting the sculpture in cement to installation. The lamp post was donated to the students for their sculpture by the Municipality of Minden Hills who were replacing their lamp posts on the main street of Minden. < Back to Sculptures