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Doug Stephens has been carving stone since taking a course in Haliburton in 1998. Years before he had worked in the set department for film and television and then went on to study sculpture in Halifax at the Nova Scotia School of Fine Art, but had not settled on a medium that had any real meaning for him. That changed when he studied in Haliburton with George Pratt, who then invited him to spend some months in Vancouver apprenticing at his studio. Later that year, Doug opened his own studio in Muskoka and has had his work shown in galleries in Bala, Gravenhurst, Rosseau and Haliburton. Every summer since then he has taught at the Haliburton School of The Arts. In May of 2001 he moved his studio to Belleville and began working as a full-time sculptor for the Campbell Monument Company, carving sculptures for the local and North American market. < All Artists Doug Stephens ABOUT SCULPTOR Artist Bio Doug Stephens has been carving stone since taking a course in Haliburton in 1998. Years before he had worked in the set department for film and television and then went on to study sculpture in Halifax at the Nova Scotia School of Fine Art, but had not settled on a medium that had any real meaning for him. That changed when he studied in Haliburton with George Pratt, who then invited him to spend some months in Vancouver apprenticing at his studio. Later that year, Doug opened his own studio in Muskoka and has had his work shown in galleries in Bala, Gravenhurst, Rosseau and Haliburton. Every summer since then he has taught at the Haliburton School of The Arts. In May of 2001 he moved his studio to Belleville and began working as a full-time sculptor for the Campbell Monument Company, carving sculptures for the local and North American market. Link Unavailable Installed Sculptures Sleep of the Huntress Previous Sculpture Next Sculpture

Metalgenesis means the creation of art from an idea as well as the changing properties of a medium. Metalgenesis originated as the artist team and husband and wife, Don Dickson Sculptor, and Amy Doolittle Administrator / Promoter and Assistant. Don was well known across North America for his sound sculptures and public art. From Don’s studio in Mississauga Ontario, his sculptural works were commissioned for public spaces by The District Court of Appeals, Dayton Beach, Florida; Town Hall Park, Osoyoos, British Columbia; University of Florida, Gainesville, Florida; the City of Brampton Performing Arts Centre; the Richard and Annette Bloch Cancer Survivor Garden, Columbia, South Carolina; the Science and Engineering Building at University of North Florida, Jacksonville Florida and the Frank McKechnie Community Centre, Mississauga. Metalgenesis has two works in the Sculpture Forest – Forest Sound Vessel and Evolution. Don was a member of the Sculptors Society of Canada, Society of Canadian Artists, Colour and Form Society, and the Metal Arts Guild, and has won numerous awards for his work. ​After a long and courageous battle with ALS, Amy Doolittle died in 2009. Don Dickson, has carried on the work of Metalgenesis. Don describes his work in the following way: “I have always been making things with my hands. I have worked with many materials but have gravitated to metal and stone. I made the leap to professional artist in 1998 and discovered two sides to my sculptor’s personality; the abstract and the musical sound. Both paths of expression are important to me and have driven me to create a diverse range of work. The abstracts explore combinations of line and form as well as the political, social, and ecological issues of the world around me. The sound sculptures continue to combine kinetic, visual, and auditory aspects and have evolved from single sound pieces to combining sound sculpture with other abstract sculptural elements. My newest group of works are for the garden, from small sound sculptures to whimsical bugs and creatures. Combining mediums is intriguing for me as is the textures and types of marble, granite, and limestone that I have been working with. I am fascinated by the four elements which have influenced my recent stone pieces. These works are based on the four creative energies of the universe: Earth, Water, Air, Fire, and the balance between them. The elements work in harmony, seeking balance even though at times their contrary aspects may seem in conflict with each other, to create and to sustain life.” < All Artists Metalgenesis: Don Dickson & Amy Doolittle ABOUT SCULPTOR Artist Bio Metalgenesis means the creation of art from an idea as well as the changing properties of a medium. Metalgenesis originated as the artist team and husband and wife, Don Dickson Sculptor, and Amy Doolittle Administrator / Promoter and Assistant. Don was well known across North America for his sound sculptures and public art. From Don’s studio in Mississauga Ontario, his sculptural works were commissioned for public spaces by The District Court of Appeals, Dayton Beach, Florida; Town Hall Park, Osoyoos, British Columbia; University of Florida, Gainesville, Florida; the City of Brampton Performing Arts Centre; the Richard and Annette Bloch Cancer Survivor Garden, Columbia, South Carolina; the Science and Engineering Building at University of North Florida, Jacksonville Florida and the Frank McKechnie Community Centre, Mississauga. Metalgenesis has two works in the Sculpture Forest – Forest Sound Vessel and Evolution. Don was a member of the Sculptors Society of Canada, Society of Canadian Artists, Colour and Form Society, and the Metal Arts Guild, and has won numerous awards for his work. After a long and courageous battle with ALS, Amy Doolittle died in 2009. Don Dickson, has carried on the work of Metalgenesis. Don describes his work in the following way: “I have always been making things with my hands. I have worked with many materials but have gravitated to metal and stone. I made the leap to professional artist in 1998 and discovered two sides to my sculptor’s personality; the abstract and the musical sound. Both paths of expression are important to me and have driven me to create a diverse range of work. The abstracts explore combinations of line and form as well as the political, social, and ecological issues of the world around me. The sound sculptures continue to combine kinetic, visual, and auditory aspects and have evolved from single sound pieces to combining sound sculpture with other abstract sculptural elements. My newest group of works are for the garden, from small sound sculptures to whimsical bugs and creatures. Combining mediums is intriguing for me as is the textures and types of marble, granite, and limestone that I have been working with. I am fascinated by the four elements which have influenced my recent stone pieces. These works are based on the four creative energies of the universe: Earth, Water, Air, Fire, and the balance between them. The elements work in harmony, seeking balance even though at times their contrary aspects may seem in conflict with each other, to create and to sustain life.” Artist Website Installed Sculptures Sound Vessel: Forest Evolution Previous Sculpture Next Sculpture

John Beachli moved to Haliburton over thirty years ago and started a construction company. John did a lot of work with stone and became skilled at dry stone wall creation and began to teach these skills at the Haliburton School of The Arts. John was inspired by the work of George Pratt, a renowned stone sculptor and instructor at the school. (Pratt’s sculpture “Pan” is part of the Haliburton Sculpture Forest collection) He began studying with George to learn the craft and art of stone carving and spent time over the years with George in his studio in Vancouver. John now dedicates most of his time to stone carving. In July 2006, John was artist-in-residence at the Haliburton Sculpture Forest – working on this sculpture near the entrance to the Sculpture Forest and the Haliburton School of The Arts and inviting the public to visit and watch the work in progress. John donated the completed sculpture to the Sculpture Forest. It was installed on its current site in August 2006 and officially inducted on October 21, 2006.Two of John’s dramatic sculptures can be seen at the entrance to the Haliburton Hospital. < All Artists John Beachli ABOUT SCULPTOR Artist Bio John Beachli moved to Haliburton over thirty years ago and started a construction company. John did a lot of work with stone and became skilled at dry stone wall creation and began to teach these skills at the Haliburton School of The Arts. John was inspired by the work of George Pratt, a renowned stone sculptor and instructor at the school. (Pratt’s sculpture “Pan” is part of the Haliburton Sculpture Forest collection) He began studying with George to learn the craft and art of stone carving and spent time over the years with George in his studio in Vancouver. John now dedicates most of his time to stone carving. In July 2006, John was artist-in-residence at the Haliburton Sculpture Forest – working on this sculpture near the entrance to the Sculpture Forest and the Haliburton School of The Arts and inviting the public to visit and watch the work in progress. John donated the completed sculpture to the Sculpture Forest. It was installed on its current site in August 2006 and officially inducted on October 21, 2006.Two of John’s dramatic sculptures can be seen at the entrance to the Haliburton Hospital. Link Unavailable Installed Sculptures To Cut or Not To Cut Previous Sculpture Next Sculpture

Brett Davis was born in Toronto, Ontario, Canada in 1957. He graduated with honors from Toronto’s Central Technical School Special Fine Art Program in 1981 where he majored in sculpture, and won The K.A.Griffith Award and The Peter Haworth Award for Meritorious Achievement, and is a member of The Sculptors Society of Canada. He works in all facets of ferrous and non-ferrous metals from welding, fabrication, chasing and fountain design. Brett has also studied ancient and historical patinas for more than 25 years, while practicing in the art of chemical patination, which has gained him a notable reputation as a Patina Specialist in Metal Conservation. With over 25 years of experience, he specializes in the design, manufacturing, installation and maintenance of custom and commissioned bronze works designed specifically for interior and exterior environments. He has worked with many prominent landscaping and architectural firms integrating bronze sculptures and fountains into their unique designs and has won many public art competitions in Ontario, Canada. Brett’s travels abroad have also earned him an international reputation as a bronze artist, participating in many invitational international exhibitions and symposiums, and has numerous private and public works in Asia, United Kingdom, USA and Canada. < All Artists Brett Davis ABOUT SCULPTOR Artist Bio Brett Davis was born in Toronto, Ontario, Canada in 1957. He graduated with honors from Toronto’s Central Technical School Special Fine Art Program in 1981 where he majored in sculpture, and won The K.A.Griffith Award and The Peter Haworth Award for Meritorious Achievement, and is a member of The Sculptors Society of Canada. He works in all facets of ferrous and non-ferrous metals from welding, fabrication, chasing and fountain design. Brett has also studied ancient and historical patinas for more than 25 years, while practicing in the art of chemical patination, which has gained him a notable reputation as a Patina Specialist in Metal Conservation. With over 25 years of experience, he specializes in the design, manufacturing, installation and maintenance of custom and commissioned bronze works designed specifically for interior and exterior environments. He has worked with many prominent landscaping and architectural firms integrating bronze sculptures and fountains into their unique designs and has won many public art competitions in Ontario, Canada. Brett’s travels abroad have also earned him an international reputation as a bronze artist, participating in many invitational international exhibitions and symposiums, and has numerous private and public works in Asia, United Kingdom, USA and Canada. Artist Website Installed Sculptures Guardians of the Forest Previous Sculpture Next Sculpture

George Pratt is a professional stone sculptor who was initially introduced to the stone-carving arts by E.B. Cox in 1970. His works are carved in granite, marble, jade and other exotic ornamental stones of Canada. Having produced 25 annual shows beginning in 1972, his work is widely collected in North America by private individuals and corporations. Large works commissioned for public display include the Terry Fox Memorial, Coquitlam, B.C.; the Sedna Sculpture, Toronto. Ontario; The Builders, Calgary, Alberta; the Alaskan Veteran's Memorial; 'The Sundial', Sechelt, B.C. ‘Salmon River’ and ‘Rejuvenation’ sculptures in granite in Burnaby, British Columbia; and ‘The Emperor’s Sunrise’ a sculpture in jade shown at the British Columbia Canada Pavilion, 2008 Beijing Olympics. George has sculpted many presentation works for foreign dignitaries, notably HRH Prince Philip; the Honourable Mary Robinson, President, Republic of Ireland; the Honourable Kim Young Sam, President of the Republic of Korea; the Honourable Corazon Aquino, President of the Philippines; President Boris Yeltsin, Russia and President William Clinton of the United States. He also has extensive teaching experience. George grew up in Haliburton and graduated from the Haliburton Highlands Secondary School. < All Artists George Pratt ABOUT SCULPTOR Artist Bio George Pratt is a professional stone sculptor who was initially introduced to the stone-carving arts by E.B. Cox in 1970. His works are carved in granite, marble, jade and other exotic ornamental stones of Canada. Having produced 25 annual shows beginning in 1972, his work is widely collected in North America by private individuals and corporations. Large works commissioned for public display include the Terry Fox Memorial, Coquitlam, B.C.; the Sedna Sculpture, Toronto. Ontario; The Builders, Calgary, Alberta; the Alaskan Veteran's Memorial; 'The Sundial', Sechelt, B.C. ‘Salmon River’ and ‘Rejuvenation’ sculptures in granite in Burnaby, British Columbia; and ‘The Emperor’s Sunrise’ a sculpture in jade shown at the British Columbia Canada Pavilion, 2008 Beijing Olympics. George has sculpted many presentation works for foreign dignitaries, notably HRH Prince Philip; the Honourable Mary Robinson, President, Republic of Ireland; the Honourable Kim Young Sam, President of the Republic of Korea; the Honourable Corazon Aquino, President of the Philippines; President Boris Yeltsin, Russia and President William Clinton of the United States. He also has extensive teaching experience. George grew up in Haliburton and graduated from the Haliburton Highlands Secondary School. Artist Website Installed Sculptures Together We Explore the Wild Pan Previous Sculpture Next Sculpture

A one-of-a-kind bench crafted by Peter Wehrspann. Current Peter Wehrspann Name of Sculpture: Current Materials: Oak and Steel Description: One of a kind bench, a reverse ‘S' curve created from 4” slats of oak with steel legs Installation Date: August, 2005 Number on Map: B Go to Gallery Vision for the Bench: I designed this bench with two major considerations in mind. The sinuous form is for a pleasing shape embodying flow and movement. While the human-manipulated materials that make up the bench contrast with the surrounding natural environment, the bench's repetition of line and sense of movement invokes a congruent relationship with its environment. The concave face of the bench allows for interaction between visitors to the Sculpture Forest. Passers-by taking a rest will be nudged to engage in a quiet chat or conversation. Though, respecting the needs for personal space the bench's undulating form also allows for a convex seating arrangement to provoke focus elsewhere. A low backrest makes it easy to rest one's elbows to sit for long periods to just observe, communicate, or a combination of both. Artist Statement: I take great pride in creating unique objects that successfully fulfill requirements of form and function. This project became more intriguing for two reasons. First the bench is an exterior object that posed challenges in the design and construction and aesthetics. I don't believe it is a casual duty when attempting to gracefully impose human-made objects into nature. Second, the project was one that, unlike other sculpture, involves interaction with people on an ongoing basis. It is my belief that 'good objects' can positively evoke emotion and interaction, personally and interpersonally. Artists before me have inspired these perspectives that now define my work. Natural artist Andy Goldsworthy from England, landscape architect Martha Schwartz from the U.S.A. and Christopher Alexander, author of "A Patterned Language", all promote an awareness of the integral relationship between us, the Earth, and the things we, as humans, make. < Back to Sculptures

A one-of-a-kind dry stone bench created by Aaron Galbraith. Spirit of the Wild Aaron Galbraith Materials: Locally quarried granite Description: One of a kind dry stone bench made from locally quarried granite. Location: Haliburton Sculpture Forest; South Trail beside the stairs Installation Date: August, 2012 Number on Map: C Go to Gallery About the Bench: Carole Finn, local artist and community booster, donated the dry stone bench in memory of her late husband Don. Measuring 7 feet by 3 feet, the granite top of the bench weighs 1,400 pounds, with the many smaller rocks weighing in at 4,500 pounds. In the centre of the bench there is a mossy stone collected from the Finn's farm. 'Spirit of the Wild' took artist, Aaron Galbraith, 7 days to make. < Back to Sculptures

2019 < All Sculptures 2019 Downtown Haliburton Sculpture Exhibition $750.00 Virtual Reali-Kitty Thoreau Bakker Thoreau Bakker is a Toronto-based contemporary artist, with a current focus on three-dimensional (3D) media. He holds an honours B.A. in Studio Art from the University of Guelph, and a master’s degree (MFA) from OCAD University. His MFA thesis questioned Walter Benjamin’s generalizations about aura and the mechanical reproduction of art in the context of recent 3D technologies like 3D printing and Virtual Reality. Current visual interests include neo-pop and mass-produced objects, of both aesthetic and utilitarian natures: toys, product packaging, etc. Current academic interests include the relationship between contemporary art and research, our definition of knowledge and the ways we acquire, synthesize and share it. Artist Contact Information www.thoreaubakker.com

John McKinnon All Sculptures Conspiracy of Ravens Number on Map 22 Artist John McKinnon Material Bronze, Steel Installation Date July 1, 2012 Learn About the Artist The commission for this sculpture was made possible through a generous donation from Noreen Blake. Noreen and Bob Blake spent summers in the Haliburton Highlands for over 60 years. They watched the growth of the Haliburton School of The Arts and both took a wide range of courses throughout the years. Although Noreen did not call herself an artist, she created beautiful work in a wide variety of media throughout her life. She was active for many years as a volunteer with the Kitchener-Waterloo Art Gallery and served as the coordinator of their art rental shop. This involved travelling to meet artists and select work from their studios throughout southern Ontario. Noreen always tookan interest in the art scene in the Highlands and for a number of years served as a tour guide for the Sculpture Forest. Inspired by the donations of sculptures by individuals such as Janis Parker and Diana Ferguson, she decided it was her turn. She proposed a sculpture competition with the theme “Avian Fauna” (birds of the region). Fifty-five artists from five provinces and two states submitted 60 proposals. A jury whittled that number down to seven and then Noreen made the final selection. The jury and Noreen loved the movement of the swooping birds of John’s proposed sculpture and the unique character of each raven. The title “A Conspiracy of Ravens” inspires the question, “What are they up to?” John’s impressive body of work of expressive outdoor metal sculptures gave everyone confidence that “A Conspiracy of Ravens” would be a wonderful addition to the Haliburton Sculpture Forest. Noreen lived to see the installation of the 'Conspiracy of Ravens" in the summer of 2012. Noreen passed away in her 90th year in 2013. More Photos Previous Next

2021 < All Sculptures 2021 Downtown Haliburton Sculpture Exhibition $2,800.00 Parallel Composition Éric Tardif Parallel Composition The idea of this sculpture came when I wanted to create a colorful 3D form inspired by an abstract painting, creating two layers of rectangle form, painting in different colors. The result is ludic, and lively, and stimulates the curiosity of the spectators. Éric Tardif Éric Tardif is from Kamouraska, a region in the Bas Saint-Laurent municipality in Quebec. Tardif originally studied Natural Sciences but turned to studying the arts and sculpture to explore his passion and artistic talent. In his work Tardif explores dimension, movement, and space. He works with several different materials and mediums in his work from wood, metal, and also has variety of mixed media 2D work as well. Tardif pushes the art world in both his concepts as well as his avant-garde method of steam-folding wood for his wood sculptures. This technique allows for his wooden sculptures to be full of movement and curved forms. He has received grants from CALQ (Conseil des arts et des lettres du Québec) and SODEC (Société de développement des entreprises culturelles) for several years. In recent years, Éric has expanded his artwork into bronze sculpture and has returned to his multimedia work. For the past 5 years, Eric has been working and designing Public Art and expressive outdoor sculptures in aluminum. He has more than 100 exhibitions to his name around the world and his work can be found in 10 galleries across North America. Artist Contact Information erictardif.com tardif065@gmail.com 613-286-5488 Facebook: EricTardifartiste

Ostrya viginiana < Back Ironwood Ojibwe Name: maananoons Scientific Name: Ostrya viginiana Significance in Ojibwe Cultures: --- How to Identify the Leaves: "Ironwood has simple, alternating oval-shaped leaves with sharp teeth that are successively larger towards the end of a growing shoot. Male flowers, called catkins, hang in early spring to release pollen. This tree may also be called hop hornbeam, because the maturing clusters of fruit looks like hops. Older trunks have rough, peeling strips of grayish-brown bark." Sources: ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us. < Back Next >