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  • Soul of A Boy

    2025 < All Sculptures 2025 Downtown Haliburton Sculpture Exhibition $1800.00 Soul of A Boy Carole Chaloupka Burton Soul of a Boy This work is part of the "Fragile Masculinity" series, inspired by men and boys who struggle to find acceptance for the more vulnerable parts of their natures in a world that often doesn’t make space for the softer incarnations of masculinity. In particular, this work is an art-based response to the loss of the artist’s younger brother, and the manifestation of her compassion and concern for the men and boys who feel pressured to abandon the more tender sides of their natures in order to conform. Sculpted in water-based clay, a mold was then made to cast subsequent limited editions. Carole Chaloupka Burton Carole received her Master of Fine Arts at Toronto’s OCAD University and her BA (Hons) at Sunderland University in her native North East England. Carole specializes in evocative portraiture and figurative sculpture that captures fleeting moments of inner reflection that are both deeply private, and vastly universal. Her sensitive expressive work explores the embodied experience of having memories, thoughts, emotions and intuition contained within our bodies, and seeks to give form to these invisible and difficult-to-articulate feelings and sensations. Themes within Carole’s work include vulnerability, meaning-making and our achingly bittersweet knowledge of the impermanence of embodied mortal life.

  • Innocence

    2023 < All Sculptures 2023 Downtown Haliburton Sculpture Exhibition $1,800.00 Innocence Carolanne MacLean Innocence In the thoughtful pose of this piece, I am trying to capture the contemplative state of a young woman, loosely capturing the energy. Carolanne MacLean I feel I am working with energy, whether painting or sculpting. I am interested in the healing value of colour and the surprising beauty of the accidental mark, and intrigued by the very existence of our response to beauty. Carolanne MacLean was born in Toronto in 1949. She is a graduate with honours of the Ontario College of Art in Fine Art and has a B.A. from the University of Toronto. Her large encaustic abstract works are a study in light, colour and texture, sometimes involving the figure, often nonrepresentational. Her City Souls paintings capture moments, passing expressions on the faces around us. She pursues the beauty of the figure through a regular sculpture practice. Artist Contact Information Website : carolannemaclean.com Instagram: @ carolannemaclean Email : cmtoronto@pm.me Phone: 647-296-7259

  • Weeping Gargoyle

    2018 < All Sculptures 2018 Downtown Haliburton Sculpture Exhibition $20,000.00 Weeping Gargoyle Julie Campagna Artist Contact Information 416-539-9206 julie@campagnabronze.com

  • Aerial

    2023 < All Sculptures 2023 Downtown Haliburton Sculpture Exhibition Contact Artist for Pricing Aerial Mark Puigmarti Aerial Forged Stainless Steel & Bronze Sometimes my work is a result of visualizing processes of forging effects, and reinterpreting these effects as details in the natural world. Ariel uses several forging processes that combine in the simplistic form of a heron about to take fight. Mark Puigmarti What seems like lifetimes ago I was refrigeration and HVAC mechanic. Working on commercial industrial gizmos that kept things or people warm or cold, while usually experiencing the polar opposite temperature of whatever it was I was trying to rectify. It is a respectable trade that many men and some women make a respectable living at. However, as much as I tried to make the piping arrangements visually pleasing, orderly, and followable there was something lacking. It just never quite clicked with my persistent dream to follow a more artistic path. One day about half way into a 25-year run at HVACR, I made it my mission to try and change what seemed truly unchangeable. Slowly with a long list of coincidences, happy accidents and a load of sacrifices, particularly by my supportive wife Chris, positive results started to accumulate in the intended direction of working with hot metal. This did indeed take 10 years of incremental progression to end up at the beginning of a new and completely unrecognizable life and style. It is not lost on me to grasp the sheer improbability to do that mid-career, in that career, or any for that matter. That cord was cut 14 years ago now." Artist Contact Information Email : mark@sparkswillflyforge.ca Website : sparkswillflyforge.ca Instagram: @sparkswillflyforge Facebook: @SparksWillFlyForge

  • Oracle

    2024 < All Sculptures 2024 Downtown Haliburton Sculpture Exhibition $2000.00 Oracle Rosalinde Baumgartner Oracle This sculpture was created using sculpture clay, fired cone 6 and was then smoke fired. Oracle is presented on a wooden base which has been treated to withstand the elements. Oracle stands 17 inches tall, gazing upon and holding a precious rock. A contemplative figure contemplating the future. So much coming our way, so many trying to help, will we make the right decisions? Searching for wisdom. ~Rosalinde Baumgartner~ Rosalinde Baumgartner Rosalinde is a mixed media artist who resides outside of Belwood, Ontario. You can visit her studio by making an appointment. This year she also has a sculpture, "Georgina", in the Fenelon Falls Outdoor Sculpture Exhibition and "Lightwalker", in the Burlington Waterfront Sculpture Project. We would like to welcome Rosalinde to Haliburton this year. Artist Contact Information Phone: 519-803-6435 Website : www.artevoke.com Email : rosalinde.baumgartner@gmail.com Instagram: @ rosalindebaumgartnerartist

  • Lissome 5

    2018 < All Sculptures 2018 Downtown Haliburton Sculpture Exhibition $800.00 Lissome 5 Andrew Rothfischer Artist Contact Information 705-761-3828 andrewr@nexicom.net

  • Brenna

    2022 < All Sculptures 2022 Downtown Haliburton Sculpture Exhibition Contact Artist for Pricing Brenna Donna Mayne Brenna From the “Gift of Water” series, Brenna is a 3/4 life-size figure cast in bronze using the time-honoured lost wax method. Seated with extended toes, as if testing the water, she acts as a romanticized steward of this source of life. Her inspiration came from concerns for the fragility of nature and years of volunteer work spent as a safe-water advocate. Donna Mayne Much of Donna's art career was spent as an Art Director, leading teams of artists in the planning, creation and installation of a series of large-scale public art projects comprising of more than 40 mural sites. All were site-specific; delivered on time and under budget. Donna is comfortable in collaborative environments that involve various levels of government, as well as local business groups and private collectors. Donna's classical training made the transition from muralist to sculpting an exhilarating one. She began her new enterprise, "Fine Sculpture," in 2013 and began exhibiting in international competitions in 2015 with her first two pieces being awarded. Donna has her Bachelor of Arts (Visual Arts) from the University of Windsor and studied Figure Drawing and Commercial Art at the Center for Creative Studies in Detroit, Michigan. Artist Contact Information donnajeanmayne@gmail.com donnajeanmayne.com

  • The Owl and the Pussycat

    2024 < All Sculptures 2024 Downtown Haliburton Sculpture Exhibition $18,000.00 The Owl and the Pussycat George Pratt The Owl and The Pussycat This sculpture was created using salt and pepper granite. With a total weight of approximatley 1800lbs, this sculpture was created in British Columbia and transported across Canada to be exhibited in downtown Haliburton. George Pratt was inspired to carve this sculpture based on the poem "The Owl and the Pussycat" written by Edward Lear in 1871. George recited the poem when he was 10 years old and has never forgotten it. In this sculpture you will see many of the important elements of the poem. Can you spot the pea green boat, the honey jar, money and a small guitar? At the base of the sculpture you will see a plaque displaying the poem. George Pratt George Pratt is a professional stone sculptor who was initially introduced to the stone-carving arts by E.B. Cox in 1970. His works are carved in granite, marble, jade and other exotic ornamental stones of Canada. Having produced 25 annual shows beginning in 1972, his work is widely collected in North America by private individuals and corporations. Large works commissioned for public display include the Terry Fox Memorial, Coquitlam, B.C.; the Sedna Sculpture, Toronto. Ontario; The Builders, Calgary, Alberta; the Alaskan Veteran's Memorial; 'The Sundial', Sechelt, B.C. ‘Salmon River’ and ‘Rejuvenation’ sculptures in granite in Burnaby, British Columbia; and ‘The Emperor’s Sunrise’ a sculpture in jade shown at the British Columbia Canada Pavilion, 2008 Beijing Olympics. George has sculpted many presentation works for foreign dignitaries, notably HRH Prince Philip; the Honourable Mary Robinson, President, Republic of Ireland; the Honourable Kim Young Sam, President of the Republic of Korea; the Honourable Corazon Aquino, President of the Philippines; President Boris Yeltsin, Russia and President William Clinton of the United States. He also has extensive teaching experience. George grew up in Haliburton and graduated from the Haliburton Highlands Secondary School. Artist Contact Information · Website: www.granitecarver.com · Email: granitecarver@gmail.com · Phone: 604-741-3316

  • Michael Belmore

    Michael Belmore was born in 1971 north of Thunder Bay and graduated with an A.O.C.A. in Sculpture/Installation from the Ontario College of Art in Toronto, Ontario in 1994. Belmore is of Ojibwe heritage and currently lives in the Haliburton Highlands in Ontario.Since graduating from the Ontario College of Art Belmore has worked in a variety of media including plastics, metal, wood and photography. The materials used are an important key to understanding his work and bring into account how we view nature as commodity. For several years his work has evolved around our use of technology and how it has affected our relationship to the environment.Previous exhibitions have included First Nations Art at the Woodland Cultural Centre, Brantford, Ontario (1992), Naked State at the Power Plant Comtemporary Art Gallery at Harbourfront, Toronto, Ontario (1994), Staking Land Claims at the Walter Phillips Gallery, Banff, Alberta (1997), lichen at the Toronto Sculpture Garden (1998), Ravens Wait at the Indian Art Centre in Hull, Quebec (1999) and Vantage Point at the Sacred Circle Art Gallery, Seattle, Washington (2002). As well Belmore has shown with several artist-run-centres and collectives across Canada and created site-specific public art installations for Thunder Bay Art Gallery, University of Western Ontario in London as well as for the City of Peterborough.A member of the Royal Canadian Academy of Arts, Belmore’s work is represented in the permanent collections of the Indian Art Centre in Hull, the McMichael Canadian Art Collection in Kleinberg, Thunder Bay Art Gallery, Agnes Etherington Art Gallery in Kingston, and in numerous private collections. < All Artists Michael Belmore ABOUT SCULPTOR Artist Bio Michael Belmore was born in 1971 north of Thunder Bay and graduated with an A.O.C.A. in Sculpture/Installation from the Ontario College of Art in Toronto, Ontario in 1994. Belmore is of Ojibwe heritage and currently lives in the Haliburton Highlands in Ontario.Since graduating from the Ontario College of Art Belmore has worked in a variety of media including plastics, metal, wood and photography. The materials used are an important key to understanding his work and bring into account how we view nature as commodity. For several years his work has evolved around our use of technology and how it has affected our relationship to the environment.Previous exhibitions have included First Nations Art at the Woodland Cultural Centre, Brantford, Ontario (1992), Naked State at the Power Plant Comtemporary Art Gallery at Harbourfront, Toronto, Ontario (1994), Staking Land Claims at the Walter Phillips Gallery, Banff, Alberta (1997), lichen at the Toronto Sculpture Garden (1998), Ravens Wait at the Indian Art Centre in Hull, Quebec (1999) and Vantage Point at the Sacred Circle Art Gallery, Seattle, Washington (2002). As well Belmore has shown with several artist-run-centres and collectives across Canada and created site-specific public art installations for Thunder Bay Art Gallery, University of Western Ontario in London as well as for the City of Peterborough.A member of the Royal Canadian Academy of Arts, Belmore’s work is represented in the permanent collections of the Indian Art Centre in Hull, the McMichael Canadian Art Collection in Kleinberg, Thunder Bay Art Gallery, Agnes Etherington Art Gallery in Kingston, and in numerous private collections. Artist Website Installed Sculptures Beaver Previous Sculpture Next Sculpture

  • Marianne Reim

    Marianne Reim (BA, SCA, SSC) graduated with a B.A. in Art & Art History from McMaster University in Hamilton, Ontario, Canada. She has been Artist in Residence in Japan, Yugoslavia, Italy and British Columbia, Canada. She has had many solo exhibitions and participated in numerous group shows. She exhibited her sculptures from 1994 to the present at such prestigious venues as: Art Gallery of Ontario, Toronto; Hamilton Art Gallery, Hamilton, Sculpture Society of Canada; Canadian Embassy, Tokyo; Gallery Fukashi, Matsumoto, Japan, Künstlerhaus, Ulm, Germany; Dante Centre, Ravenna, Italy; and at the Crawford Arts Centre, St. Andrew Scotland, Her works can be found in public and private collections. < All Artists Marianne Reim ABOUT SCULPTOR Artist Bio Marianne Reim (BA, SCA, SSC) graduated with a B.A. in Art & Art History from McMaster University in Hamilton, Ontario, Canada. She has been Artist in Residence in Japan, Yugoslavia, Italy and British Columbia, Canada. She has had many solo exhibitions and participated in numerous group shows. She exhibited her sculptures from 1994 to the present at such prestigious venues as: Art Gallery of Ontario, Toronto; Hamilton Art Gallery, Hamilton, Sculpture Society of Canada; Canadian Embassy, Tokyo; Gallery Fukashi, Matsumoto, Japan, Künstlerhaus, Ulm, Germany; Dante Centre, Ravenna, Italy; and at the Crawford Arts Centre, St. Andrew Scotland, Her works can be found in public and private collections. Artist Website Installed Sculptures Terminus Das Buch XXIII Previous Sculpture Next Sculpture

  • Visionary: A Tribute to Sir Sanford Fleming

    Youkie Stagg < Back Originally Published On: January 1, 2016 Originally Published By: Haliburton Echo Visionary: A Tribute to Sir Sanford Fleming Written By: Youkie Stagg Sir Sandford Fleming was born in 1827 in Scotland but later moved to Peterborough in 1845 with his older brother. Fleming made several major contributions to the Peterborough community as well as the rest of the world. His most notable achievement was the establishment of Universal Standard Time which he recommended to the Royal Canadian Institute in 1879 and was adopted universally in 1884. His other achievements include: his design of a prototype of in-line skates, the Foundation of the Royal Canadian Institute in Toronto, the Threepenny Beaver – Canada’s first adhesive postage stamp, a proposal for a railway line spanning “British North America,” a submarine cable that would connect all the nations of the British Empire by telegraph, appointed as Chief Engineer of the Northern Railway, and knighthood by Queen Victoria in 1897. This sculpture includes the elements of a surveyor’s transit, compass, a clock representing time, significant dates in Fleming’s life, and the globe. The Sculpture Forest offers free guided tours each Tuesday from 10-11:30 am and a shorter “Curator Selection” tour on Wednesday from 12:10 – 12:50. Meet at the kiosk in the Fleming College parking lot. < Previous Article Next Article >

  • Gord Peteran debuts new work at Haliburton Sculpture Forest

    Sam Gillett < Back Originally Published On: August 1, 2022 Originally Published By: The Highlander Gord Peteran debuts new work at Haliburton Sculpture Forest Written By: Sam Gillett The Haliburton Sculpture Forest’s newest addition was installed last spring, but won’t be finished for about 30 years. At a ribbon-cutting and artist talk July 26, sculptor Gord Peteran said his wooden constructions, which make up Passage, are designed to merge with the forest that surrounds them. “These works are out of my hands. It’s your obligation to finish them,” he said, referring both to the physical decay of the wooden creations, but also to the way visitors will interpret the enigmatic sculpture, installed in the spring of 2021. A set of oars are affixed to a high wooden table. On each side of the table, two wooden door frames book-end the work, which is nestled in a small glade of trees. “Tables represent gathering … the dining table is the core of the family,” Peteran said. The artist, also responsible for crafting the iconic red doors at the Haliburton School of Art + Design (HSAD), said he delights in challenging how people view objects. The oars, for instance, could infer the table could be in motion. “Is a table kind of like a vessel?” Peteran asked. Passage, like most of Peteran’s work, is about humans; how and why we build and use objects. “I look at historical craft as evidence of human behaviour,” he said, later at a talk in the great hall of the HSAD. It’s a study, he said, of “what does the human tend to do?” Perhaps it’s a form of art that emerged from his childhood on Mountain Lake. “What I do comes right out of that lake,” Peteran mused. He said at lakes and cottages “something happens in the mind. The brain has a chance to explode.” Whether his grandmother’s rolling pin or carving tools gathered from settler’s tree clearing operations in the north, Peteran grew fascinated with the objects people build. He’s spent years constructing iconic halfmoon end tables, exploiting their shape and forming them with odds and ends from his workshop, or even driftwood and twine. “They’re basically junk,” he said. Peteran seemed bemused by how the shapes could resonate with people even if the tables weren’t functional. Our perception of common household fixtures change, he said, if he “takes the familiar and intervenes in some tiny way.” Peteran’s sculpture was funded by Barb Bolin, a chair of the sculpture forest. “Every sculpture brings its own story to the sculpture forest, and connects with other stories and sculptures in such intriguing ways,” said board member Annette Blady Van Mil. “We want to thank you, Gord, for making the stories continue.” For more information on the Haliburton Sculpture Forest visit haliburtonsculptureforest.ca. Read the Original Article Here: https://thehighlander.ca/2022/08/04/new-sculpture-to-grow-into-the-forest/ < Previous Article Next Article >

Land Acknowledgment

We would like to acknowledge that we are located on ancestral lands, the traditional territory of the Mississauga Anishinaabe covered by the Williams Treaties. This area, known to the Anishinaabe as “Gidaaki”, has been inhabited for thousands of years – as territories for hunting, fishing, gathering and growing food.


For thousands of years Indigenous people have been the stewards of this place. The intent and spirit of the treaties that form the legal basis of Canada bind us to share the land “for as long as the sun shines, the grass grows and the rivers flow”.

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Location:

297 College Drive
Haliburton, ON K0M 1S0
Tel:

(705) 457-3555

Email:

info@haliburtonsculptureforest.ca

To find out more about all of the extraordinary things to see and do in the Haliburton Highlands in every season click here!

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© 2023 Haliburton Sculpture Forest

Images © 2021 Kristy L. Bourgeois | Youkie Stagg | Angus Sullivan | Noelle Dupret Smith | Teodora Vukosavljevic | Nadia Pagliaro

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