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- Bird Woman
2026 < All Sculptures 2026 Downtown Haliburton Sculpture Exhibition $7000.00 Bird Woman Holly Atkinson This unique, mixed-media sculpture, titled Bird Woman, features a towering wood column base painted on four sides, teeming with a diverse flock of birds. Perched atop this vertical structure is a sculpture of the Woman of Birds , meticulously designed with mixed media. The central woman figure is accompanied by numerous birds placed directly on her, illustrating a profound harmony with nature. The artwork uses a sturdy internal steel pole assembly to connect the base and the top figure. This one-of-a-kind contemporary piece, measuring 8’ x 4’ x 4’, blends avian life with human form to create a striking, symbolic centerpiece.
- Mary Ellen Farrow
Mary Ellen is a resident of Georgetown and has a studio at the Williams Mill in Glen Williams. She is a familiar face in Haliburton and a student at the Haliburton School of The Arts and was previously a member of the Mississauga Sculpture Studio. Mary Ellen Farrow was born in Mount Forest Ontario and is currently residing in Georgetown Ontario. She has taken sculpture courses as Sheridan College, Haliburton School of Fine Arts and Ontario College of Art and Design. Mary Ellen has taught sculpture and stone carving at The Mississauga Sculpture Studio, Nielson Park Creative Centre in Etobicoke, CACY in Caledon, the Living Arts Centre in Mississauga, Beaux-Arts in Brampton, and at her studio in Williams mill. She is also an active member of the Sculptors' Society of Canada and the Ontario Society of Artists. Email: maryellen@mfarrow.com < All Artists Mary Ellen Farrow ABOUT SCULPTOR Artist Bio Mary Ellen is a resident of Georgetown and has a studio at the Williams Mill in Glen Williams. She is a familiar face in Haliburton and a student at the Haliburton School of The Arts and was previously a member of the Mississauga Sculpture Studio. Mary Ellen Farrow was born in Mount Forest Ontario and is currently residing in Georgetown Ontario. She has taken sculpture courses as Sheridan College, Haliburton School of Fine Arts and Ontario College of Art and Design. Mary Ellen has taught sculpture and stone carving at The Mississauga Sculpture Studio, Nielson Park Creative Centre in Etobicoke, CACY in Caledon, the Living Arts Centre in Mississauga, Beaux-Arts in Brampton, and at her studio in Williams mill. She is also an active member of the Sculptors' Society of Canada and the Ontario Society of Artists. Email: maryellen@mfarrow.com Artist Website Installed Sculptures Voyage A Walk in the Woods in Haliburton Previous Sculpture Next Sculpture
- Embracing Eos
Charles O'Neil All Sculptures Embracing Eos Number on Map 13 Artist Charles O'Neil Material Wire, Steel Installation Date June 1, 2004 Learn About the Artist This sculpture depicts a man facing due east, with his arms raised high, greeting the morning sun and embracing the rosy-fingered goddess of the dawn, Eos. According to Greek mythology, Eos rose up into the sky from the river Okeanos at the start of each day, and with her rays of light dispersed the mists of the night. She was sometimes depicted riding a golden chariot drawn by winged horses, at other times she was shown borne aloft by her own pair of wings. Eos had an unquenchable desire for handsome young men, some say as the result of a curse laid upon her by the goddess Aphrodite. The story of the man depicted in Embracing Eos is unclear. Does he simply admire the beauty of Eos as she rises each morning? Was he one of her past lovers? Or is he another young man about to fall victim to her lust? Being a sculpture of black steel and dark wire, Embracing Eos can be difficult to see in the evening twilight. Some visitors have had such difficulty spotting the sculpture that they believe it has disappeared. Perhaps the sculpture is just hard to see in the evening, or perhaps the man of metal does leave at night, only to reappear in the morning to greet his seductive Eos. More Photos Previous Next
- Items (All) | Sculpture Forest
Item List Nyasha Mabika Nyasha Mabika was born on July 2, 1974 in Mutare Manicaland Province, in the Eastern Highlands of Zimbabwe. He was the 4th born in a family of 6 children. Nyasha attended both primary and secondary school in Bvumba, a beautiful mountainous region, near the Mozambique border. When Nyasha completed high school in 1991 he began visiting local sculpting co-operatives and assisting sculptors with sanding and polishing their sculptures. Having decided stone sculpting was a career he wished to pursue, Nyasha moved to St. Mary's in Chitungwiza to begin a formal apprenticeship with his late cousin Winston Magura. Winston taught Nyasha and they worked together from 1994 to 1996. In 1996, Nyasha had completed his apprenticeship and was looking for new challenges. He joined a group of other artists and founded an arts co-operative, the Chitungwiza Arts Centre, where he remained an active member until 2016. He now works from his home studio in Epworth. Nyasha goes to the mine himself to select stone, which is his first source of information. He enjoys working with hard stones such as Leopard Rock, Springstone and Opal. Attracted to wildlife, Nyasha says that is what most often he sees in the raw stone. Nyasha enjoys sculpting hippos and abstract pieces. His sculptures have sold to galleries and collectors from Germany, the Netherlands, the UK and Canada. ZimArt started to represent Nyasha in Canada in 2017. Read More Jared Tait Jared Tait is a member of the Sachigo Lake First Nation an Oji-Cree First Nation in Treaty 9, territory in the far north of Ontario near the Manitoba border. Jared was raised in Thunder Bay. He currently resides with his family in the countryside near Bancroft. In 2018, Jared began painting under the mentorship of his father, Tim Tait, a self-taught artist. Jared recalls his childhood being surrounded by his father’s paintings and being told stories within them. Since his exposure to art at a young age, Jared has created a strong appreciation and connection to art. Through his understanding of the Woodland style and the methods of telling stories through his work, Jared captures the deep relations to the land and its creatures. He builds on these motivations to preserve the sacred stories, symbolism and teachings. Jared creates imagery inspired by his personal and spiritual experiences and hopes to pass his teachings on to future generations. Read More Charmaine Lurch Charmaine Lurch is a multidisciplinary artist whose painting, sculpture, and social engagement reveal the intricacies and complexities of the relationships between us and our environments. Her sculptures, and installations contend with what is visible and present in conjunction with what remains unsaid or unnoticed. Lurch applies her experience in community arts and education to create inviting entry points into overwhelmingly complex and urgent racial, ecological, and historical matters. Lurch holds a Master in Environmental Studies from York University and has completed studies at the Halliburton School of Art + Design, Sheridan College, OCAD University, and the School of Visual Arts (SVA NYC). Lurch has exhibited beyond and throughout Canada, and her works have been acquired by Global Affairs Canada to be exhibited in EXPO 2021 held in Dubai and Canadian embassies and consulates globally. Read More Carolanne MacLean Carolanne MacLean was born in Toronto in 1949. She is a graduate with honours of the Ontario College of Art in Fine Art and has a B.A. from the University of Toronto. Her large encaustic abstract works are a study in light, colour and texture, sometimes involving the figure, often nonrepresentational. Her City Souls paintings capture moments, passing expressions on the faces around us. She pursues the beauty of the figure through a regular sculpture practice. Artist's Statement: I feel I am working with energy, whether painting or sculpting. I am interested in the healing value of colour and the surprising beauty of the accidental mark, and intrigued by the very existence of our response to beauty. E-mail: cmtoronto@pm.me Read More Don Frost Peterborough born Don Frost had his future path laid out for him by winning first prize in a city wide art exposition at age six in grade one. The following year at age seven, Don had a group showing at the Peterborough Public Library. Public school had its usual trials and tribulations and it was not until grade 10 that Don discovered that he was colour blind to all but the primary colours. At this point Don’s life took a right turn and sculpture was all that he focused on. Don teamed up with a friend in grade 11 who became his art agent and they enjoyed considerable success in the Peterborough area. After high school Don took some time off to do his art and apprentice as a mechanic for a year. In 1973-74 he attended Sheridan Art College followed by a decision to become a professional sculptor having just received a major commission for a large 15' tall sculpture for a new mall being built in Peterborough, Ontario. This was followed by the creation of the largest sculpture in Canada in 1983 by winning a competition for an indoor work for the Michael Starr Building in Oshawa, Ontario. Always seeking new outlets for art Don acquired an art agent in Ottawa which led to an introduction to a patron who kept Don busy creating more than 40 sculptures in a period of twenty years. Don’s work internationally was recently a commission for four large works for a garden in Club Medjulis in Riyadh, Saudi Arabia. Previously to this in an expansive design project by the late King Hussein for a 1.6 km wall of huge relief panels commemorating the history of Jordan, Don’s work on six of these panels was accepted by King Abdullah. Experiencing greater notoriety for the global uniqueness of his art, Don was presented with awards from Peterborough County and commemorated in the Walk of Fame. Presently Don has art representatives across the United States and Canada. Email: don.frost@sympatico.ca Read More Peter Wehrspann Peter is a skilled designer, metal artist and wood worker. A graduate of SITAL, he has twice received the Betty Kantor Scholarship Award for students who display excellence in the program. Before studying furniture design, Peter received a degree in Communications from Wilfrid Laurier University. Born in Toronto, he has been able to widen his perspective by traveling and living abroad in Japan, Switzerland, and Denmark. Peter has also studied design in Denmark where his work was exhibited at the prestigious Denmark Design Skole. His work has been exhibited online, in print media, and at Fluid Living, Distillery District location. Peter is energetically involved in the Toronto craft and design community, most recently is his involvement with Designers Walk Home and Style Studio Tour where his work is displayed at Weavers Art. In the time of his young career, Peter has been developing working relationships with residential clients, interior designers, and architects. Email: peter@holtzundmetal.com Read More Phillip Vander Weg Work Decommissioned in 2017 Phillip Vander Weg is a professor of Art at Western Michigan University. He has held that post since 1989 and has been chair of the Department of Art for most of that time Vander Weg is also director of the WMU Sculpture Tour Program, which he founded in 1991. He received his MFA in Sculpture from The University of Michigan’s Horace Rackham School of Graduate Studies in 1968. He also has a BS in Design from The University of Michigan. As an artist, Vander Weg has been exhibited regularly since 1969. Venues include Frederick Meijer Sculpture Park and Gardens in Grand Rapids, Cleveland State College, The University of Tennessee, Clemson University, and The Southeastern Center for Contemporary Art in Winston-Salem, N.C. Awards and honors include a Purchase Award at The 1996 Allegro Festival Exhibition, winner of The Vanderbilt University Sculpture Competition for Heard Library Interior in 1986, and a Purchase Award in the Art Of The Eighties competition at The Tennessee State Museum (Nashville) in 1982. Since 1972, he has had in excess of 25 private commissions (completed) of major sculptures for clients in the Midwest and Southeast, and his works are in the public and corporate collections of, among many others, The Butler Museum of Art, Tennessee State Museum, New York State University at Potsdam, and Gulf & Western Industries in New York City. He is an active member of The National Association of Schools of Art and Design, The College Art Association, FATE: Foundations in Art: Theory and Education, and The International Sculpture Conference. Read More Carole Turner American artist Carole Turner, who lives and works in Istanbul, Turkey, creates contemporary sculpture in stone, steel, bronze, and wood. She carves, fabricates, and models with abstracted and geometric design, as well as voluptuous figurative and organic form. Carole's sculpture is exhibited internationally and her many monumental sculptures can be found in the collections of museums, municipalities, sculpture parks, and corporations in Italy, Argentina, Germany, Vietnam, Russia, South Korea, Austria, Poland, Romania, Mexico, Egypt, Turkey, China, Chile, India, Bulgaria, Costa Rica, Greece, and the United States. Carole came to Haliburton as part of the Carved on the Canadian Shield Sculpture Symposium in order to carve her sculpture. Celebrating Canada, Ontario, and Dysart 150, four artists came to Haliburton to carve a piece out of limestone representing Canada and the Canadian Shield. Read More Doug Stephens Doug Stephens has been carving stone since taking a course in Haliburton in 1998. Years before he had worked in the set department for film and television and then went on to study sculpture in Halifax at the Nova Scotia School of Fine Art, but had not settled on a medium that had any real meaning for him. That changed when he studied in Haliburton with George Pratt, who then invited him to spend some months in Vancouver apprenticing at his studio. Later that year, Doug opened his own studio in Muskoka and has had his work shown in galleries in Bala, Gravenhurst, Rosseau and Haliburton. Every summer since then he has taught at the Haliburton School of The Arts. In May of 2001 he moved his studio to Belleville and began working as a full-time sculptor for the Campbell Monument Company, carving sculptures for the local and North American market. Read More Tarzan Sithole Tarzan Sithole is a third-generation Zimbabwean stone sculptor, born on February 27th, 1975. He started sculpting in 1994 in Tafara, Harare, Zimbabwe. Tarzan started carving with a group of 4 men, Test Sithhole, Clemence Jump and Charles Nembaware. Their group was called Svikiro. Tarzan was inspired by his parents and his friends, Witness and Lameck Bonjisi. Tarzan is known for his captivating works that celebrate the essence of everyday life with a profound focus on the strength, beauty and resilience of women. His mixed masterpiece creations blend traditional techniques with modern flair breathing life in to stories of the human experience. He prefers to use harder stones in his sculpture work, such as springstone, limestone and granite. Tarzan has exhibited his work in various countries around the world, including, The National Gallery of Zimbabwe, The Kirstenbosch National Botanical Gardens and Kew Gardens in London as well as other various galleries in Europe, Canada, Asia, Australia and the United States, earning him international acclaim. Tarzan aspires to become one of the leading sculptors of his generation, mentoring and empowering emerging artists in Zimbabwe and beyond. Read More Richard Shanks Born in England, Richard is the son of a master stone mason who creates industrial masterpieces and functional designs in brick and stone. His mother was an artisan-craftsperson who appreciated beauty in a variety of found objects and nature. Richard’s sister has a similar talent which is being carried on today. As an adult, he his artistic desire led him into the restoration of vintage cars and the building of custom vehicles. In 1989, he married and moved to Nova Scotia where he transformed a century-old sawmill into a unique space, The Mill Gallery Art, Crafts & Curiosities, which was to exhibit their own works and those of local artists. In 1996, they returned to Ontario where Richard took this creativity further, building a studio suitable for the production of various materials including blacksmithing. Richard became a certified Artist Blacksmith in 1999 at Sir Sandford Fleming College in Haliburton. He now creates unique works of art, sculpture and furniture in a variety of media such as steel, stone, wood and glass. They operate, Just Mad Innovative Design—a family business, inspired by their children Justice and Madison who have give them guidance through their own creativity. Anything is Possible! Read More Leo Sepa Leo’s foray into metal art began some thirty years ago. Though the urge to create with fire and metal remained strong throughout the years, Leo’s talents were relegated to weekends and holidays at his Haliburton cottage until he retired. In 1997, he and is wife Hilary fulfilled a longtime dream by establishing Iron Jive Studio in Moore Falls, Haliburton. Leo is a participant of The Haliburton County Studio Tour, where art lovers watch him demonstrate forging techniques and visit his home gallery. Many of Leo’s ideas are conceived and captured on film during outings of rural Ontario, especially Haliburton. He is continually developing and exploring new ideas, which are reflected, in his artwork. Leo’s paternal grandfather was a blacksmith in Estonia (in fact, the name “Sepa” is derived from the Estonian “Raud Sepp” which translates as iron smith). Like his grandfather, Leo uses traditional blacksmith techniques. But he also employs the use of an oxyacetylene torch, a Mig welder, a plasma cutter and various other modern tools. He works in both recycled and new materials where he sometimes uses natural patinas creating a wide variety of pieces. Though the elder Sepa was a traditional blacksmith, forging tools and farm implements, Leo figures a little of his grandfather’s craft rubbed off on him. Leo was born in 1947 in Sweden after his Estonian parents fled to the nearby country to escape Soviet repression after the USSR invaded the Baltic. He came to Canada when he was three. Read More
- Mary Anne Barkhouse
Mary Anne Barkhouse was born in Vancouver, BC and belongs to the Nimpkish band, Kwakiutl First Nation. She is a descendant of a long line of internationally recognized Northwest Coast artists that includes Ellen Neel, Mungo Martin and Charlie James. She graduated with Honours from the Ontario College of Art in Toronto and has exhibited widely across Canada and the United States. Working with a variety of materials Barkhouse examines environmental concerns and Indigenous culture through the use of animal imagery. A member of the Royal Canadian Academy of Arts, Barkhouse’s work can be found in the collections of the National Gallery of Canada, Mendel Art Gallery, Mackenzie Art Gallery, Art Bank of the Canada Council for the Arts, UBC Museum of Anthropology, Macdonald Stewart Art Centre, Banff Centre for the Arts and the Department of Indian and Northern Affairs. In addition she has public art installations at The Canadian Museum of History (Gatineau, QC), Carleton University (Ottawa, ON), Thunder Bay Art Gallery, McMaster Museum of Art (Hamilton, ON), University of Western Ontario (London, ON), McMichael Canadian Art Collection (Kleinberg, ON), Robert McLaughlin Gallery (Oshawa, ON), Macdonald Stewart Art Centre (Guelph, ON) Haliburton Sculpture Forest (Haliburton, ON) and the Millennium Walkway in Peterborough, Ontario. Barkhouse currently resides in the Haliburton Highlands of Ontario. < All Artists Mary Anne Barkhouse ABOUT SCULPTOR Artist Bio Mary Anne Barkhouse was born in Vancouver, BC and belongs to the Nimpkish band, Kwakiutl First Nation. She is a descendant of a long line of internationally recognized Northwest Coast artists that includes Ellen Neel, Mungo Martin and Charlie James. She graduated with Honours from the Ontario College of Art in Toronto and has exhibited widely across Canada and the United States. Working with a variety of materials Barkhouse examines environmental concerns and Indigenous culture through the use of animal imagery. A member of the Royal Canadian Academy of Arts, Barkhouse’s work can be found in the collections of the National Gallery of Canada, Mendel Art Gallery, Mackenzie Art Gallery, Art Bank of the Canada Council for the Arts, UBC Museum of Anthropology, Macdonald Stewart Art Centre, Banff Centre for the Arts and the Department of Indian and Northern Affairs. In addition she has public art installations at The Canadian Museum of History (Gatineau, QC), Carleton University (Ottawa, ON), Thunder Bay Art Gallery, McMaster Museum of Art (Hamilton, ON), University of Western Ontario (London, ON), McMichael Canadian Art Collection (Kleinberg, ON), Robert McLaughlin Gallery (Oshawa, ON), Macdonald Stewart Art Centre (Guelph, ON) Haliburton Sculpture Forest (Haliburton, ON) and the Millennium Walkway in Peterborough, Ontario. Barkhouse currently resides in the Haliburton Highlands of Ontario. Artist Website Installed Sculptures Gelert Beaver Previous Sculpture Next Sculpture
- Hemlock
Tsuda canadensis < Back Hemlock Ojibwe Name: gaagaagiwanzhiki Scientific Name: Tsuda canadensis Significance in Ojibwe Cultures: The bark is used as a stain for all woodenware. In the Great Lakes region there is lots of heavy metal toxicity in the soil which accumulates in plants and animals. The mixture of tanins and resins in the stain becomes absorbent and absorb the heavy metals in food. How to Identify the Leaves: "Its shape is conical, with a wide trunk that tapers into a thin top. Skinny flexible branches grow straight out from the trunk and then droop at the ends. The eastern hemlock’s bark is scaly when the tree is young and cracks deeply as the tree gets older. Its needles are 1 to 2 centimetres long and are shiny green on top and paler underneath. The cones of the eastern hemlock are oval shaped, and are 12 to 20 millimetres long. In the late fall and winter, the seeds fall out of the cones and onto the ground." Sources: Image: https://www.ontario.ca/page/eastern-hemlock How to Identify Tree: https://www.ontario.ca/page/eastern-hemlock < Back Next >
- Curled Figures
Susan Low-Beer All Sculptures Curled Figures Number on Map 08 Artist Susan Low-Beer Material Cement Installation Date October 1, 2003 Learn About the Artist These sculptures have been made from the same mold; the surface of each one will be altered to create the feeling of uniqueness. Although these sculptures are essentially the same, their gestures and consequently their emotional content changes with each altered position. More Photos Previous Next
- Orange Bloom
2023 < All Sculptures 2023 Downtown Haliburton Sculpture Exhibition $2,800.00 Orange Bloom Kristi Chen Orange Bloom Rattan Reed & Steel Orange Bloom is a sculpture that showcases the amalgamation of traditional craft practices and industrialized mediums. The basket is hand woven coated with an orange silicone finish attached to a welded curved steel armature. It is shaped into an organic form mimicking moments of a flower blooming. Utilizing lost basketry techniques in conjunction with manufactured finishes introduces the hybridization of time period and cultures. The basket vessel symbolizes the ancestral past while the silicone rubber coating reflects the current currency. The combination between the woven and the silicone rubber changes and evolves into another medium. Kristi Chen Parts of my identity are embedded in the pieces I created, not a portrait, but a sense of my fragmented existence. As a Toronto based multi-disciplinary cultural producer and artist, I am interested in themes of intergenerational, ancestral archives and how it relates to experiences of the diaspora. I was raised in Singapore, then the United States, Canada, and Hong Kong (SAR) which has made me cognizant of constant migration, influencing the subject matter and materiality in my practice. I seek to find comfort within my diasporic experience using sculptural forms to communicate identity. Imaginative creatures and dystopic, surreal environments are drawn from notions of my collective and personal experiences. Basket-weaving and smell are a big part of my sculptures, as it is a lost technique in my paternal side of the family. It is important for me to address cross-cultural perspectives, trans-generational traumas and re-interpretations of ancient Asian ideologies. I currently use traditional weaving techniques with synthetic materials to speak towards the relationship of the ancient and the anthropocene. Kristi has a BF in Sculpture/Installation from OCAD University and has been exhibiting her work in group and solo shows in the GTA region since 2018. Artist Contact Information Website : www.kristichen.com Email : kristichen2@gmail.com Phone: 416-838-5231 Instagram: @kristi_xy
- This Easy Hiking Trail In Ontario Is An Immersive Art Gallery & It's Full Of Sculptures
Megan Johnson < Back Originally Published On: August 11, 2022 Originally Published By: Narcity Toronto This Easy Hiking Trail In Ontario Is An Immersive Art Gallery & It's Full Of Sculptures Written By: Megan Johnson You can walk through an enchanted park in Ontario , full of so many grand sculptures you'll think you're at an art gallery. Haliburton Sculpture Forest is an easy trail of loops that are full of giant works of art. From a conspiracy of ravens and a bright blue horse replica to a giant high-heel shoe and towering rainbow leaf, there are so many different pieces of art to discover along the 1.4 kilometres of trails. What began as a simple trail with three sculptures in Glebe Park is now a full outdoor museum boasting 34 unique sculptures and six artsy benches created by both Canadian and international artists. There is a self-guided tour app that can be downloaded to your phone if you're the type that loves to read information boards and learn about each work of art at a museum. You can search "Haliburton" on the Pocksights Tour Guide app to follow a recommended route of the forest, complete with sculpture descriptions. There are weekly guided tours in the summer that you can join for free. The tours begin at 10 a.m. each Tuesday during the months of July and August and last about two hours. The trail loops are open year-round. Entrance to the park is free but donations are welcome and you'll find donation boxes at the entrance and along the trails. Donations for the summer guided tour are also appreciated. Price: Entrance by donation Address: 297 College Dr., Haliburton, ON Why You Need To Go: You can wander through an outdoor art gallery, admiring giant sculptures as you bask in the sun. Read the Original Article Here: https://www.narcity.com/toronto/this-easy-hiking-trail-in-ontario-is-a-free-art-gallery-it-s-full-of-sculptures < Previous Article Next Article >
- Moose Scraps
Leo Sepa All Sculptures Moose Scraps Number on Map 10 Artist Leo Sepa Material Assemblage of retired vintage farm equipment and other hardware Installation Date June 1, 2001 Learn About the Artist Found objects are at the heart of this sculpture, aptly titled "Moose Scraps", an assemblage of retired vintage farm equipment and other hardware, formed into the shape of one of Canada's largest mammals, the moose. Like many of Leo’s sculptures, the 2.5 meter piece exudes wit and charm. More Photos Previous Next
- Weeping Gargoyle
2018 < All Sculptures 2018 Downtown Haliburton Sculpture Exhibition $20,000.00 Weeping Gargoyle Julie Campagna Artist Contact Information 416-539-9206 julie@campagnabronze.com
- Double Take
Carolanne MacLean All Sculptures Double Take Number on Map 40 Artist Carolanne MacLean Material Winterstone Installation Date October 1, 2022 Learn About the Artist This piece is a rendition of a female figure in green Winterstone; a torso with arms outstretched as the woman turns to look back. My interest is in the fundamental gesture of the figure as I try to create a rhythmic flow through the form and capture a moment in time and the fullness of the female body. Winterstone is a dry powder mix which when mixed with water produces a clay-like consistency. Initially it can be modeled easily like clay. As it starts to harden it can be carved with soft carving tools. After 24 hours it can be carved with hard carving tools. More Photos Previous Next












