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- Andrew Rothfischer
Andrew Rothfischer has studied art both in Canada and abroad. While he has been on the artist's path for many years, in 2009 he finally graduated from the Haliburton School of Arts with a diploma in Visual Arts. Andrew specializes in two seemingly disparate areas; pastel paintings of landscapes and outdoor sculptures. His paintings often highlight places in nature that we tend to overlook or take for granted. In 2004 he produced the exhibit, “Jackson Creek – Travels through an Urban Watershed” that featured 25 paintings depicting the hard realities and the beauty that shape urban waterways today. Since that time, this idea of special places has evolved into the theme of “Sense of Place" that has continued in the the current series, the "Warsaw Project". Andrew's sculptures are almost exclusively created for the outdoors. They are designed to live in a field or in a garden. They are sometimes functional garden accents like dividers, bird baths or benches. The materials used are kiln formed glass, stone, cement or metal retrieved from the local junkyard. He works with these hard materials - fusing, casting, molding and shaping, reclaiming -, to create new forms that both startle and delight the viewer with their simplicity and beauty. So how do these two disciplines tie together? For the artist, the paintings are "of the land"; recognizing and capturing the essence of those special places that stir us. The sculptures take these impressions a step further. They play with those same colours and shapes and light, creating forms that are "on the land". Both forms, however, in their own way, celebrate and pay homage to the landscape around us. For information about the purchase of Lissome#5 or other of Andy's works visit andrewrothfischer-art.com or contact info@haliburtonsculptureforest.ca < All Artists Andrew Rothfischer ABOUT SCULPTOR Artist Bio Andrew Rothfischer has studied art both in Canada and abroad. While he has been on the artist's path for many years, in 2009 he finally graduated from the Haliburton School of Arts with a diploma in Visual Arts. Andrew specializes in two seemingly disparate areas; pastel paintings of landscapes and outdoor sculptures. His paintings often highlight places in nature that we tend to overlook or take for granted. In 2004 he produced the exhibit, “Jackson Creek – Travels through an Urban Watershed” that featured 25 paintings depicting the hard realities and the beauty that shape urban waterways today. Since that time, this idea of special places has evolved into the theme of “Sense of Place" that has continued in the the current series, the "Warsaw Project". Andrew's sculptures are almost exclusively created for the outdoors. They are designed to live in a field or in a garden. They are sometimes functional garden accents like dividers, bird baths or benches. The materials used are kiln formed glass, stone, cement or metal retrieved from the local junkyard. He works with these hard materials - fusing, casting, molding and shaping, reclaiming -, to create new forms that both startle and delight the viewer with their simplicity and beauty. So how do these two disciplines tie together? For the artist, the paintings are "of the land"; recognizing and capturing the essence of those special places that stir us. The sculptures take these impressions a step further. They play with those same colours and shapes and light, creating forms that are "on the land". Both forms, however, in their own way, celebrate and pay homage to the landscape around us. For information about the purchase of Lissome#5 or other of Andy's works visit andrewrothfischer-art.com or contact info@haliburtonsculptureforest.ca Artist Website Installed Sculptures Lissome 5 Previous Sculpture Next Sculpture
- Pop Goes the Forest
A fibre arts installation by Susan Kendal < All Events Pop Goes the Forest A fibre arts installation by Susan Kendal Thursday, June 9, 2022 Thursday, October 27, 2022 Address: Haliburton Sculpture Forest, College Drive, Haliburton, ON, Canada More About the Artist Pop Goes the Forest is a series of textile sculptures—loud, macro interpretations of lichens, fungi, and bark of the region. The work is made of nylon paracord and Ottertex outdoor fabric with bright, popping colours in sharp contrast to the natural hues of the forest. This installation was originally commissioned by THEOP (The Deep River Theatre Operating Committee) and installed in the trees along the Lamure Beach path in Deep River, Ontario from August 2021-May 2022. Susan Kendal Susan Kendal is an artist newly-based in Deep River, Ontario as of 2020, on the unceded territory of the Anishinabewaki and Omàmìwininìwag (Algonquin), Williams and Robinson- Huron (Treaty 61) territory. She spent 15 years as a contemporary dance artist in Toronto working as a choreographer, dancer and costume designer. She also taught in the Young Dancers Program at The School of Toronto Dance Theatre for 13 years, and worked at The Dance Current magazine for 10 years in various capacities including writer and managing editor. Slowly but surely, Susan’s love of stitching and Craft crept to the forefront of her creative practice, and she now primarily works as a textile artist. Her work is featured in the book Strange Material: Storytelling Through Textiles by Leanne Prain. She recently spent eight years living in Barrie, Ontario where she developed her handwork skills, made textile art, and taught art and stitching to women in transitional housing with funding from the Ontario Arts Council’s Artists in Communities Project Grant. Susan spent the fall of 2021 at the Icelandic Textile Centre’s Ós Residency where she focused on natural dyeing and traditional rug hooking. There are two boys of 10 and 14 who make Susan a mom, which is surely a creative-inventive-improvisational journey in itself! Thank you to our sponsors!"Pop Goes the Forest" was sponsored by: & Photo Gallery: < Previous Next >
- Charmaine Lurch
Charmaine Lurch is a multidisciplinary artist whose painting, sculpture, and social engagement reveal the intricacies and complexities of the relationships between us and our environments. Her sculptures, and installations contend with what is visible and present in conjunction with what remains unsaid or unnoticed. Lurch applies her experience in community arts and education to create inviting entry points into overwhelmingly complex and urgent racial, ecological, and historical matters. Lurch holds a Master in Environmental Studies from York University and has completed studies at the Halliburton School of Art + Design, Sheridan College, OCAD University, and the School of Visual Arts (SVA NYC). Lurch has exhibited beyond and throughout Canada, and her works have been acquired by Global Affairs Canada to be exhibited in EXPO 2021 held in Dubai and Canadian embassies and consulates globally. < All Artists Charmaine Lurch ABOUT SCULPTOR Artist Bio Charmaine Lurch is a multidisciplinary artist whose painting, sculpture, and social engagement reveal the intricacies and complexities of the relationships between us and our environments. Her sculptures, and installations contend with what is visible and present in conjunction with what remains unsaid or unnoticed. Lurch applies her experience in community arts and education to create inviting entry points into overwhelmingly complex and urgent racial, ecological, and historical matters. Lurch holds a Master in Environmental Studies from York University and has completed studies at the Halliburton School of Art + Design, Sheridan College, OCAD University, and the School of Visual Arts (SVA NYC). Lurch has exhibited beyond and throughout Canada, and her works have been acquired by Global Affairs Canada to be exhibited in EXPO 2021 held in Dubai and Canadian embassies and consulates globally. Artist Website Installed Sculptures Wild Bees Previous Sculpture Next Sculpture
- Metalgenesis: Don Dickson & Amy Doolittle
Metalgenesis means the creation of art from an idea as well as the changing properties of a medium. Metalgenesis originated as the artist team and husband and wife, Don Dickson Sculptor, and Amy Doolittle Administrator / Promoter and Assistant. Don was well known across North America for his sound sculptures and public art. From Don’s studio in Mississauga Ontario, his sculptural works were commissioned for public spaces by The District Court of Appeals, Dayton Beach, Florida; Town Hall Park, Osoyoos, British Columbia; University of Florida, Gainesville, Florida; the City of Brampton Performing Arts Centre; the Richard and Annette Bloch Cancer Survivor Garden, Columbia, South Carolina; the Science and Engineering Building at University of North Florida, Jacksonville Florida and the Frank McKechnie Community Centre, Mississauga. Metalgenesis has two works in the Sculpture Forest – Forest Sound Vessel and Evolution. Don was a member of the Sculptors Society of Canada, Society of Canadian Artists, Colour and Form Society, and the Metal Arts Guild, and has won numerous awards for his work. After a long and courageous battle with ALS, Amy Doolittle died in 2009. Don Dickson, has carried on the work of Metalgenesis. Don describes his work in the following way: “I have always been making things with my hands. I have worked with many materials but have gravitated to metal and stone. I made the leap to professional artist in 1998 and discovered two sides to my sculptor’s personality; the abstract and the musical sound. Both paths of expression are important to me and have driven me to create a diverse range of work. The abstracts explore combinations of line and form as well as the political, social, and ecological issues of the world around me. The sound sculptures continue to combine kinetic, visual, and auditory aspects and have evolved from single sound pieces to combining sound sculpture with other abstract sculptural elements. My newest group of works are for the garden, from small sound sculptures to whimsical bugs and creatures. Combining mediums is intriguing for me as is the textures and types of marble, granite, and limestone that I have been working with. I am fascinated by the four elements which have influenced my recent stone pieces. These works are based on the four creative energies of the universe: Earth, Water, Air, Fire, and the balance between them. The elements work in harmony, seeking balance even though at times their contrary aspects may seem in conflict with each other, to create and to sustain life.” < All Artists Metalgenesis: Don Dickson & Amy Doolittle ABOUT SCULPTOR Artist Bio Metalgenesis means the creation of art from an idea as well as the changing properties of a medium. Metalgenesis originated as the artist team and husband and wife, Don Dickson Sculptor, and Amy Doolittle Administrator / Promoter and Assistant. Don was well known across North America for his sound sculptures and public art. From Don’s studio in Mississauga Ontario, his sculptural works were commissioned for public spaces by The District Court of Appeals, Dayton Beach, Florida; Town Hall Park, Osoyoos, British Columbia; University of Florida, Gainesville, Florida; the City of Brampton Performing Arts Centre; the Richard and Annette Bloch Cancer Survivor Garden, Columbia, South Carolina; the Science and Engineering Building at University of North Florida, Jacksonville Florida and the Frank McKechnie Community Centre, Mississauga. Metalgenesis has two works in the Sculpture Forest – Forest Sound Vessel and Evolution. Don was a member of the Sculptors Society of Canada, Society of Canadian Artists, Colour and Form Society, and the Metal Arts Guild, and has won numerous awards for his work. After a long and courageous battle with ALS, Amy Doolittle died in 2009. Don Dickson, has carried on the work of Metalgenesis. Don describes his work in the following way: “I have always been making things with my hands. I have worked with many materials but have gravitated to metal and stone. I made the leap to professional artist in 1998 and discovered two sides to my sculptor’s personality; the abstract and the musical sound. Both paths of expression are important to me and have driven me to create a diverse range of work. The abstracts explore combinations of line and form as well as the political, social, and ecological issues of the world around me. The sound sculptures continue to combine kinetic, visual, and auditory aspects and have evolved from single sound pieces to combining sound sculpture with other abstract sculptural elements. My newest group of works are for the garden, from small sound sculptures to whimsical bugs and creatures. Combining mediums is intriguing for me as is the textures and types of marble, granite, and limestone that I have been working with. I am fascinated by the four elements which have influenced my recent stone pieces. These works are based on the four creative energies of the universe: Earth, Water, Air, Fire, and the balance between them. The elements work in harmony, seeking balance even though at times their contrary aspects may seem in conflict with each other, to create and to sustain life.” Artist Website Installed Sculptures Sound Vessel: Forest Evolution Previous Sculpture Next Sculpture
- C to C, Unity Gate, Spiral Ascent and the Sam Slick Park Bridge
Angus Sullivan < Back Originally Published On: July 25, 2017 Originally Published By: Haliburton Echo C to C, Unity Gate, Spiral Ascent and the Sam Slick Park Bridge Written By: Angus Sullivan Works include C to C, Unity Gate, Spiral Ascent and the Sam Slick Park Bridge were created by John Shaw-Rimmington. You may have noticed what looked like a construction site last week in Sam Slick Park, across the road from the high school. Stones were strewn about the ground, and a team was working furiously stacking and moving these stones on top of a curved wooden structure. This was the Haliburton School of Art + Design’s Dry Stone Structure course led by John Shaw-Rimmington. John has taught a Dry Stone Structure course at the college for many years. Students come from all over North America to work and learn from John. This year’s group spent a week in Haliburton, creating a stone bridge which now spans the stream that flows through Sam Slick Park into Head Lake. Dry stone is an ancient building technique used to create stone structures without any mortar. Bridges and arches can be created by placing stones on a rounded wooden form, putting a keystone at the top of the arch, and then removing the support. The force of the rocks pushing into the keystone keeps all of the rocks in place. Over the years, John has worked with his students to produce three sculptures in the Haliburton Sculpture Forest; C to C, Unity Gate, and Spiral Ascent. Each year John introduces different methods, but you can see similar elements in the bridge and the sculptures. Structures are made using stones standing on edge, Spiral Ascent, Unity Gate and the bridge have arches held in place by keystones, and all are made from local granite. These structures are beautiful and surprisingly solid. To see more of John Shaw Rimmington’s work, visit the Haliburton Sculpture Forest or John’s blog thinking-stoneman.blogspot.ca. The Haliburton Sculpture Forest is located in Glebe Park on 297 College Drive. It is open dawn to dusk with free guided tours in July and August on Tuesdays, 10:00 – 11:30 am, and on Wednesdays at 12:10 – 12:50pm. Meet at the information kiosk next to the parking lot at Fleming College. You can use the Sculpture Forest app (download PocketSights and search for Haliburton) or visit www.haliburtonsculptureforest.ca to learn more about the sculptures. < Previous Article Next Article >
- John Beachli
John Beachli moved to Haliburton over thirty years ago and started a construction company. John did a lot of work with stone and became skilled at dry stone wall creation and began to teach these skills at the Haliburton School of The Arts. John was inspired by the work of George Pratt, a renowned stone sculptor and instructor at the school. (Pratt’s sculpture “Pan” is part of the Haliburton Sculpture Forest collection) He began studying with George to learn the craft and art of stone carving and spent time over the years with George in his studio in Vancouver. John now dedicates most of his time to stone carving. In July 2006, John was artist-in-residence at the Haliburton Sculpture Forest – working on this sculpture near the entrance to the Sculpture Forest and the Haliburton School of The Arts and inviting the public to visit and watch the work in progress. John donated the completed sculpture to the Sculpture Forest. It was installed on its current site in August 2006 and officially inducted on October 21, 2006.Two of John’s dramatic sculptures can be seen at the entrance to the Haliburton Hospital. < All Artists John Beachli ABOUT SCULPTOR Artist Bio John Beachli moved to Haliburton over thirty years ago and started a construction company. John did a lot of work with stone and became skilled at dry stone wall creation and began to teach these skills at the Haliburton School of The Arts. John was inspired by the work of George Pratt, a renowned stone sculptor and instructor at the school. (Pratt’s sculpture “Pan” is part of the Haliburton Sculpture Forest collection) He began studying with George to learn the craft and art of stone carving and spent time over the years with George in his studio in Vancouver. John now dedicates most of his time to stone carving. In July 2006, John was artist-in-residence at the Haliburton Sculpture Forest – working on this sculpture near the entrance to the Sculpture Forest and the Haliburton School of The Arts and inviting the public to visit and watch the work in progress. John donated the completed sculpture to the Sculpture Forest. It was installed on its current site in August 2006 and officially inducted on October 21, 2006.Two of John’s dramatic sculptures can be seen at the entrance to the Haliburton Hospital. Link Unavailable Installed Sculptures To Cut or Not To Cut Previous Sculpture Next Sculpture
- Aaron Galbraith
Aaron Galbraith has been either living or vacationing in the Haliburton region his entire life. He spent many summers living at his grandfathers cottage in the small community of West Guilford, before moving to Haliburton at the age of 7. Aaron has remained in the Haliburton Highlands, except for a brief stint of living in Toronto to go to school. He holds a degree from Humber College in Landscape Design and Horticulture. For over 14 years, Galbraith has been doing landscape work in the Haliburton area, and has a passion for creating unique landscapes using all materials, though he specializes in natural stone work. Aaron got his start in stonework at Don and Carole Finn's home, where he worked their gardens. Email: galbraithaaron@gmail.com < All Artists Aaron Galbraith ABOUT SCULPTOR Artist Bio Aaron Galbraith has been either living or vacationing in the Haliburton region his entire life. He spent many summers living at his grandfathers cottage in the small community of West Guilford, before moving to Haliburton at the age of 7. Aaron has remained in the Haliburton Highlands, except for a brief stint of living in Toronto to go to school. He holds a degree from Humber College in Landscape Design and Horticulture. For over 14 years, Galbraith has been doing landscape work in the Haliburton area, and has a passion for creating unique landscapes using all materials, though he specializes in natural stone work. Aaron got his start in stonework at Don and Carole Finn's home, where he worked their gardens. Email: galbraithaaron@gmail.com Email Galbraith Installed Sculptures Spirit of the Wild Previous Sculpture Next Sculpture
- Embracing Eos
Angus Sullivan < Back Originally Published On: August 8, 2017 Originally Published By: Haliburton Echo Embracing Eos Written By: Angus Sullivan Embracing Eos was created by Charles O’Neil in 2004. One of the joys of life in the Highlands is waking up early on the occasional morning to enjoy the sunrise. Sitting on your porch, dock, or on your way to work in the morning, you cannot help but marvel at the beauty of the dawn as the red rays of the sun creep over the horizon. “Embracing Eos” by Charles O’Neil is a tribute to the beauty of the dawn. O’Neil’s sculpture of a 14 foot man faces east, with arms uplifted, reaching towards the horizon as if he is embracing the sunrise. Eos was the Greek goddess of the dawn. Sister to Helios, god of the sun, Eos was said to have pulled back the curtain of dawn each day so her brother could ride the chariot of the sun across the sky. The red colours you see in the sky during the sunrise are Eos’ rosy fingers and arms as she pulls back the curtain. Eos was cursed by Aphrodite, for having slept with Ares, to have an insatiable desire for mortal men. This curse caused Eos to abduct many handsome men such Orion, Tithonus and Cleitus. The story of the man in O’Neil’s sculpture is unclear. Is he about to fall victim to Eos’ advances, is he simply admiring Eos’ beauty or is he a past lover of Eos, left behind as her advances turned upon another. Being a sculpture of black steel and dark wire standing removed from the main path of the sculpture forest, ‘Embracing Eos’ can be difficult to see at dusk. Some visitors have even reported that the sculpture has disappeared. However, when we check the next morning the man is there, standing on his rock looking towards the eastern sky. Who knows, perhaps he does walk the forest at night only to return each morning to greet the beautiful dawn. The Haliburton Sculpture Forest is located in Glebe Park on 297 College Drive. This unique collection of 36 sculptures by Canadian and international artists is open to the public, dawn to dusk, for your own discovery. Free guided tours occur on Tuesdays (10:00-11:00) and Wednesdays (12:10-12:50) in July and August. You can use the sculpture forest app (download PocketSights and search for Haliburton) or visit the website to learn more about the sculptures. www.haliburtonsculptureforest.ca < Previous Article Next Article >
- Homesteaders
Angus Sullivan < Back Originally Published On: August 1, 2017 Originally Published By: Haliburton Echo Homesteaders Written By: Angus Sullivan Work created by Jake Mol in 2004. As a local resident, it is easy to forget about the number of interesting places there are to explore in Haliburton County. When you enter Glebe Park, from the parking lot of the Haliburton School of Art + Design, you quickly realize that this is one of those places. On any day of the summer you will see people bustling in and out of the College with tools, art supplies and work in progress; there will be families gathered at the information kiosk looking at the maps of the park and Sculpture Forest. As you walk into the park you will see dog-walkers, joggers, and multi-generational groups exploring the Haliburton Highlands Museum’s 1870’s era farmstead and heading on the path toward the entrance of the Haliburton Sculpture Forest. The first sculpture you will see is “The Homesteaders.” A whimsical portrayal of a family (mother, father, son, and dog) created out of old telephone poles and an eclectic mix of tools, hardware and farm equipment. The mother and father are “holding” paintings of the farmstead. You have to wonder what this family is doing there. For that, you have to look into the mind of the sculptor, Jake Mol. Jake Mol, a long-time member of the Canadian Society of Painters in Watercolour, has his art in many collections around the world such as his charcoal portrait of Chief Joseph at the Crazy Horse Museum of South Dakota. For many years, Jake Mol was an instructor at the College and took his en plein air (outdoor painting) students to paint the historic farmstead. As the Sculpture Forest began to grow, Jake wanted to do something to connect it to the farmstead. This led to the creation of “The Homesteaders”. The family, representing the people who might have lived in the farmstead, are made out of materials they would have used to make a life for themselves in the tough Haliburton landscape. They proudly hold up portraits (painted by Jake) of their home. It makes one pause to think about what objects would be used to portray today’s residents of Haliburton. The Haliburton Sculpture Forest is located in Glebe Park on 297 College Drive. This unique collection of 36 sculptures by Canadian and international artists is open to the public, dawn to dusk, for your own discovery. Free guided tours occur on Tuesdays (10:00-11:00) and Wednesdays (12:10-12:50) in July and August. You can use the sculpture forest app (download PocketSights and search for Haliburton) or visit the website to learn more about the sculptures. www.haliburtonsculptureforest.ca < Previous Article Next Article >
- Pan
Angus Sullivan < Back Originally Published On: August 22, 2017 Originally Published By: Haliburton Echo Pan Written By: Angus Sullivan Pan was created by George Pratt in 2003. “Pan” is a startling sculpture to find in the sculpture forest. It is difficult to make out what the thing leaning against a tree and playing the flute actually is. The fellow has horns, hoofs, and the face of a goat, but it sits against the tree and plays an instrument like a human. This puzzling figure is the Greek god Pan. Pan was the god of the wild, shepherds and flocks. He also had the pleasure of being half goat and half human. Pratt’s interpretation of the fellow is more goat than human. Pan would often chase after the beautiful wood nymphs that strayed into the forests where he lived. He was especially fond of one nymph named Syrinx. Syrinx, put off by Pan’s startling appearance, would often run away from his advances. One day, while pursued by Pan, she ran to the river and begged the river nymphs to hide her. Just as Pan was about to catch her, they turned her into a water reed and hid her among the reeds in the river. The story goes that after hearing the wind blow through the reeds, the frustrated Pan plucked some reeds and fashioned them into a musical instrument. He named the instrument the Syrinx, but it later became known as the Pan flute. Pratt’s sculpture shows Pan playing his distinctive flute hoping Syrinx will hear the music and come to him. The sculpture was carved out of a 19 000 pound block of salt and pepper granite. In the process of carving the sculpture, Pratt removed more than 7000 pounds of stone. This is even more impressive when you take into account that he accomplished this feat carving outside in Haliburton in the middle of black fly season. The Haliburton Sculpture Forest is located in Glebe Park on 297 College Drive. This unique collection of 36 sculptures by Canadian and international artists is open to the public, dawn to dusk, for your own discovery. Free guided tours occur on Tuesdays (10:00-11:00) and Wednesdays (12:10-12:50) in July and August. You can use the sculpture forest app (download PocketSights and search for Haliburton) or visit the website to learn more about the sculptures. www.haliburtonsculptureforest.ca < Previous Article Next Article >
- This Easy Hiking Trail In Ontario Is An Immersive Art Gallery & It's Full Of Sculptures
Megan Johnson < Back Originally Published On: August 11, 2022 Originally Published By: Narcity Toronto This Easy Hiking Trail In Ontario Is An Immersive Art Gallery & It's Full Of Sculptures Written By: Megan Johnson You can walk through an enchanted park in Ontario , full of so many grand sculptures you'll think you're at an art gallery. Haliburton Sculpture Forest is an easy trail of loops that are full of giant works of art. From a conspiracy of ravens and a bright blue horse replica to a giant high-heel shoe and towering rainbow leaf, there are so many different pieces of art to discover along the 1.4 kilometres of trails. What began as a simple trail with three sculptures in Glebe Park is now a full outdoor museum boasting 34 unique sculptures and six artsy benches created by both Canadian and international artists. There is a self-guided tour app that can be downloaded to your phone if you're the type that loves to read information boards and learn about each work of art at a museum. You can search "Haliburton" on the Pocksights Tour Guide app to follow a recommended route of the forest, complete with sculpture descriptions. There are weekly guided tours in the summer that you can join for free. The tours begin at 10 a.m. each Tuesday during the months of July and August and last about two hours. The trail loops are open year-round. Entrance to the park is free but donations are welcome and you'll find donation boxes at the entrance and along the trails. Donations for the summer guided tour are also appreciated. Price: Entrance by donation Address: 297 College Dr., Haliburton, ON Why You Need To Go: You can wander through an outdoor art gallery, admiring giant sculptures as you bask in the sun. Read the Original Article Here: https://www.narcity.com/toronto/this-easy-hiking-trail-in-ontario-is-a-free-art-gallery-it-s-full-of-sculptures < Previous Article Next Article >
- Flying Debris
Angus Sullivan < Back Originally Published On: August 15, 2017 Originally Published By: Haliburton Echo Flying Debris Written By: Angus Sullivan Flying Debris was created by Leo Sepa and installed 2016. A sculpture that flew under the radar last summer was the whimsical piece “Flying Debris” by sculptor Leo Sepa. It was donated by Nancy Jackson and Terry Anderson late last summer and in one foul swoop was swiftly installed to become a part of our collection. Found objects are at the heart of this piece, suitably named “Flying Debris”. Retired tools, hardware, and rebar, taken from farms around the county, have been welded into the shape of one of our most distinctive local birds, the blue heron. The piece exudes wit in the title and whimsy in the execution. Starting its life as a weather vane on a farm, “Flying Debris” is the only sculpture in the sculpture forest that is fully kinetic. The heron has a bird’s eye view of the forest perched on the top of a short pole sticking out from a boulder beside the forest path. With a wingspan of two meters, the bird is an impressive sight. Found in the middle of a forest, it is rare for the wind to blow hard enough to move the old weather vane. Visitors to the forest can see it in motion by pushing the heron’s feet lying closer to the path. If you come to visit the sculpture forest, make sure to give “Flying Debris” a spin along your way. Leo Sepa established Iron Jive studio in Minden in 1997. Coming from a long line of blacksmiths, Leo uses a combination of traditional techniques and some new technologies in his work. He enjoys working with recycled materials. “Moose Scraps”, a moose made out of old farm equipment, is also by Leo Sepa. The Haliburton Sculpture Forest is located in Glebe Park on 297 College Drive. This unique collection of 36 sculptures by Canadian and international artists is open to the public, dawn to dusk, for your own discovery. Free guided tours occur on Tuesdays (10:00-11:00) and Wednesdays (12:10-12:50) in July and August. You can use the sculpture forest app (download PocketSights and search for Haliburton) or visit the website to learn more about the sculptures. www.haliburtonsculptureforest.ca < Previous Article Next Article >






