Michael Belmore was born in 1971 north of Thunder Bay and graduated with an A.O.C.A. in Sculpture/Installation from the Ontario College of Art in Toronto, Ontario in 1994. Belmore is of Ojibwe heritage and currently lives in the Haliburton Highlands in Ontario.Since graduating from the Ontario College of Art Belmore has worked in a variety of media including plastics, metal, wood and photography. The materials used are an important key to understanding his work and bring into account how we view nature as commodity. For several years his work has evolved around our use of technology and how it has affected our relationship to the environment.Previous exhibitions have included First Nations Art at the Woodland Cultural Centre, Brantford, Ontario (1992), Naked State at the Power Plant Comtemporary Art Gallery at Harbourfront, Toronto, Ontario (1994), Staking Land Claims at the Walter Phillips Gallery, Banff, Alberta (1997), lichen at the Toronto Sculpture Garden (1998), Ravens Wait at the Indian Art Centre in Hull, Quebec (1999) and Vantage Point at the Sacred Circle Art Gallery, Seattle, Washington (2002). As well Belmore has shown with several artist-run-centres and collectives across Canada and created site-specific public art installations for Thunder Bay Art Gallery, University of Western Ontario in London as well as for the City of Peterborough.A member of the Royal Canadian Academy of Arts, Belmore’s work is represented in the permanent collections of the Indian Art Centre in Hull, the McMichael Canadian Art Collection in Kleinberg, Thunder Bay Art Gallery, Agnes Etherington Art Gallery in Kingston, and in numerous private collections. < All Artists Michael Belmore ABOUT SCULPTOR Artist Bio Michael Belmore was born in 1971 north of Thunder Bay and graduated with an A.O.C.A. in Sculpture/Installation from the Ontario College of Art in Toronto, Ontario in 1994. Belmore is of Ojibwe heritage and currently lives in the Haliburton Highlands in Ontario.Since graduating from the Ontario College of Art Belmore has worked in a variety of media including plastics, metal, wood and photography. The materials used are an important key to understanding his work and bring into account how we view nature as commodity. For several years his work has evolved around our use of technology and how it has affected our relationship to the environment.Previous exhibitions have included First Nations Art at the Woodland Cultural Centre, Brantford, Ontario (1992), Naked State at the Power Plant Comtemporary Art Gallery at Harbourfront, Toronto, Ontario (1994), Staking Land Claims at the Walter Phillips Gallery, Banff, Alberta (1997), lichen at the Toronto Sculpture Garden (1998), Ravens Wait at the Indian Art Centre in Hull, Quebec (1999) and Vantage Point at the Sacred Circle Art Gallery, Seattle, Washington (2002). As well Belmore has shown with several artist-run-centres and collectives across Canada and created site-specific public art installations for Thunder Bay Art Gallery, University of Western Ontario in London as well as for the City of Peterborough.A member of the Royal Canadian Academy of Arts, Belmore’s work is represented in the permanent collections of the Indian Art Centre in Hull, the McMichael Canadian Art Collection in Kleinberg, Thunder Bay Art Gallery, Agnes Etherington Art Gallery in Kingston, and in numerous private collections. Artist Website Installed Sculptures Beaver Previous Sculpture Next Sculpture

2021 < All Sculptures 2021 Downtown Haliburton Sculpture Exhibition $2,800.00 Parallel Composition Éric Tardif https://www.youtube.com/watch?v=t2ClCnLQrbg Parallel Composition The idea of this sculpture came when I wanted to create a colorful 3D form inspired by an abstract painting, creating two layers of rectangle form, painting in different colors. The result is ludic, and lively, and stimulates the curiosity of the spectators. Éric Tardif Éric Tardif is from Kamouraska, a region in the Bas Saint-Laurent municipality in Quebec. Tardif originally studied Natural Sciences but turned to studying the arts and sculpture to explore his passion and artistic talent. In his work Tardif explores dimension, movement, and space. He works with several different materials and mediums in his work from wood, metal, and also has variety of mixed media 2D work as well. Tardif pushes the art world in both his concepts as well as his avant-garde method of steam-folding wood for his wood sculptures. This technique allows for his wooden sculptures to be full of movement and curved forms. He has received grants from CALQ (Conseil des arts et des lettres du Québec) and SODEC (Société de développement des entreprises culturelles) for several years. In recent years, Éric has expanded his artwork into bronze sculpture and has returned to his multimedia work. For the past 5 years, Eric has been working and designing Public Art and expressive outdoor sculptures in aluminum. He has more than 100 exhibitions to his name around the world and his work can be found in 10 galleries across North America. Artist Contact Information erictardif.com tardif065@gmail.com 613-286-5488 Facebook: EricTardifartiste

Liz Menard < Art Huts Location Art Hut 2 Directions Art Hut 2 is located behind Fleming College. To find Art Hut 2: Walk to 19. Kennisis: Horse and Rider Enter the Red Fleming College Doors Walk straight across the Great Hall and exit the back doors to find Art Hut 2 Installation Start: June 1, 2025 Installation End: August 31, 2025 Liz Menard Botanical Canendensis Performance painting in the Art Hut: eight paintings, acrylic on canvas and wood panels About the Artist Liz Menard Previous Next

Born in England, Richard is the son of a master stone mason who creates industrial masterpieces and functional designs in brick and stone. His mother was an artisan-craftsperson who appreciated beauty in a variety of found objects and nature. Richard’s sister has a similar talent which is being carried on today. As an adult, he his artistic desire led him into the restoration of vintage cars and the building of custom vehicles. In 1989, he married and moved to Nova Scotia where he transformed a century-old sawmill into a unique space, The Mill Gallery Art, Crafts & Curiosities, which was to exhibit their own works and those of local artists. In 1996, they returned to Ontario where Richard took this creativity further, building a studio suitable for the production of various materials including blacksmithing. Richard became a certified Artist Blacksmith in 1999 at Sir Sandford Fleming College in Haliburton. He now creates unique works of art, sculpture and furniture in a variety of media such as steel, stone, wood and glass. They operate, Just Mad Innovative Design—a family business, inspired by their children Justice and Madison who have give them guidance through their own creativity. Anything is Possible! < All Artists Richard Shanks ABOUT SCULPTOR Artist Bio Born in England, Richard is the son of a master stone mason who creates industrial masterpieces and functional designs in brick and stone. His mother was an artisan-craftsperson who appreciated beauty in a variety of found objects and nature. Richard’s sister has a similar talent which is being carried on today. As an adult, he his artistic desire led him into the restoration of vintage cars and the building of custom vehicles. In 1989, he married and moved to Nova Scotia where he transformed a century-old sawmill into a unique space, The Mill Gallery Art, Crafts & Curiosities, which was to exhibit their own works and those of local artists. In 1996, they returned to Ontario where Richard took this creativity further, building a studio suitable for the production of various materials including blacksmithing. Richard became a certified Artist Blacksmith in 1999 at Sir Sandford Fleming College in Haliburton. He now creates unique works of art, sculpture and furniture in a variety of media such as steel, stone, wood and glass. They operate, Just Mad Innovative Design—a family business, inspired by their children Justice and Madison who have give them guidance through their own creativity. Anything is Possible! Link Unavailable Installed Sculptures Visionary: A Tribute to Sir Sandford Fleming Previous Sculpture Next Sculpture

John Beachli moved to Haliburton over thirty years ago and started a construction company. John did a lot of work with stone and became skilled at dry stone wall creation and began to teach these skills at the Haliburton School of The Arts. John was inspired by the work of George Pratt, a renowned stone sculptor and instructor at the school. (Pratt’s sculpture “Pan” is part of the Haliburton Sculpture Forest collection) He began studying with George to learn the craft and art of stone carving and spent time over the years with George in his studio in Vancouver. John now dedicates most of his time to stone carving. In July 2006, John was artist-in-residence at the Haliburton Sculpture Forest – working on this sculpture near the entrance to the Sculpture Forest and the Haliburton School of The Arts and inviting the public to visit and watch the work in progress. John donated the completed sculpture to the Sculpture Forest. It was installed on its current site in August 2006 and officially inducted on October 21, 2006.Two of John’s dramatic sculptures can be seen at the entrance to the Haliburton Hospital. < All Artists John Beachli ABOUT SCULPTOR Artist Bio John Beachli moved to Haliburton over thirty years ago and started a construction company. John did a lot of work with stone and became skilled at dry stone wall creation and began to teach these skills at the Haliburton School of The Arts. John was inspired by the work of George Pratt, a renowned stone sculptor and instructor at the school. (Pratt’s sculpture “Pan” is part of the Haliburton Sculpture Forest collection) He began studying with George to learn the craft and art of stone carving and spent time over the years with George in his studio in Vancouver. John now dedicates most of his time to stone carving. In July 2006, John was artist-in-residence at the Haliburton Sculpture Forest – working on this sculpture near the entrance to the Sculpture Forest and the Haliburton School of The Arts and inviting the public to visit and watch the work in progress. John donated the completed sculpture to the Sculpture Forest. It was installed on its current site in August 2006 and officially inducted on October 21, 2006.Two of John’s dramatic sculptures can be seen at the entrance to the Haliburton Hospital. Link Unavailable Installed Sculptures To Cut or Not To Cut Previous Sculpture Next Sculpture

Andrew Rothfischer All Sculptures Lissome 5 Number on Map 17 Artist Andrew Rothfischer Material Polished Concrete, Fused Glass Installation Date June 1, 2014 Learn About the Artist Lissome is intended to show the curvilinear form that is often repeated everywhere. People see it in the grass blowing in the wind, the line of the spine in the human body and even in the highways that form the overpasses arcing overhead. Using cement to make the curved shape and Kiln formed glass or recycled float glass to accent said curves Andy has created the Lissome series. The light filters differently through the glass chosen to give a different look throughout the day as well as throughout the seasons. More Photos Previous Next

2026 < All Sculptures 2026 Downtown Haliburton Sculpture Exhibition $2400.00 The Squatter Jungle Ling Artist's Statement: The inspiration for this sculpture partially came from my friend Murray McKay who would sometime hold such a pose while working as a Life Drawing model. Murray passed away 2 years ago. The sculpture was also driven in part by what I have been observing in recent years as a renewed phenomena of ultra nationalistic, anti-immigrant views. The Squatter assumes a body position many would see in areas in the world that are less affluent than us. Yet, the gesture is none-threatening. I hope birds feed from the bowl.

Kevin Lockau All Sculptures Dreaming Stones Number on Map 03 Artist Kevin Lockau Material Granite boulders Installation Date June 1, 2001 Learn About the Artist Kevin chose granite boulders as the medium for his installation, “Dreaming Stones”, - a 2.75 meter "mystical totem", made from six boulders collected from around the region. At the base of the totem is a sleeping wolf or coyote. Also included are a pattern of concentric circles representing time and growth rings, leaves representing regeneration, life and economy, contour lines representing contour plowing, and the faces of pioneers. Perched above all - the Owl, symbol of wisdom, flight and change. Over time a patina of lichen has conveyed a feeling of age and has accentuated the patterns. Visitors are welcome to feel the textural patterns and handle the same stone as the settlers did. More Photos Previous Next

2018 < All Sculptures 2018 Downtown Haliburton Sculpture Exhibition $9,850.00 Sun Sisters Tim Dolman Artist Contact Information 519-369-6479

2026 < All Sculptures 2026 Downtown Haliburton Sculpture Exhibition $3800.00 Corvus Garrett Gilbert Artist's Statement: Garrett describes themself as “a carver of unnatural materials, instead of wood and stone, I carve discarded tools, car parts and other salvaged steel objects collected from the forests and scrapyards of rural Ontario”. Each piece is hand carved with a handheld plasma-cutter, a welding torch used for melting and cutting steel. Often mounted on a computer-controlled track system, Garrett’s skillful manipulation allows them to carve a variety of materials that are beyond the capabilities of even the most advanced robotics or lasers. Through the imaginative use of a precision fabrication tool the artist unlocks a dimension of creativity that cannot be achieved through the technical expertise of the engineer.

2025 < All Sculptures 2025 Downtown Haliburton Sculpture Exhibition Not For Sale Ma'iingan Jared Tait Ma'iingen This two sided woodland painting of a spirit wolf is part of a larger installation "Bawaajigan" "To Dream" located in the Haliburton Sculpture Forest. (see Bawaajigan ) Jared Tait Jared Tait is a member of the Sachigo Lake First Nation an Oji-Cree First Nation in Treaty 9, territory in the far north of Ontario near the Manitoba border. Jared was raised in Thunder Bay. He currently resides with his family in the countryside near Bancroft. In 2018, Jared began painting under the mentorship of his father, Tim Tait, a self-taught artist. Jared recalls his childhood being surrounded by his father’s paintings and being told stories within them. Since his exposure to art at a young age, Jared has created a strong appreciation and connection to art. Through his understanding of the Woodland style and the methods of telling stories through his work, Jared captures the deep relations to the land and its creatures. He builds on these motivations to preserve the sacred stories, symbolism and teachings. Jared creates imagery inspired by his personal and spiritual experiences and hopes to pass his teachings on to future generations.

Don Dickson, Amy Doolittle All Sculptures Evolution Number on Map A Artist Don Dickson, Amy Doolittle Material Granite, Steel Installation Date August 1, 2005 Learn About the Artist This is a one of a kind bench carved out of a large granite boulder extended by decorative metal painted red. It came to the forest because many people who were walking the trails wanted benches to rest and reflect. Instead of placing utilitarian benches throughout the sculpture forest the Board of Directors held a competition for one-of-a-kind sculptural benches. It is called “Evolution” because of the evolution from carving things out of stone to shaping things out of metal that comes from the stone. At the same time they entered the Sculpture Forest competition they were invited to an international sculpture symposium in Latvia. Somewhere in a park in Latvia is a matching sculpture to our Evolution. More Photos Previous Next