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Tucked into the forest lie three Art Huts with unique art installations within each. Discover Grey's paintings. < All Events Art Hut Installation: Inner: Don’t Peak Tucked into the forest lie three Art Huts with unique art installations within each. Discover Grey's paintings. Wednesday, March 1, 2023 Friday, August 25, 2023 Address: Haliburton Sculpture Forest, College Drive, Haliburton, ON, Canada More About the Installation Inner: Don’t Peak is a series of eight paintings that depict the artist’s physical manifestations of trauma and mental illness. The characters depicted in each of the eight paintings represent a different archetype: Baba , a humanoid-bird creature that represents generational trauma; The Neighbor , a feminine presence that represents self-harm; Suffocating Hugger , a figure draped in layered fabrics that represent depression; Double Trouble , androgynous-looking twins that represent anxiety and paranoia; The Three-Headed Who , a faceless figure with three-headsthat represent derealisation, depersonalization and dissociation; Daydreamer , a fae that represents maladaptive daydreaming; Shackled Distract , a long-bodied creature that represents executive dysfunction; Cursed Ones , transparent humanoid figures that represent dysphoria and gender-dysphoria. Grey intends to expand this series into a divination deck, depicting a wider range of mental illnesses, disorders and unhealthy coping mechanisms. Photo Gallery: < Previous Next >

Youkie Stagg < Back Originally Published On: January 1, 2016 Originally Published By: Haliburton Echo Beaver Written By: Youkie Stagg Work created by Mary Anne Barkhouse, Michael Belmore, and 2002 HHSS Visual Arts students. The beaver is a symbol of many things, for Canada it is a symbol of the fur trade which allowed for Canada to gain wealth and attention in its early years and become the country that it is today. In opposition to this, “Beaver” tackles the idea of nature taking back from humanity. Barkhouse and Belmore worked together with the high school art students to teach them the process to make a public sculpture. In the early stages of the planning process the class wanted to create an army of beavers, then the plan adapted into a beaver chewing down a parking meter, then the plan was adapted to a beaver chewing down a lamp post. However these ideas were either too time consuming or too expensive and when the Municipality of Minden Hills was able to donate a lamppost, the piece evolved to what it is today. The Sculpture Forest offers free guided tours each Tuesday from 10-11:30 am and a shorter “Curator Selection” tour on Wednesday from 12:10 – 12:50. Meet at the kiosk in the Fleming College parking lot. < Previous Article Next Article >

John Beachli All Sculptures To Cut or Not To Cut Number on Map 15 Artist John Beachli Material Local Granite Installation Date August 1, 2006 Learn About the Artist Haliburton County has a long history of men working in the forest, in logging camps—such those run by Mossom Boyd—or cutting timber on their own land and also a history of sons learning skills from their fathers as they helped them with their work. This sculpture, carved out of local stone recovered from rock blasted from the Pre-Cambrian shield at a nearby building site, tells the story of a man and his son having a conversation over the stump of a tree that has just been felled. “To Cut or Not to Cut” is about the conversations that occur when a son is working with his father. It is also a representation of the never-ending push and pull of our relationship with the forest. We need the timber for building shelter, for heat, for a thousand different reasons; we also need the forests to conserve our environment, to protect our water, to provide habitat and to purify the air. How do you decide what to cut and what not to cut? More Photos Previous Next

Leo Sepa All Sculptures Flying Debris Number on Map 28 Artist Leo Sepa Material Assemblage of mechanical hardware, tools and re-bar Installation Date August 1, 2016 Learn About the Artist Found objects are at the heart of this sculpture, aptly titled "Flying Debris", an assemblage of mechanical hardware, tools and re-bar, formed into the shape of one of the most distinctive local birds, the blue heron. Like many of Leo’s sculptures, the piece and the title exudes wit and whimsy. More Photos Previous Next

John McKinnon All Sculptures Atmo-Sphere Number on Map 23 Artist John McKinnon Material Locally Quarried Granite Installation Date August 1, 2013 Learn About the Artist One of the truly amazing things about Haliburton County is its forests and other quiet places. Inspired by this and the phrase “A Secret Space” John created Atmo-Sphere. It provides a hidden entrance in a large granite sphere for quiet reflection in the outdoors. Within the enclosure is a bench to sit and contemplate the quote on the floor. Don't forget to look up and enjoy the view while being embraced by the sounds of nature all around. The circular space in the roof was inspired by the architecture of the Pantheon. John spent four weeks in August and September 2013 creating this work. The stone for the dome is from the McBain Quarrie near Minden. The bench is created from West Coast cedar. John created the floor tiles out of polished granite in his studio in Nelson B.C. More Photos Previous Next

Jake Mol All Sculptures Homesteaders Number on Map 01 Artist Jake Mol Material Wood and old farm implements and hardware Installation Date June 1, 2004 Learn About the Artist For many years Jake Mol taught a watercolour painting course at the Haliburton School of The Arts. Each summer he brought his students out to paint pictures of the farmstead that is part of the Haliburton Highlands Museum in Glebe Park. Jake thought that there should be a sculpture that connected the farmstead to the Sculpture Forest and presented the Haliburton Sculpture Forest Committee with the concept for the Homesteaders. Using recycled materials—bits and pieces of tools and hardware that might have been found around a farmstead—Jake created a whimsical family that might have built and lived in the buildings across the way. The stand facing their “home” holding up paintings that reflect their past and the present. More Photos Previous Next

Jared Tait All Sculptures Bawaajigan - To Dream Number on Map 43 Artist Jared Tait Material Panels, outdoor mural paint Installation Date August 17, 2024 Learn About the Artist Indigenous artist, Jared Tait, was our artist in residence, August 12th -16th 2024. Community members were invited to participate in this community engagement art experience at the Haliburton School of Art + Design. Over 80 community members participated and learned about the woodland style of painting and Indigenous stories. Under the direction of Jared, community members painted the figures, on to the panels over the course of the week. The central figure, Nanabush, stands high, in amongst the woodland creatures. This collection of figures represents the story of Nanabush and the owl. Nanabush had lost his connection between this world and the spiritual world. The owl saw him in his despair and offered his eyes to Nanabush so that he could find his way again. The yellow represents the colour of the owl's eyes and can be seen on all of the creatures. This story represents the gift the owl gave the to Anishinaabe people, to be able to see the connections. The line work on all of the figures represents connections and the interconnectiveness of everything. The animals in this installation are very common in all of Jared's art. The kingfisher represents his grandmother and her clan. Jared used purple and lavender colours in this painting because his grandmother was always wearing purple. The circle in the centre of the kingfisher represents a wampum shell. In the centre of the loon, the divied circle reperesnts the miigis shell, which people would wear on their necklaces or ceremonial outfits, honouring the connections. There are two halves on this shell which represent the duality of day and night, and the connectiveness of this world and the spiritual world. The bear usually takes up a lot of space on Jared's canvases. It represents healing to Jared. The beaver shaped the land for the people and they relied on the beaver for many things. More Photos Previous Next

Mary Ellen Farrow All Sculptures Voyage Number on Map 30 Artist Mary Ellen Farrow Material Limestone Installation Date June 1, 2017 Learn About the Artist Carved on the Canadian ShieldFour artists from three countries visited Haliburton for a three week sculpture symposium in 2017 in celebration of Dysart 150, Ontario 150, and Canada 150. Beginning with a block of limestone, each artist was tasked with creating a piece that reflected the theme of carving on the Canadian Shield. When asked to participate in the 150 Sculpture Symposium, “Carved on the Canadian Shield”, I knew that I wanted to sculpt a canoe. The canoe is so much a part our heritage, created by the Indigenous People, used by the early settlers as transportation, exploration, trade, and commerce. Today the canoe is much a part of the local community, for sport and recreation, and is an integral part of the tourism trade.It is a bit of an enigma, seeing a canoe in the forest but that is part of the fun. I wanted it to be interactive, for children to be able to climb over it and play games in it, to simply enjoy. More Photos Previous Next

Found objects and upcycling form "Flying Debris", a blue heron shaped sculpture by Leo Sepa. Flying Debris Leo Sepa Materials: Assemblage of mechanical hardware, tools and re-bar Description: Found metal objects formed into the shape a blue heron. Wing span: 2 metres. Installation Date: August, 2016 Number on Map: 28 Go to Gallery About the Work: Found objects are at the heart of this sculpture, aptly titled "Flying Debris", an assemblage of mechanical hardware, tools and re-bar, formed into the shape of one of the most distinctive local birds, the blue heron. Like many of Leo’s sculptures, the piece and the title exudes wit and whimsy. < Back to Sculptures

Noelle Dupret Smith < Back Originally Published On: July 31, 2018 Originally Published By: Haliburton Sculpture Forest Lament of the Mythical Sculptures Written By: Noelle Dupret Smith I am Noelle Dupret Smith, this summer’s Sculpture Forest outreach coordinator. Over the next six weeks, I will be introducing and comparing sculptures of the Downtown Sculpture Project and the Sculpture Forest. This week, I am featuring the interesting duo of Julie Campagna’s Weeping Gargoyle, located near the Bank of Montreal on Highland Street, and George Pratt’s Pan, in the Sculpture Forest. Both are mythical figures, both with interesting and sad stories. The Weeping Gargoyle instantly brought to mind the eerie and alarming gargoyle scene in Ghostbusters. However, after doing some research, I learned that gargoyles are actually forces for good; placed on public buildings to ward off evil spirits—obviously misrepresented in Ghostbusters. Reason enough to weep! In the artist’s mind, the gargoyle is weeping for the state of the earth. Pan, god of the forest in ancient Greece, has a different lament. Pan, who appears as a goat/man, was enamoured with Syrinx, a wood nymph. She wasn’t interested! To avoid Pan, Syrinx had the water nymphs disguise her as a water reed. Pan searched for Syrinx, cutting down reeds in the hopes of finding her. Unsuccessful, he fashioned an instrument out of the reeds and tried to attract her with beautiful music. No luck. He is still alone playing his pipes; pining for Syrinx. Please wander down main street of Haliburton and see the Downtown Sculpture exhibition of 6 sculptures and visit Haliburton Sculpture Forest. There are free tours of the Sculpture Forest, Tuesdays 10:00–11:30am and Wednesdays 12:10–12:50pm. < Previous Article Next Article >

Gord Peteran Gord Peteran has been creating artworks for corporate offices, public institutions and private clients for the past 20 years. He is a graduate of the Ontario College of Art. Peteran has lectured and been published extensively across Canada and the U.S. and has participated in numerous exhibitions and conferences. As well as being a professor at the Ontario College of Art and Design University in Toronto, Gord has also taught at Sheridan College in Oakville, the Rhode Island School of Design in Providence, the Haystack Mountain School in Maine, the Penland School in North Carolina and The California College of Arts. He has done many Artist Residencies across the continent. Gord has been the recipient of many Government Arts Council awards and grants throughout his career. In 2001 he won the Jean A. Chalmers National Arts Award and was also inducted into the Royal Canadian Academy of Arts. In 2004 he received a Chalmers Arts Fellowship. In 2005 Gord created the iconic "Red Doors" of the main entrance to the Haliburton School of Art + Design. Between 2006 and 2009 a mid career retrospective of his artwork toured nine Art Museums across the US. This exhibition was organized by the Milwaukee Art Museum in conjunction with the Chipstone Foundation, and supported by the Windgate Charitable Foundation. It was curated by Dr. Glenn Adamson, Head of Graduate Studies, Research Department at the Victoria and Albert Museum in London England. Dr. Adamson writes, “Peteran has launched a boundary crossing career opening up the category of furniture to an unprecedented range of psychological and conceptual content. He uses found objects, assemblage techniques, metal casting, fine cabinetry and drawing to create artworks that challenge the established Art, Design and Craft terms of reference.” A catalogue titled “FURNITURE MEETS ITS MAKER” is available through a mazon.ca . < Back to Artists

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