Rene Petitjean All Sculptures Catharsis Number on Map 41 Artist Rene Petitjean Material Steel Installation Date June 25, 2025 Learn About the Artist This sculpture was created using forged and bent steel frame and powder coated steel skin. More Photos Previous Next

2022 < All Sculptures 2022 Downtown Haliburton Sculpture Exhibition Sold Oil Tanker Obelisk Brendan Duggan Oil Tanker Obelisk Oil Tanker Obelisk is part of my continuing series on Canadian transportation offering viewers the chance/choice to recognize or worship a public manifestation of their supply chain. Brendan Duggan Brendan Duggan was born in Toronto in 1971, settling in Gravenhurst in 2004 with a Fine Arts Diploma from the Toronto School of Art. His work shifts between design, craft and art. Combining elements from a broad scope of metalsmithing methodology that includes commercial fabrication and machinist skills to traditional blacksmithing techniques. His sculptures range from found art, constructivist assemblages, to free-form linear monoliths. Brendan has earned many awards for his sculptures and custom metal work, including “Ontario Craft Council Design” from March 2011 and “Best in Show” from March 2014. Brendan’s business Get Bent Metal Fabrication specializes in providing high-quality, detailed custom metal fabrication in the Gravenhurst – Muskoka region and ships worldwide. Get Bent Metal offers steel, stainless steel welding, aluminum welding, copper work, as well as forging and CNC plasma cutting for a variety of industries. Artist Contact Information getbentinfo@gmail.com

2021 < All Sculptures 2021 Downtown Haliburton Sculpture Exhibition $3,500.00 Art of Noise Mark Puigmarti https://www.youtube.com/watch?v=HUpenC_XS3I Art of Noise A sound sculpture that utilizes a chunk of structural steel destined for the scrap yard. The incredible mass of the metal gives it wonderful subdued resonance that you can feel when struck. Mark Puigmarti What seems like lifetimes ago I was refrigeration and HVAC mechanic. Working on commercial industrial gizmos that kept things or people warm or cold, while usually experiencing the polar opposite temperature of whatever it was I was trying to rectify. It is a respectable trade that many men and some women make a respectable living at. However, as much as I tried to make the piping arrangements visually pleasing, orderly, and followable there was something lacking. It just never quite clicked with my persistent dream to follow a more artistic path. One day about half way into a 25 year run at HVACR, I made it my mission to try and change what seemed truly unchangeable. Slowly with a long list of coincidences, happy accidents and a load of sacrifices, particularly by my supportive wife Chris, positive results started to accumulate in the intended direction of working with hot metal. This did indeed take 10 years of incremental progression to end up at the beginning of a new and completely unrecognizable life and style. It is not lost on me to grasp the sheer improbability to do that mid-career, in that career, or any for that matter. That cord was cut 14 years ago now." Artist Contact Information mark@sparkswillflyforge.ca sparkswillflyforge.ca Instagram: @sparkswillflyforge Facebook: @SparksWillFlyForge

Darlene Bolahood All Sculptures Redwing Frond Number on Map 09 Artist Darlene Bolahood Material Steel, Acrylic Panels Installation Date August 1, 2003 Learn About the Artist The sculpture’s axis, from base to tip, is perfectly aligned: the compass needle pointing to the true north. The sun’s rays, at this latitude, find the lenses of the coloured panels, casting shadows that change with the skies. The streaks of pigment opaque on the transparent surfaces along with the overlapping edges of the panels create kaleidoscopic forms within these shapes. The form is explosive red. Like transparent marble veined with golds, silvers and black, the leaf/feather/louver-paged panels reflect the flight of birds, growth of the forests and books of the art of learning. Catching the wind, changing frequencies, perhaps it will even posses a voice where it stands. Imagine the red of this leaf against the white of the snow, the red of this leaf opposing the brilliance of the new spring greens, softening into the aging dust of summer, and then disappearing into the famous autumn colours of the Haliburton Highlands. The leaf for growth, the feather: mark of freedom and flight, the pages of the book: the freedom in self-knowledge… which marks the only absolute measure of success in the uncovering and unleashing of an artist’s soul. I pay tribute to the land and the rock, sun, sky and wind and the school standing within that space. More Photos Previous Next

Peterborough born Don Frost had his future path laid out for him by winning first prize in a city wide art exposition at age six in grade one. The following year at age seven, Don had a group showing at the Peterborough Public Library. Public school had its usual trials and tribulations and it was not until grade 10 that Don discovered that he was colour blind to all but the primary colours. At this point Don’s life took a right turn and sculpture was all that he focused on. Don teamed up with a friend in grade 11 who became his art agent and they enjoyed considerable success in the Peterborough area. After high school Don took some time off to do his art and apprentice as a mechanic for a year. In 1973-74 he attended Sheridan Art College followed by a decision to become a professional sculptor having just received a major commission for a large 15' tall sculpture for a new mall being built in Peterborough, Ontario. This was followed by the creation of the largest sculpture in Canada in 1983 by winning a competition for an indoor work for the Michael Starr Building in Oshawa, Ontario. Always seeking new outlets for art Don acquired an art agent in Ottawa which led to an introduction to a patron who kept Don busy creating more than 40 sculptures in a period of twenty years. Don’s work internationally was recently a commission for four large works for a garden in Club Medjulis in Riyadh, Saudi Arabia. Previously to this in an expansive design project by the late King Hussein for a 1.6 km wall of huge relief panels commemorating the history of Jordan, Don’s work on six of these panels was accepted by King Abdullah. Experiencing greater notoriety for the global uniqueness of his art, Don was presented with awards from Peterborough County and commemorated in the Walk of Fame. Presently Don has art representatives across the United States and Canada. Email: don.frost@sympatico.ca < All Artists Don Frost ABOUT SCULPTOR Artist Bio Peterborough born Don Frost had his future path laid out for him by winning first prize in a city wide art exposition at age six in grade one. The following year at age seven, Don had a group showing at the Peterborough Public Library. Public school had its usual trials and tribulations and it was not until grade 10 that Don discovered that he was colour blind to all but the primary colours. At this point Don’s life took a right turn and sculpture was all that he focused on. Don teamed up with a friend in grade 11 who became his art agent and they enjoyed considerable success in the Peterborough area. After high school Don took some time off to do his art and apprentice as a mechanic for a year. In 1973-74 he attended Sheridan Art College followed by a decision to become a professional sculptor having just received a major commission for a large 15' tall sculpture for a new mall being built in Peterborough, Ontario. This was followed by the creation of the largest sculpture in Canada in 1983 by winning a competition for an indoor work for the Michael Starr Building in Oshawa, Ontario. Always seeking new outlets for art Don acquired an art agent in Ottawa which led to an introduction to a patron who kept Don busy creating more than 40 sculptures in a period of twenty years. Don’s work internationally was recently a commission for four large works for a garden in Club Medjulis in Riyadh, Saudi Arabia. Previously to this in an expansive design project by the late King Hussein for a 1.6 km wall of huge relief panels commemorating the history of Jordan, Don’s work on six of these panels was accepted by King Abdullah. Experiencing greater notoriety for the global uniqueness of his art, Don was presented with awards from Peterborough County and commemorated in the Walk of Fame. Presently Don has art representatives across the United States and Canada. Email: don.frost@sympatico.ca Artist Website Installed Sculptures Depth Previous Sculpture Next Sculpture

Noelle Dupret Smith < Back Originally Published On: August 21, 2018 Originally Published By: Haliburton Sculpture Forest The Importance of Layers Written By: Noelle Dupret Smith To paraphrase Shrek, “All good things have layers”. For these two sculptures both the physical layers and the layers of techniques play a key role in their identifies. As you walk by the V&S Department Store on the main street of Haliburton you will notice a large square sculpture, created by Darrell Markewitz. The many layers of this piece are what makes it so marvellous. Hence its name “Layers”, Markewitz carefully forged together strips of steel and various alloys; some polished, some rusting, some manipulated with different textures. It is hard to make a square look dynamic, but the range of techniques, materials and layers used by Markewitz showcases his talent and provides an additional sense of depth to the piece. Layering different techniques is what makes “Musical Inspiration” in the Haliburton Sculpture Forest, by Zimbabwian sculptor Simon Chidharara, so interesting. Believe it or not, Chidharara used only one piece of springstone for the entire piece. At the back of the piece the surface of the stone is rough and rust coloured. It has been left untouched and exposed to the air. Part of the woman’s headdress on the front the sculpture is a gunmetal grey, this is the result of Chidharara scoring the stone. Finally, the part that draws the most attention is the band of black on the front. Chidharara polished this section, heated it, and infused clear polish into the pores of the stone. The effect is a glistening jet black. On this background he scored narrow channels and filled them with crushed dolomite; creating sinuous white lines. The artist did a fabulous job of using different techniques on one material to create a layered effect. Please wander down main street of Haliburton and see the Downtown Sculpture exhibition of 6 sculptures and visit Haliburton Sculpture Forest. There are free tours of the Sculpture Forest, Tuesdays 10:00–11:30am and Wednesdays 12:10–12:50pm. www.haliburtonsculptureforest.ca < Previous Article Next Article >

On Thursday, May 4th we are unveiling the 5th Annual Downtown Haliburton Sculpture Exhibition! < All Events 2023 Downtown Sculpture Exhibition - Public Unveiling On Thursday, May 4th we are unveiling the 5th Annual Downtown Haliburton Sculpture Exhibition! Thursday, May 4, 2023 Thursday, May 4, 2023 Address: Haliburton, ON, Canada Facebook Event Page On Thursday, May 4th we are unveiling the 5th Annual Downtown Haliburton Sculpture Exhibition! Come and join our lead curator, Jim Blake and the 7 artists featured in the Exhibition as they speak to each of their works: Stop 1: Eric Tardif, "Grow Together" Stop 2: Kristi Chen, "Orange Bloom" Stop 3: Mark Puigmarti, "Aerial" Stop 4: Carolanne MacLean, "Innocence" Stop 5: Elise Muller, "Abstract 7" Stop 6: Kim Collins, "Retrieving Courage" Stop 7: Szonja Vucsetics, "Night" This walking tour will begin at the Rail's End Gallery at 2:00 PM, rain or shine. Thank you to all of our Lead Sponsors: ACM Designs The O'Mara Group Thank you to our Funders and Partners: HCDC Haliburton Sculpture Forest Haliburton BIA Thank you to all our Site Sponsors: Dysart et al - Cultural Resources Committee Rails End Gallery and Arts Centre Rexall Pharmacy - Haliburton Wind in the Willows Spa & Boutique Haliburton County Echo Haliburton Framing and Photo Glecoff's Family Store Foodland - Haliburton CENTURY 21 Granite Realty Group Emmerson Lumber Russell Red Records Canoe FM 100.9 Community Radio Station Corner Gallery Thank you to all our Site Hosts: Rails End Gallery and Arts Centre Municipality of Dysart et al Michael Easton Enterprises Glecoff’s Family Store Foodland – Haliburton Bank of Montreal Corner Gallery Photo Gallery: < Previous Next >

View and/or download a map of our sculpture collection. Map of the Sculpture Forest A Evolution B Current C Spirit of the Wild D Sun Bench E Forest Screen Bench F Fire Bench 1 Homesteaders 2 Pan 3 Dreaming Stones 4 Guardians of the Forest 5 Sound Vessel: Forest 6 Beaver 7 Visionary 8 Curled Figures 9 Redwing Frond 10 Moose Scraps 11 Terminus 12 A Walk in the Woods 13 Embracing Eos 14 Sleep of the Huntress 15 To Cut or Not to Cut 16 C to C 17 Lissome #5 18 Shadow Caster 19 Kennisis 20 Fire and Ice 21 Gelert 22 A Conspiracy of Ravens 23 Atmo-sphere 24 Unity Gate 25 Musical Inspiration 26 Spiral Ascent 27 Together We Explore the Wild 28 Flying Debris 29 Harmony 30 Voyage 31 Storied Moons 32 Wind Dervish 33 Mother Earth 34 Das Buch XXIII 35 Together We Achieve the Extraordinary 36 Matriarchy 37 I see a wish 38 Passage 39 Depth 40 Double Take View a PDF version of this map here.

Richard Shanks All Sculptures Visionary: A Tribute to Sir Sandford Fleming Number on Map 07 Artist Richard Shanks Material Steel, Bronze Installation Date January 1, 2002 Learn About the Artist The sculpture “Visionary” commemorates the life of Sir Sandford Fleming and his contributions to Canada and the world. Born in 1827 in Kirkcaldy, Scotland, Sandford Fleming arrived in this region, travelling by way of Quebec City and Montreal to Kingston, and continuing by boat to what he described as " a nice healthy little town", Cobourg. The 18-year-old Sandford and his older brother, David, arrived in Peterborough by horse-drawn cart on June 17 1845, where Sandford made his home with Dr. and Mrs. John Hutchison. Sandford Fleming contributed much to this area. His drawings and maps accurately depict the Peterborough area as it was in the mid-1800s, and his copious diaries provide enlightening detail. In turn, the Peterborough community enriched his life - his wife Jeannie Hall, whom he married in 1855, was a Peterborough native, and the daughter of Peterborough's sheriff. Fleming was always searching for broader horizons and greater challenges. His keen intelligence and scientific and artistic ability involved him in many significant accomplishments that included the establishment of Universal Standard Time, which he recommended to the Royal Canadian Institute in 1879, and which was adopted universally in 1884, the design of a prototype of an in-line skate, which he tested and pronounced "altogether satisfactory", at the age of 21, the foundation of the Royal Canadian Institute in Toronto in 1849, the design of Canada's first adhesive postage stamp, the Threepenny Beaver, in 1851, appointment as Chief Engineer of the Northern Railway in 1855, the proposal for a coast to coast railway line spanning "British North America" in 1858, and advocacy of a submarine cable which would link all the nations of the British Empire by telegraph. Pacific Cable was finally completed in 1902. In 1968 the new Community College in Peterborough was named after Sir Sandford Fleming. This sculpture includes the elements of a surveyor’s transit, the compass, time, significant dates in Fleming’s life and the globe. More Photos Previous Next

Tillia americana < Back American Basswood Ojibwe Name: wiigobimizh Scientific Name: Tillia americana Significance in Ojibwe Cultures: American basswood fibres are used for tying wild rice stalks before harvest. How to Identify the Leaves: "Basswood has large, heart-shaped leaves with toothed edges and a short point. The twigs have a noticeable zigzag appearance. The fragrant yellow flowers and round grayish-brown fruit hang from the centre of a leaf-like bract. When released, the bract acts like a helicopter wing and carries the seeds away in a breeze. The bark is gray-brown with long narrow ridges." Sources: Translation: https://ojibwe.lib.umn.edu/main-entry/wiigobimizh-na Image: https://www.ontario.ca/page/basswood Significance in Ojibwe Cultures: https://ojibwe.lib.umn.edu/collection/basswood-fiber How to Identify Tree: https://www.ontario.ca/page/basswood < Back Next >

Mary Ellen Farrow All Sculptures A Walk in the Woods in Haliburton Number on Map 12 Artist Mary Ellen Farrow Material Limestone, Bronze Installation Date June 1, 2001 Learn About the Artist Mary Ellen sculpted “A Walk in the Woods in Haliburton”, at the studio of local sculptor John Beachli. The limestone and bronze piece stands 1.5 meters high and has been mounted on a granite base. The broad rounded lines conform to the natural character of the stone. The hiker, holding a bronze cast of a maple leaf , shows movement and emotion, but demands reaction. The contrast of the limestone to the summer forest creates a pleasant surprise as you approach it, but in winter blends in with a top hat and arm-full of snow. Artist Statement: I work almost exclusively in stone using broad, rounded, rhythmic lines that conform to the natural character of the stones. My goal is to produce work that is tactile, shows movement and emotion, but demands reaction. The work should speak for itself without explanation or title, but be able to be interpreted by individuals in their own way. The challenge of working on large public sculpture is most rewarding. I enjoy the mental contest of finding the idea, relating the idea to the history and environment of the site and then bring the idea to fruition. My recent monumental sculptures have had an intricate bronze detail added to them to give them a distinct flavour and contrast beautifully with the smooth lines of the stones. More Photos Previous Next

Haliburton Highlands Secondary School 2002 Students with support from Mary Anne Barkhouse and Michael Belmore All Sculptures Beaver Number on Map 06 Artist Haliburton Highlands Secondary School 2002 Students with support from Mary Anne Barkhouse and Michael Belmore Material Cement, Aluminum Lamp Post Installation Date August 1, 2002 Learn About the Artist In the winter of 2002, the Haliburton Sculpture Forest contracted with the artists Mary Anne Barkhouse and Michael Belmore to be artists-in-residence in the Haliburton Highlands Secondary School and work with the senior art students. Michael and Mary Anne worked with the students in the winter and spring, teaching the process of creating public sculpture – from concept to drawings to models to creating the sculpture out of clay to making a plaster cast to casting the sculpture in cement to installation. The lamp post was donated to the students for their sculpture by the Municipality of Minden Hills who were replacing their lamp posts on the main street of Minden. More Photos Previous Next