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George Pratt All Sculptures Pan Number on Map 02 Artist George Pratt Material Salt and Pepper Granite Installation Date May 1, 2003 Learn About the Artist One of Pan’s favourite sports was pursuing beautiful wood nymphs that strayed into the high forests where he lived. His strange, coarse goat-like features frightened the nymphs and they would flee in fear of him. From this we got the term “panic”. He was particularly smitten by one nymph whose name was Syrinx but she did not welcome his attentions. One day, being pursued by Pan, she came to the river. Exhausted, she beseeched the water nymphs to protect her. Just as Pan was about to grasp her, she was transformed into one of the many reeds that grew along the river bank. Frustrated, Pan plucked the reeds and fashioned them into the first flute. Since that day, he can be found playing sweet music on the flute which is the embodiment of his unrequited love. We have come to call his instrument the ‘pan-flute’ but more correctly, its name is Syrinx after Pan’s lost nymph. This sculpture was carved out of an 8,700 Kg (19,300 Lbs) block. By the time the sculpture was completed, George had removed more than 3,000 Kg (7,000 Lbs) of stone, an impressive feat considering the work was done outdoors in blackfly season! More Photos Previous Next

Ian LaBlance All Sculptures Shadow Caster Number on Map 18 Artist Ian LaBlance Material Steel Rods Installation Date June 1, 2006 Learn About the Artist Shadow Caster is sculpture based on my joy of studying insects and fossils. It actually is a biomorphic shape based on bees and beehives and the fossil remains of a trilobite. This sculpture is made out of metal rods and has an articulating spine, creating cascading layers trapping pentagons and hexagons in shadows. Metal rod was used purposefully so that the viewer can look through it and constantly enjoy the ever-changing shadow. More Photos Previous Next

Carole Turner All Sculptures Storied Moons Number on Map 31 Artist Carole Turner Material Limestone Installation Date June 1, 2017 Learn About the Artist Carved on the Canadian Shield: Four artists from three countries visited Haliburton for a three week sculpture symposium in 2017 in celebration of Dysart 150, Ontario 150, and Canada 150. Beginning with a block of limestone, each artist was tasked with creating a piece that reflected the theme of carving on the Canadian Shield. “Storied Moons” commemorates the 150 year anniversary of Canada, as well as the 150 year anniversaries of Ontario, and Dysart. A tower of three limestone moons are wrapped in incised “audio tapes,” representing the voices that tell the stories of their histories in the making. In my sculptures I often explore the notions of time, memory, history, and identity using moons as time capsules. Since childhood I have thought of moons as keepers of time, recording the events of the previous day as they set each morning and the sun rises. In another series of sculptures I use strips of metal to form video and audio tapes which I wrap around figures and forms to represent the memories of voices that we hear throughout our lives -- voices that stay with us, or come back to us again and again, and impact the formation of our beliefs and identities. For “Storied Moons” I have combined these two themes and metaphors to represent the triple histories, and the voices that narrate their stories. And if we listen carefully, we can hear 150 years of individual and collective voices echo throughout the sculpture forest. More Photos Previous Next

Don Frost All Sculptures Depth Number on Map 39 Artist Don Frost Material Fiberglass and composites finished with graphite and prismatic paint. Installation Date January 1, 2022 Learn About the Artist I had a lot of fun making this piece during the COVID-19 lockdowns. It was a real escape from the world and just evolved into this primitive, organic shape. I live beside a bike trail and this piece brought in many people off the path to see what I was working on. The mount is also unusual for me, going up on a diagonal which gives the piece some extra movement. The finish is graphite, top coated in a prismatic gold to magenta paint. The piece is made from fibreglass and composites and is designed to withstand weather extremely well. About the Artist: Peterborough born Don Frost had his future path laid out for him by winning first prize in a city wide art exposition at age six in grade one. The following year at age seven, Don had a group showing at the Peterborough Public Library. Public school had its usual trials and tribulations and it was not until grade 10 that Don discovered that he was colour blind to all but the primary colours. At this point Don’s life took a right turn and sculpture was all that he focused on. Don teamed up with a friend in grade 11 who became his art agent and they enjoyed considerable success in the Peterborough area. After high school Don took some time off to do his art and apprentice as a mechanic for a year. In 1973-74 he attended Sheridan Art College followed by a decision to become a professional sculptor having just received a major commission for a large 15' tall sculpture for a new mall being built in Peterborough, Ontario. This was followed by the creation of the largest sculpture in Canada in 1983 by winning a competition for an indoor work for the Michael Starr Building in Oshawa, Ontario. Always seeking new outlets for art Don acquired an art agent in Ottawa which led to an introduction to a patron who kept Don busy creating more than 40 sculptures in a period of twenty years. Don’s work internationally was recently a commission for four large works for a garden in Club Medjulis in Riyadh, Saudi Arabia. Previously to this in an expansive design project by the late King Hussein for a 1.6 km wall of huge relief panels commemorating the history of Jordan, Don’s work on six of these panels was accepted by King Abdullah. Experiencing greater notoriety for the global uniqueness of his art, Don was presented with awards from Peterborough County and commemorated in the Walk of Fame. Presently Don has art representatives across the United States and Canada. More Photos Previous Next

Richard Shanks All Sculptures Visionary: A Tribute to Sir Sandford Fleming Number on Map 07 Artist Richard Shanks Material Steel, Bronze Installation Date January 1, 2002 Learn About the Artist The sculpture “Visionary” commemorates the life of Sir Sandford Fleming and his contributions to Canada and the world. Born in 1827 in Kirkcaldy, Scotland, Sandford Fleming arrived in this region, travelling by way of Quebec City and Montreal to Kingston, and continuing by boat to what he described as " a nice healthy little town", Cobourg. The 18-year-old Sandford and his older brother, David, arrived in Peterborough by horse-drawn cart on June 17 1845, where Sandford made his home with Dr. and Mrs. John Hutchison. Sandford Fleming contributed much to this area. His drawings and maps accurately depict the Peterborough area as it was in the mid-1800s, and his copious diaries provide enlightening detail. In turn, the Peterborough community enriched his life - his wife Jeannie Hall, whom he married in 1855, was a Peterborough native, and the daughter of Peterborough's sheriff. Fleming was always searching for broader horizons and greater challenges. His keen intelligence and scientific and artistic ability involved him in many significant accomplishments that included the establishment of Universal Standard Time, which he recommended to the Royal Canadian Institute in 1879, and which was adopted universally in 1884, the design of a prototype of an in-line skate, which he tested and pronounced "altogether satisfactory", at the age of 21, the foundation of the Royal Canadian Institute in Toronto in 1849, the design of Canada's first adhesive postage stamp, the Threepenny Beaver, in 1851, appointment as Chief Engineer of the Northern Railway in 1855, the proposal for a coast to coast railway line spanning "British North America" in 1858, and advocacy of a submarine cable which would link all the nations of the British Empire by telegraph. Pacific Cable was finally completed in 1902. In 1968 the new Community College in Peterborough was named after Sir Sandford Fleming. This sculpture includes the elements of a surveyor’s transit, the compass, time, significant dates in Fleming’s life and the globe. More Photos Previous Next

Doug Stephens All Sculptures Sleep of the Huntress Number on Map 14 Artist Doug Stephens Material Belmont Rose Granite Installation Date August 1, 2004 Learn About the Artist Walking through the forest is, for me, a time of contemplation: of peace and reflection. I see the viewer coming upon a rock, a ruddy rock, fitting for this place but not of this place. It is rough hewn and gnarled. As they approach it becomes evident that they are not alone; that they have happened upon an elegant sleeping woman, lost in the deep world of dreams. She exists in a spiritual realm: out of time and immaterial. All is quiet except for the sounds of the woods. The viewer is held for a moment in silence: hesitant and reflective in the presence of this woman of nature, calmly nestled on her craggy bed. More Photos Previous Next

William (Bill) Lishman M.S.M., L,L,D. (hon) ( b. 1939 - 2017) Lishman was a world-renowned inventor and artist in many media. His works include award-winning documentary films, three books, and numerous works of public art, including a 26 meter tall sculpture for EXPO 86 in Vancouver, twenty figures for the Bridgepoint hospital in Toronto, and Canada’s largest salmon sculpture in Campbellton NB. His 1996 best selling autobiography inspired the Columbia Pictures Oscar nominated film, Fly Away Home, as well as the Jaques Perrin feature film The Winged Migration. Bill was a pioneer in ultra-light aviation and became the first human to lead birds in the air with an aircraft. Building on that he initiated the use of ultra-light aircraft in establishing new migration routes for precocial birds. In 2015 he published his third book, The Oak Ridges Moraine From Above and also completed a 13-meter tall stainless steel iceberg sculpture for the Canadian Museum of Nature in Ottawa. In his later years, Bill's passion built on his pioneering work in domed earth integrated architecture and is a concept for a new form of communal living for extreme climates particularly to fit the need of the Indigenous peoples of Canada’s north. Bill received numerous awards including the Odyssey of the Mind's prestigious Creativity Award, The Canadian Meritorious Service Medal, the US National Wildlife Federation Conservation award, and two honorary doctorates. < All Artists William Lishman ABOUT SCULPTOR Artist Bio William (Bill) Lishman M.S.M., L,L,D. (hon) ( b. 1939 - 2017) Lishman was a world-renowned inventor and artist in many media. His works include award-winning documentary films, three books, and numerous works of public art, including a 26 meter tall sculpture for EXPO 86 in Vancouver, twenty figures for the Bridgepoint hospital in Toronto, and Canada’s largest salmon sculpture in Campbellton NB. His 1996 best selling autobiography inspired the Columbia Pictures Oscar nominated film, Fly Away Home, as well as the Jaques Perrin feature film The Winged Migration. Bill was a pioneer in ultra-light aviation and became the first human to lead birds in the air with an aircraft. Building on that he initiated the use of ultra-light aircraft in establishing new migration routes for precocial birds. In 2015 he published his third book, The Oak Ridges Moraine From Above and also completed a 13-meter tall stainless steel iceberg sculpture for the Canadian Museum of Nature in Ottawa. In his later years, Bill's passion built on his pioneering work in domed earth integrated architecture and is a concept for a new form of communal living for extreme climates particularly to fit the need of the Indigenous peoples of Canada’s north. Bill received numerous awards including the Odyssey of the Mind's prestigious Creativity Award, The Canadian Meritorious Service Medal, the US National Wildlife Federation Conservation award, and two honorary doctorates. Article About Lishman Installed Sculptures Kennisis: Horse and Rider Previous Sculpture Next Sculpture

Scott McKay All Sculptures Forest Screen Bench Number on Map E Artist Scott McKay Material Corten Steel Installation Date January 1, 2020 Learn About the Artist Wendy Wilkins, the patron who purchased Mother Earth and commissioned the Sun Bench to accompany it, thought it would be lovely to add a couple more Scott McKay one-of-a-kind benches to create Mother Earth’s living room where a whole family or group of friends could gather. So, she worked with the Sculpture Forest to commission two new nature inspired benches - Forest Screen Bench and Fire Bench - to complete the set and create Mother Earth's living room. In 2018 the Haliburton Sculpture Forest teamed up with the Haliburton Village BIA (business Improvement Area) to create the Downtown Haliburton Sculpture Exhibition. This featured the display of six sculptures on the main street from Ontario artists from June to October. McKay’s Mother Earth was one of them. Mother Earth is McKay’s vision of the classical mother figure who is one with the tree of life. More Photos Previous Next

John McKinnon All Sculptures Atmo-Sphere Number on Map 23 Artist John McKinnon Material Locally Quarried Granite Installation Date August 1, 2013 Learn About the Artist One of the truly amazing things about Haliburton County is its forests and other quiet places. Inspired by this and the phrase “A Secret Space” John created Atmo-Sphere. It provides a hidden entrance in a large granite sphere for quiet reflection in the outdoors. Within the enclosure is a bench to sit and contemplate the quote on the floor. Don't forget to look up and enjoy the view while being embraced by the sounds of nature all around. The circular space in the roof was inspired by the architecture of the Pantheon. John spent four weeks in August and September 2013 creating this work. The stone for the dome is from the McBain Quarrie near Minden. The bench is created from West Coast cedar. John created the floor tiles out of polished granite in his studio in Nelson B.C. More Photos Previous Next

2024 < All Sculptures 2024 Downtown Haliburton Sculpture Exhibition $2000.00 Red Woman Breanna Shanahan Red Woman This sculpture was created using forten cement and therapeutic bands. It stands 60 inches tall and is mounted on a treated steel cut base which is the shadow of the figure. This piece challenges objectified female bodies through a lens of sport and athleticism. Commonly in media, female figures are decapitated, focusing on their sexualization. Athletic therapeutic bands are used to make up gestural muscles in this piece. It sits confidently with chin up, composed only with appendages of action, reclaiming headlessness with hands resting crossed and feet relaxed. Like many of the objectified female figures we are used to, it is not about “who” this is, but rather about who it could be, allowing viewers to reflect on anatomy, physicality and dignity of such a body which is rarely exemplified. ~Breanna Shanahan~ Breanna Shanahan Breanna is a multi media artist and resides in Hamilton, Ontario. She graduated from the University of Toronto with an Honours In Art and Art History and Crime and Psych. She attended Sheridan College of Arts and Design receiving a Diploma in Fine Arts. Breanna also graduated with a Master of Fine Arts from Concordia University in Montreal, QC. She has exhibited her work in numerous exhibitions across Canada, in the United States and in Austria. Breanna is a noted author and has presented at many conferences across Canada. Artist Contact Information Email : breshanahan@gmail.com Website : www.breannashanahan.com Instagram: @ breanna.sh anahan

2018 < All Sculptures 2018 Downtown Haliburton Sculpture Exhibition $20,000.00 Weeping Gargoyle Julie Campagna Artist Contact Information 416-539-9206 julie@campagnabronze.com

Gord Peteran has been creating artworks for corporate offices, public institutions and private clients for the past 20 years. He is a graduate of the Ontario College of Art. Peteran has lectured and been published extensively across Canada and the U.S. and has participated in numerous exhibitions and conferences. As well as being a professor at the Ontario College of Art and Design University in Toronto, Gord has also taught at Sheridan College in Oakville, the Rhode Island School of Design in Providence, the Haystack Mountain School in Maine, the Penland School in North Carolina and The California College of Arts. He has done many Artist Residencies across the continent. Gord has been the recipient of many Government Arts Council awards and grants throughout his career. In 2001 he won the Jean A. Chalmers National Arts Award and was also inducted into the Royal Canadian Academy of Arts. In 2004 he received a Chalmers Arts Fellowship. In 2005 Gord created the iconic "Red Doors" of the main entrance to the Haliburton School of Art + Design. Between 2006 and 2009 a mid career retrospective of his artwork toured nine Art Museums across the US. This exhibition was organized by the Milwaukee Art Museum in conjunction with the Chipstone Foundation, and supported by the Windgate Charitable Foundation. It was curated by Dr. Glenn Adamson, Head of Graduate Studies, Research Department at the Victoria and Albert Museum in London England. Dr. Adamson writes, “Peteran has launched a boundary crossing career opening up the category of furniture to an unprecedented range of psychological and conceptual content. He uses found objects, assemblage techniques, metal casting, fine cabinetry and drawing to create artworks that challenge the established Art, Design and Craft terms of reference.” A catalogue titled “FURNITURE MEETS ITS MAKER” is available through amazon.ca. https://www.amazon.ca/gp/product/0944110843/ref=dbs_a_def_rwt_hsch_vapi_taft_p1_i6 < All Artists Gord Peteran ABOUT SCULPTOR Artist Bio Gord Peteran has been creating artworks for corporate offices, public institutions and private clients for the past 20 years. He is a graduate of the Ontario College of Art. Peteran has lectured and been published extensively across Canada and the U.S. and has participated in numerous exhibitions and conferences. As well as being a professor at the Ontario College of Art and Design University in Toronto, Gord has also taught at Sheridan College in Oakville, the Rhode Island School of Design in Providence, the Haystack Mountain School in Maine, the Penland School in North Carolina and The California College of Arts. He has done many Artist Residencies across the continent. Gord has been the recipient of many Government Arts Council awards and grants throughout his career. In 2001 he won the Jean A. Chalmers National Arts Award and was also inducted into the Royal Canadian Academy of Arts. In 2004 he received a Chalmers Arts Fellowship. In 2005 Gord created the iconic "Red Doors" of the main entrance to the Haliburton School of Art + Design. Between 2006 and 2009 a mid career retrospective of his artwork toured nine Art Museums across the US. This exhibition was organized by the Milwaukee Art Museum in conjunction with the Chipstone Foundation, and supported by the Windgate Charitable Foundation. It was curated by Dr. Glenn Adamson, Head of Graduate Studies, Research Department at the Victoria and Albert Museum in London England. Dr. Adamson writes, “Peteran has launched a boundary crossing career opening up the category of furniture to an unprecedented range of psychological and conceptual content. He uses found objects, assemblage techniques, metal casting, fine cabinetry and drawing to create artworks that challenge the established Art, Design and Craft terms of reference.” A catalogue titled “FURNITURE MEETS ITS MAKER” is available through amazon.ca. https://www.amazon.ca/gp/product/0944110843/ref=dbs_a_def_rwt_hsch_vapi_taft_p1_i6 Artist Website Installed Sculptures Passage Previous Sculpture Next Sculpture