Charmaine Lurch is a multidisciplinary artist whose painting, sculpture, and social engagement reveal the intricacies and complexities of the relationships between us and our environments. Her sculptures, and installations contend with what is visible and present in conjunction with what remains unsaid or unnoticed. Lurch applies her experience in community arts and education to create inviting entry points into overwhelmingly complex and urgent racial, ecological, and historical matters. Lurch holds a Master in Environmental Studies from York University and has completed studies at the Halliburton School of Art + Design, Sheridan College, OCAD University, and the School of Visual Arts (SVA NYC). Lurch has exhibited beyond and throughout Canada, and her works have been acquired by Global Affairs Canada to be exhibited in EXPO 2021 held in Dubai and Canadian embassies and consulates globally. < All Artists Charmaine Lurch ABOUT SCULPTOR Artist Bio Charmaine Lurch is a multidisciplinary artist whose painting, sculpture, and social engagement reveal the intricacies and complexities of the relationships between us and our environments. Her sculptures, and installations contend with what is visible and present in conjunction with what remains unsaid or unnoticed. Lurch applies her experience in community arts and education to create inviting entry points into overwhelmingly complex and urgent racial, ecological, and historical matters. Lurch holds a Master in Environmental Studies from York University and has completed studies at the Halliburton School of Art + Design, Sheridan College, OCAD University, and the School of Visual Arts (SVA NYC). Lurch has exhibited beyond and throughout Canada, and her works have been acquired by Global Affairs Canada to be exhibited in EXPO 2021 held in Dubai and Canadian embassies and consulates globally. Artist Website Installed Sculptures Wild Bees Previous Sculpture Next Sculpture

Metalgenesis means the creation of art from an idea as well as the changing properties of a medium. Metalgenesis originated as the artist team and husband and wife, Don Dickson Sculptor, and Amy Doolittle Administrator / Promoter and Assistant. Don was well known across North America for his sound sculptures and public art. From Don’s studio in Mississauga Ontario, his sculptural works were commissioned for public spaces by The District Court of Appeals, Dayton Beach, Florida; Town Hall Park, Osoyoos, British Columbia; University of Florida, Gainesville, Florida; the City of Brampton Performing Arts Centre; the Richard and Annette Bloch Cancer Survivor Garden, Columbia, South Carolina; the Science and Engineering Building at University of North Florida, Jacksonville Florida and the Frank McKechnie Community Centre, Mississauga. Metalgenesis has two works in the Sculpture Forest – Forest Sound Vessel and Evolution. Don was a member of the Sculptors Society of Canada, Society of Canadian Artists, Colour and Form Society, and the Metal Arts Guild, and has won numerous awards for his work. ​After a long and courageous battle with ALS, Amy Doolittle died in 2009. Don Dickson, has carried on the work of Metalgenesis. Don describes his work in the following way: “I have always been making things with my hands. I have worked with many materials but have gravitated to metal and stone. I made the leap to professional artist in 1998 and discovered two sides to my sculptor’s personality; the abstract and the musical sound. Both paths of expression are important to me and have driven me to create a diverse range of work. The abstracts explore combinations of line and form as well as the political, social, and ecological issues of the world around me. The sound sculptures continue to combine kinetic, visual, and auditory aspects and have evolved from single sound pieces to combining sound sculpture with other abstract sculptural elements. My newest group of works are for the garden, from small sound sculptures to whimsical bugs and creatures. Combining mediums is intriguing for me as is the textures and types of marble, granite, and limestone that I have been working with. I am fascinated by the four elements which have influenced my recent stone pieces. These works are based on the four creative energies of the universe: Earth, Water, Air, Fire, and the balance between them. The elements work in harmony, seeking balance even though at times their contrary aspects may seem in conflict with each other, to create and to sustain life.” < All Artists Metalgenesis: Don Dickson & Amy Doolittle ABOUT SCULPTOR Artist Bio Metalgenesis means the creation of art from an idea as well as the changing properties of a medium. Metalgenesis originated as the artist team and husband and wife, Don Dickson Sculptor, and Amy Doolittle Administrator / Promoter and Assistant. Don was well known across North America for his sound sculptures and public art. From Don’s studio in Mississauga Ontario, his sculptural works were commissioned for public spaces by The District Court of Appeals, Dayton Beach, Florida; Town Hall Park, Osoyoos, British Columbia; University of Florida, Gainesville, Florida; the City of Brampton Performing Arts Centre; the Richard and Annette Bloch Cancer Survivor Garden, Columbia, South Carolina; the Science and Engineering Building at University of North Florida, Jacksonville Florida and the Frank McKechnie Community Centre, Mississauga. Metalgenesis has two works in the Sculpture Forest – Forest Sound Vessel and Evolution. Don was a member of the Sculptors Society of Canada, Society of Canadian Artists, Colour and Form Society, and the Metal Arts Guild, and has won numerous awards for his work. After a long and courageous battle with ALS, Amy Doolittle died in 2009. Don Dickson, has carried on the work of Metalgenesis. Don describes his work in the following way: “I have always been making things with my hands. I have worked with many materials but have gravitated to metal and stone. I made the leap to professional artist in 1998 and discovered two sides to my sculptor’s personality; the abstract and the musical sound. Both paths of expression are important to me and have driven me to create a diverse range of work. The abstracts explore combinations of line and form as well as the political, social, and ecological issues of the world around me. The sound sculptures continue to combine kinetic, visual, and auditory aspects and have evolved from single sound pieces to combining sound sculpture with other abstract sculptural elements. My newest group of works are for the garden, from small sound sculptures to whimsical bugs and creatures. Combining mediums is intriguing for me as is the textures and types of marble, granite, and limestone that I have been working with. I am fascinated by the four elements which have influenced my recent stone pieces. These works are based on the four creative energies of the universe: Earth, Water, Air, Fire, and the balance between them. The elements work in harmony, seeking balance even though at times their contrary aspects may seem in conflict with each other, to create and to sustain life.” Artist Website Installed Sculptures Sound Vessel: Forest Evolution Previous Sculpture Next Sculpture

Andrew Rothfischer has studied art both in Canada and abroad. While he has been on the artist's path for many years, in 2009 he finally graduated from the Haliburton School of Arts with a diploma in Visual Arts. Andrew specializes in two seemingly disparate areas; pastel paintings of landscapes and outdoor sculptures. His paintings often highlight places in nature that we tend to overlook or take for granted. In 2004 he produced the exhibit, “Jackson Creek – Travels through an Urban Watershed” that featured 25 paintings depicting the hard realities and the beauty that shape urban waterways today. Since that time, this idea of special places has evolved into the theme of “Sense of Place" that has continued in the the current series, the "Warsaw Project". Andrew's sculptures are almost exclusively created for the outdoors. They are designed to live in a field or in a garden. They are sometimes functional garden accents like dividers, bird baths or benches. The materials used are kiln formed glass, stone, cement or metal retrieved from the local junkyard. He works with these hard materials - fusing, casting, molding and shaping, reclaiming -, to create new forms that both startle and delight the viewer with their simplicity and beauty. So how do these two disciplines tie together? For the artist, the paintings are "of the land"; recognizing and capturing the essence of those special places that stir us. The sculptures take these impressions a step further. They play with those same colours and shapes and light, creating forms that are "on the land". Both forms, however, in their own way, celebrate and pay homage to the landscape around us. For information about the purchase of Lissome#5 or other of Andy's works visit andrewrothfischer-art.com or contact info@haliburtonsculptureforest.ca < All Artists Andrew Rothfischer ABOUT SCULPTOR Artist Bio Andrew Rothfischer has studied art both in Canada and abroad. While he has been on the artist's path for many years, in 2009 he finally graduated from the Haliburton School of Arts with a diploma in Visual Arts. Andrew specializes in two seemingly disparate areas; pastel paintings of landscapes and outdoor sculptures. His paintings often highlight places in nature that we tend to overlook or take for granted. In 2004 he produced the exhibit, “Jackson Creek – Travels through an Urban Watershed” that featured 25 paintings depicting the hard realities and the beauty that shape urban waterways today. Since that time, this idea of special places has evolved into the theme of “Sense of Place" that has continued in the the current series, the "Warsaw Project". Andrew's sculptures are almost exclusively created for the outdoors. They are designed to live in a field or in a garden. They are sometimes functional garden accents like dividers, bird baths or benches. The materials used are kiln formed glass, stone, cement or metal retrieved from the local junkyard. He works with these hard materials - fusing, casting, molding and shaping, reclaiming -, to create new forms that both startle and delight the viewer with their simplicity and beauty. So how do these two disciplines tie together? For the artist, the paintings are "of the land"; recognizing and capturing the essence of those special places that stir us. The sculptures take these impressions a step further. They play with those same colours and shapes and light, creating forms that are "on the land". Both forms, however, in their own way, celebrate and pay homage to the landscape around us. For information about the purchase of Lissome#5 or other of Andy's works visit andrewrothfischer-art.com or contact info@haliburtonsculptureforest.ca Artist Website Installed Sculptures Lissome 5 Previous Sculpture Next Sculpture

Angus Sullivan < Back Originally Published On: August 8, 2017 Originally Published By: Haliburton Echo Embracing Eos Written By: Angus Sullivan Embracing Eos was created by Charles O’Neil in 2004. One of the joys of life in the Highlands is waking up early on the occasional morning to enjoy the sunrise. Sitting on your porch, dock, or on your way to work in the morning, you cannot help but marvel at the beauty of the dawn as the red rays of the sun creep over the horizon. “Embracing Eos” by Charles O’Neil is a tribute to the beauty of the dawn. O’Neil’s sculpture of a 14 foot man faces east, with arms uplifted, reaching towards the horizon as if he is embracing the sunrise. Eos was the Greek goddess of the dawn. Sister to Helios, god of the sun, Eos was said to have pulled back the curtain of dawn each day so her brother could ride the chariot of the sun across the sky. The red colours you see in the sky during the sunrise are Eos’ rosy fingers and arms as she pulls back the curtain. Eos was cursed by Aphrodite, for having slept with Ares, to have an insatiable desire for mortal men. This curse caused Eos to abduct many handsome men such Orion, Tithonus and Cleitus. The story of the man in O’Neil’s sculpture is unclear. Is he about to fall victim to Eos’ advances, is he simply admiring Eos’ beauty or is he a past lover of Eos, left behind as her advances turned upon another. Being a sculpture of black steel and dark wire standing removed from the main path of the sculpture forest, ‘Embracing Eos’ can be difficult to see at dusk. Some visitors have even reported that the sculpture has disappeared. However, when we check the next morning the man is there, standing on his rock looking towards the eastern sky. Who knows, perhaps he does walk the forest at night only to return each morning to greet the beautiful dawn. The Haliburton Sculpture Forest is located in Glebe Park on 297 College Drive. This unique collection of 36 sculptures by Canadian and international artists is open to the public, dawn to dusk, for your own discovery. Free guided tours occur on Tuesdays (10:00-11:00) and Wednesdays (12:10-12:50) in July and August. You can use the sculpture forest app (download PocketSights and search for Haliburton) or visit the website to learn more about the sculptures. www.haliburtonsculptureforest.ca < Previous Article Next Article >

John Beachli moved to Haliburton over thirty years ago and started a construction company. John did a lot of work with stone and became skilled at dry stone wall creation and began to teach these skills at the Haliburton School of The Arts. John was inspired by the work of George Pratt, a renowned stone sculptor and instructor at the school. (Pratt’s sculpture “Pan” is part of the Haliburton Sculpture Forest collection) He began studying with George to learn the craft and art of stone carving and spent time over the years with George in his studio in Vancouver. John now dedicates most of his time to stone carving. In July 2006, John was artist-in-residence at the Haliburton Sculpture Forest – working on this sculpture near the entrance to the Sculpture Forest and the Haliburton School of The Arts and inviting the public to visit and watch the work in progress. John donated the completed sculpture to the Sculpture Forest. It was installed on its current site in August 2006 and officially inducted on October 21, 2006.Two of John’s dramatic sculptures can be seen at the entrance to the Haliburton Hospital. < All Artists John Beachli ABOUT SCULPTOR Artist Bio John Beachli moved to Haliburton over thirty years ago and started a construction company. John did a lot of work with stone and became skilled at dry stone wall creation and began to teach these skills at the Haliburton School of The Arts. John was inspired by the work of George Pratt, a renowned stone sculptor and instructor at the school. (Pratt’s sculpture “Pan” is part of the Haliburton Sculpture Forest collection) He began studying with George to learn the craft and art of stone carving and spent time over the years with George in his studio in Vancouver. John now dedicates most of his time to stone carving. In July 2006, John was artist-in-residence at the Haliburton Sculpture Forest – working on this sculpture near the entrance to the Sculpture Forest and the Haliburton School of The Arts and inviting the public to visit and watch the work in progress. John donated the completed sculpture to the Sculpture Forest. It was installed on its current site in August 2006 and officially inducted on October 21, 2006.Two of John’s dramatic sculptures can be seen at the entrance to the Haliburton Hospital. Link Unavailable Installed Sculptures To Cut or Not To Cut Previous Sculpture Next Sculpture

Aaron Galbraith has been either living or vacationing in the Haliburton region his entire life. He spent many summers living at his grandfathers cottage in the small community of West Guilford, before moving to Haliburton at the age of 7. Aaron has remained in the Haliburton Highlands, except for a brief stint of living in Toronto to go to school. He holds a degree from Humber College in Landscape Design and Horticulture. For over 14 years, Galbraith has been doing landscape work in the Haliburton area, and has a passion for creating unique landscapes using all materials, though he specializes in natural stone work. Aaron got his start in stonework at Don and Carole Finn's home, where he worked their gardens. Email: galbraithaaron@gmail.com < All Artists Aaron Galbraith ABOUT SCULPTOR Artist Bio Aaron Galbraith has been either living or vacationing in the Haliburton region his entire life. He spent many summers living at his grandfathers cottage in the small community of West Guilford, before moving to Haliburton at the age of 7. Aaron has remained in the Haliburton Highlands, except for a brief stint of living in Toronto to go to school. He holds a degree from Humber College in Landscape Design and Horticulture. For over 14 years, Galbraith has been doing landscape work in the Haliburton area, and has a passion for creating unique landscapes using all materials, though he specializes in natural stone work. Aaron got his start in stonework at Don and Carole Finn's home, where he worked their gardens. Email: galbraithaaron@gmail.com Email Galbraith Installed Sculptures Spirit of the Wild Previous Sculpture Next Sculpture

Peterborough born Don Frost had his future path laid out for him by winning first prize in a city wide art exposition at age six in grade one. The following year at age seven, Don had a group showing at the Peterborough Public Library. Public school had its usual trials and tribulations and it was not until grade 10 that Don discovered that he was colour blind to all but the primary colours. At this point Don’s life took a right turn and sculpture was all that he focused on. Don teamed up with a friend in grade 11 who became his art agent and they enjoyed considerable success in the Peterborough area. After high school Don took some time off to do his art and apprentice as a mechanic for a year. In 1973-74 he attended Sheridan Art College followed by a decision to become a professional sculptor having just received a major commission for a large 15' tall sculpture for a new mall being built in Peterborough, Ontario. This was followed by the creation of the largest sculpture in Canada in 1983 by winning a competition for an indoor work for the Michael Starr Building in Oshawa, Ontario. Always seeking new outlets for art Don acquired an art agent in Ottawa which led to an introduction to a patron who kept Don busy creating more than 40 sculptures in a period of twenty years. Don’s work internationally was recently a commission for four large works for a garden in Club Medjulis in Riyadh, Saudi Arabia. Previously to this in an expansive design project by the late King Hussein for a 1.6 km wall of huge relief panels commemorating the history of Jordan, Don’s work on six of these panels was accepted by King Abdullah. Experiencing greater notoriety for the global uniqueness of his art, Don was presented with awards from Peterborough County and commemorated in the Walk of Fame. Presently Don has art representatives across the United States and Canada. Email: don.frost@sympatico.ca < All Artists Don Frost ABOUT SCULPTOR Artist Bio Peterborough born Don Frost had his future path laid out for him by winning first prize in a city wide art exposition at age six in grade one. The following year at age seven, Don had a group showing at the Peterborough Public Library. Public school had its usual trials and tribulations and it was not until grade 10 that Don discovered that he was colour blind to all but the primary colours. At this point Don’s life took a right turn and sculpture was all that he focused on. Don teamed up with a friend in grade 11 who became his art agent and they enjoyed considerable success in the Peterborough area. After high school Don took some time off to do his art and apprentice as a mechanic for a year. In 1973-74 he attended Sheridan Art College followed by a decision to become a professional sculptor having just received a major commission for a large 15' tall sculpture for a new mall being built in Peterborough, Ontario. This was followed by the creation of the largest sculpture in Canada in 1983 by winning a competition for an indoor work for the Michael Starr Building in Oshawa, Ontario. Always seeking new outlets for art Don acquired an art agent in Ottawa which led to an introduction to a patron who kept Don busy creating more than 40 sculptures in a period of twenty years. Don’s work internationally was recently a commission for four large works for a garden in Club Medjulis in Riyadh, Saudi Arabia. Previously to this in an expansive design project by the late King Hussein for a 1.6 km wall of huge relief panels commemorating the history of Jordan, Don’s work on six of these panels was accepted by King Abdullah. Experiencing greater notoriety for the global uniqueness of his art, Don was presented with awards from Peterborough County and commemorated in the Walk of Fame. Presently Don has art representatives across the United States and Canada. Email: don.frost@sympatico.ca Artist Website Installed Sculptures Depth Previous Sculpture Next Sculpture

Sayde Demers < Art Huts Location Art Hut 3 Directions Art Hut 3 is located at the Eastern edge of the Sculpture Forest, close to the water. To find Art Hut 3: Walk to 27. Together We Explore the Wild, Art Hut 3 is located behind this sculpture Installation Start: March 1, 2023 Installation End: August 31, 2023 Sayde Demers The Mystery Shack, 2023 Mixed media installation made of found objects, sculptural elements and vitrines The Mystery Shack is a captivating exploration of the intersection between art, nature, and the surreal. Reminiscent of an historic Cabinet of Curiosities—a curated collection of objects that represent moments in time, as well as the exotic interests of its collector—this installation challenges our perceptions of what is natural and what is real. The works showcased are designed to create a sense of intrigue and wonder—drawing the audience into a world that is at once familiar and yet, strangely foreign. By featuring animals with bizarre and fantastical characteristics, this installation aims to explore the boundaries of our imagination and challenge our understanding of the natural world. Can we think beyond our industrialized and digitized present to a future where all creatures can co-exist without having to be placed in a museum or zoo, in order to appreciate the wonders of our earthly paradise? About the Artist Sayde Demers Sayde Demers brings memories from childhood to life with her awesome imagination and playful creativity.Growing up in a concrete suburban jungle (Oakville, ON), she found herself yearning for nature and finding inspiration and comfort within the natural world. Through the use of different materials, a unique palette and out-of-the-box thinking, Demers is able to splatter her imagination onto anything she touches. Unable to conform to one medium, Sayde has developed her skills in painting, fibre art, ceramics, sculpture and assemblage, in order to present her mixed media works. Spontaneous and fun, with some darkness thrown in for good measure, her artworks deliver a creative vibe that’s reminiscent of the carefree attitudes most of us have experienced as children. Instagram: @sayde.fuse Sayde Demers is an Integrated Design Diploma student at Fleming College's Haliburton School of Art and Design. Previous Next

Noelle Dupret Smith < Back Originally Published On: August 7, 2018 Originally Published By: Haliburton Sculpture Forest Sculptures Redefined Written By: Noelle Dupret Smith Have you walked past the large, compelling sculpture in downtown Haliburton in front of Wind in the Willows Spa? That is “This Side Up #9 “Shall We Dance” by Michael Truelove. At first glance, this sculpture looks like a many-faceted hexagon. This piece piques my curiosity—demanding a closer look. In reality the sculpture is a deconstructed cube, however the artist has manipulated the flat pieces of steel so that the sculpture looks as if it is jumping towards main street. A black, steel sculpture in the Sculpture Forest, also requiring a deeper look, is “Terminus” by Marianne Reim. It stands mysteriously on a large boulder; set back from the path. Look closely and you can see hands covering a face; while a winged shape covers the head. I get a lot of interesting reactions to this sculpture from people on tours. For my group last week, it brought to mind “The Flying Nun” from the 1970’s sitcom. For me, a more sombre interpretation resonates. This sculpture was acquired in 2002, the beginning of the war in Afghanistan. Pictures of women in burkas were in the news. For some people, the sculpture evoked this image. Look closer still and you see a barbed-wire ring on a finger—does this allude to an unwanted marriage or losing a partner at war? The longer you think about it, the more poignant the story. That is the great part about sculptures, everyone sees them differently. Sometimes you just need to look a little deeper to find your own story. Please wander down main street of Haliburton and see the Downtown Sculpture exhibition and visit Haliburton Sculpture Forest. The Sculpture Forest offers free tours, Tuesdays 10:00–11:30am and Wednesdays 12:10–12:50pm. You can see the Sculpture Forest in motion tonight (August 7) as the contemporary dance company, Throwdown Collective, performs with local artists (5:00pm picnic, 6:00-7:30pm show). www.haliburtonsculptureforest/re-imagined < Previous Article Next Article >

An extraordinary performing arts experience. < All Events Sculpture Forest Re-imagined 2019 An extraordinary performing arts experience. Tuesday, July 30, 2019 Wednesday, July 31, 2019 Address: Haliburton Sculpture Forest, College Drive, Haliburton, ON, Canada More About DH3 Join us for an extraordinary performing arts experience. Featuring: Acclaimed contemporary dance company: Throwdown Collective Cellist/Violinist: Bethany Houghton Blues/Rock Trio: Dark is our Danger And more. Be touched by magic at one of four shows when the sculptures come alive. Tuesday July 30th and Wednesday July 31st. 5:00 PM - 6:00 PM 7:00 PM - 8:00 PM Haliburton Sculpture Forest in Glebe Park, Haliburton. Arrive at College Drive or Museum Rd. Event starts in Glebe Park field. Wear comfortable shoes. This is a walk about, pay what you can event. A unique experience guaranteed. The Sculpture Forest is in motion! Space is limited. You must preregister online. Bring a copy of your registration to the show. No dogs allowed. Thank you to our sponsors: Photo Gallery: < Previous Next >

Youkie Stagg < Back Originally Published On: January 1, 2016 Originally Published By: Haliburton Echo Fire and Ice: A Really Big Shoe Written By: Youkie Stagg Local artist Charles O’Neil is well known for his wire sculptures of animal and human figures. It was not until shoe designer, Stuart Weitzman approached O’Neil at The Buyers Market of American Craft in Philadelphia and asked him to create a shoe sculpture for his corporate art collection that O’Neil branched into non-figurative forms. When Barb Bolin, principal of Fleming College’s Haliburton campus, retired after 35 years, her friends and co-workers created a fund to honour her with a sculpture of her choice. She asked O’Neil if he would create larger version of a shoe for the Sculpture Forest. Since O’Neil already had created a wire sculpture (Embracing Eos) for the Sculpture Forest, Bolin knew that he would be able to adapt his shoe design for the outdoors. The piece is made of stainless steel wire, steel rods, red glass beads from the Czech Republic, and clear, faceted glass beads from China. The Sculpture Forest, in Glebe Park, Haliburton, offers free guided tours each Tuesday from 10-11:30 am and a shorter “Curator Selection” tour on Wednesday from 12:10 – 12:50. Meet at kiosk in the Fleming College parking lot. www.haliburtonsculptureforest.ca < Previous Article Next Article >

Born in England, Richard is the son of a master stone mason who creates industrial masterpieces and functional designs in brick and stone. His mother was an artisan-craftsperson who appreciated beauty in a variety of found objects and nature. Richard’s sister has a similar talent which is being carried on today. As an adult, he his artistic desire led him into the restoration of vintage cars and the building of custom vehicles. In 1989, he married and moved to Nova Scotia where he transformed a century-old sawmill into a unique space, The Mill Gallery Art, Crafts & Curiosities, which was to exhibit their own works and those of local artists. In 1996, they returned to Ontario where Richard took this creativity further, building a studio suitable for the production of various materials including blacksmithing. Richard became a certified Artist Blacksmith in 1999 at Sir Sandford Fleming College in Haliburton. He now creates unique works of art, sculpture and furniture in a variety of media such as steel, stone, wood and glass. They operate, Just Mad Innovative Design—a family business, inspired by their children Justice and Madison who have give them guidance through their own creativity. Anything is Possible! < All Artists Richard Shanks ABOUT SCULPTOR Artist Bio Born in England, Richard is the son of a master stone mason who creates industrial masterpieces and functional designs in brick and stone. His mother was an artisan-craftsperson who appreciated beauty in a variety of found objects and nature. Richard’s sister has a similar talent which is being carried on today. As an adult, he his artistic desire led him into the restoration of vintage cars and the building of custom vehicles. In 1989, he married and moved to Nova Scotia where he transformed a century-old sawmill into a unique space, The Mill Gallery Art, Crafts & Curiosities, which was to exhibit their own works and those of local artists. In 1996, they returned to Ontario where Richard took this creativity further, building a studio suitable for the production of various materials including blacksmithing. Richard became a certified Artist Blacksmith in 1999 at Sir Sandford Fleming College in Haliburton. He now creates unique works of art, sculpture and furniture in a variety of media such as steel, stone, wood and glass. They operate, Just Mad Innovative Design—a family business, inspired by their children Justice and Madison who have give them guidance through their own creativity. Anything is Possible! Link Unavailable Installed Sculptures Visionary: A Tribute to Sir Sandford Fleming Previous Sculpture Next Sculpture