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A one-of-a-kind bench created by Metalgenisis: Don Dickson and Amy Doolittle. Evolution Metalgenesis: Don Dickson & Amy Doolittle Name of Sculpture: Evolution Materials: Granite and steel Description: One of a kind bench carved out of a large granite boulder extended by decorative metal painted red Installation Date: August, 2003 Number on Map: A Go to Gallery About the Sculpture: This is a one of a kind bench carved out of a large granite boulder extended by decorative metal painted red. It came to the forest because many people who were walking the trails wanted benches to rest and reflect. Instead of placing utilitarian benches throughout the sculpture forest the Board of Directors held a competition for one-of-a-kind sculptural benches. It is called “Evolution” because of the evolution from carving things out of stone to shaping things out of metal that comes from the stone. At the same time they entered the Sculpture Forest competition they were invited to an international sculpture symposium in Latvia. Somewhere in a park in Latvia is a matching sculpture to our Evolution. < Back to Sculptures

Links to related information: Art Galleries, Cultural Heritage, Artists of the Haliburton Sculpture Forest, Haliburton Highlands Information, Skiing, The Arts, Where to Stay, Studio Tours. Links Art Galleries Agnes Jamieson Gallery The Art Hive The Ethel Curry Gallery The Rails End Gallery Cultural Heritage Haliburton Highlands Museum Hawk Lake Log Chute Minden Hills Museum S tanhope Heritage Discovery Museum Wilberforce Red Cross Outpost Historic House Museum Kidd Schoolhouse Museum Dorset Heritage Museum Oxtongue Lake Arts & Culture (OLAC ) Other Sculpture Forests, Parks & Gardens Art on Public Lands - The Visual Arts Centre of Clarington Cambridge Sculpture Garden Grizedale Forest Storm King Art Centre The Tree Museum Windsor Sculpture Park Trails in Haliburton County Haliburton County Snowmobile Association Haliburton Forest and Wildlife Reserve Haliburton Nordic Trails Skiing at the Frost Centre Algonquin Highlands Trails Highlands East Trails Cycling Routes Haliburton ATV Trails Theatre Highlands Summer Festival Highlands Opera Studio Highlands Little Theatre Artists of the Haliburton Sculpture Forest Brett Davis Charles O'Neil Jake Mol Mary Ellen Farrow Metalgenesis: Don Dickson & Amy Dolittle Susan Low-Beer William Lishman Andrew Rothfischer George Pratt Marianne Reim John Shaw-Rimmington John McKinnon Simon Chidharara Haliburton Highlands Information Community Information Database FYI Haliburton Haliburton County Haliburton Highlands Chamber of Commerce Ontario Travel Information North of Toronto Ontario Highlands Tourism My Haliburton Highlands Nordic Skiing Skiing at the Frost Centre The Haliburton Highlands Nordic Trail and Ski Club Association Studio Tours Haliburton County Studio Tour Highlands East Arts and Crafts Tour Tour de Forest Our Funders Haliburton County Development Corporation Ontario Arts Council Ontario Trillium Foundation Our Partners Fleming College, Haliburton Campus Fleming College, Haliburton School of Art + Design Haliburton County Development Corporation Haliburton Highlands Museum Municipality of Dysart et al The Haliburton Highlands Nordic Trail & Ski Club Association Glebe Park The Arts in Haliburton County Arts Council - Haliburton Highlands Haliburton School of The Arts Where to Stay in Haliburton County Haliburton Highlands Bed and Breakfast Association Experience Haliburton - Where to Stay Experience Packages Yours Outdoors

Mary Ellen Farrow All Sculptures A Walk in the Woods in Haliburton Number on Map 12 Artist Mary Ellen Farrow Material Limestone, Bronze Installation Date June 1, 2001 Learn About the Artist Mary Ellen sculpted “A Walk in the Woods in Haliburton”, at the studio of local sculptor John Beachli. The limestone and bronze piece stands 1.5 meters high and has been mounted on a granite base. The broad rounded lines conform to the natural character of the stone. The hiker, holding a bronze cast of a maple leaf , shows movement and emotion, but demands reaction. The contrast of the limestone to the summer forest creates a pleasant surprise as you approach it, but in winter blends in with a top hat and arm-full of snow. Artist Statement: I work almost exclusively in stone using broad, rounded, rhythmic lines that conform to the natural character of the stones. My goal is to produce work that is tactile, shows movement and emotion, but demands reaction. The work should speak for itself without explanation or title, but be able to be interpreted by individuals in their own way. The challenge of working on large public sculpture is most rewarding. I enjoy the mental contest of finding the idea, relating the idea to the history and environment of the site and then bring the idea to fruition. My recent monumental sculptures have had an intricate bronze detail added to them to give them a distinct flavour and contrast beautifully with the smooth lines of the stones. More Photos Previous Next

Scott McKay All Sculptures Forest Screen Bench Number on Map E Artist Scott McKay Material Corten Steel Installation Date January 1, 2020 Learn About the Artist Wendy Wilkins, the patron who purchased Mother Earth and commissioned the Sun Bench to accompany it, thought it would be lovely to add a couple more Scott McKay one-of-a-kind benches to create Mother Earth’s living room where a whole family or group of friends could gather. So, she worked with the Sculpture Forest to commission two new nature inspired benches - Forest Screen Bench and Fire Bench - to complete the set and create Mother Earth's living room. In 2018 the Haliburton Sculpture Forest teamed up with the Haliburton Village BIA (business Improvement Area) to create the Downtown Haliburton Sculpture Exhibition. This featured the display of six sculptures on the main street from Ontario artists from June to October. McKay’s Mother Earth was one of them. Mother Earth is McKay’s vision of the classical mother figure who is one with the tree of life. More Photos Previous Next

Marianne Reim All Sculptures Das Buch XXIII Number on Map 34 Artist Marianne Reim Material Steel, Chain Mail Installation Date January 1, 2019 Learn About the Artist Since 1994, Marianne Reim has been working on a series of books (DAS BUCH) cut from steel. They currently number 70. The books are personal interpretations of her history within a larger cultural history. These books contain steel pages, which can be turned and read, and they are bound. The antitheses of paperbacks, these books are constructed through a process of cutting, burning, and welding into the sheets of steel. In this manner, Marianne is able to inscribe a universal language through form and line. The content of the books emerges from memories. For example, DAS BUCH 10 was inspired by a visit to the Berlin Wall. DAS BUCH 18 contains a diary-like entry, another one in Latin reflects Marianne’s interest in the universality of language. Artist Statement: The specific forms of my work float on the surface of a well of memory. I create discreet objects, objects in series and installation. My preferred material is steel. In my constructions, the material wears its identity through rough-cut edges, visible welds and an undisguised slabness. I may combine them with glass, stone, text, and photographs. By cutting, burning and welding, experience and emotion are melded into steel. More Photos Previous Next

Sayde Demers < Art Huts Location Art Hut 3 Directions Art Hut 3 is located at the Eastern edge of the Sculpture Forest, close to the water. To find Art Hut 3: Walk to 27. Together We Explore the Wild, Art Hut 3 is located behind this sculpture Installation Start: March 1, 2023 Installation End: August 31, 2023 Sayde Demers The Mystery Shack, 2023 Mixed media installation made of found objects, sculptural elements and vitrines The Mystery Shack is a captivating exploration of the intersection between art, nature, and the surreal. Reminiscent of an historic Cabinet of Curiosities—a curated collection of objects that represent moments in time, as well as the exotic interests of its collector—this installation challenges our perceptions of what is natural and what is real. The works showcased are designed to create a sense of intrigue and wonder—drawing the audience into a world that is at once familiar and yet, strangely foreign. By featuring animals with bizarre and fantastical characteristics, this installation aims to explore the boundaries of our imagination and challenge our understanding of the natural world. Can we think beyond our industrialized and digitized present to a future where all creatures can co-exist without having to be placed in a museum or zoo, in order to appreciate the wonders of our earthly paradise? About the Artist Sayde Demers Sayde Demers brings memories from childhood to life with her awesome imagination and playful creativity.Growing up in a concrete suburban jungle (Oakville, ON), she found herself yearning for nature and finding inspiration and comfort within the natural world. Through the use of different materials, a unique palette and out-of-the-box thinking, Demers is able to splatter her imagination onto anything she touches. Unable to conform to one medium, Sayde has developed her skills in painting, fibre art, ceramics, sculpture and assemblage, in order to present her mixed media works. Spontaneous and fun, with some darkness thrown in for good measure, her artworks deliver a creative vibe that’s reminiscent of the carefree attitudes most of us have experienced as children. Instagram: @sayde.fuse Sayde Demers is an Integrated Design Diploma student at Fleming College's Haliburton School of Art and Design. Previous Next

Richard Shanks All Sculptures Visionary: A Tribute to Sir Sandford Fleming Number on Map 07 Artist Richard Shanks Material Steel, Bronze Installation Date January 1, 2002 Learn About the Artist The sculpture “Visionary” commemorates the life of Sir Sandford Fleming and his contributions to Canada and the world. Born in 1827 in Kirkcaldy, Scotland, Sandford Fleming arrived in this region, travelling by way of Quebec City and Montreal to Kingston, and continuing by boat to what he described as " a nice healthy little town", Cobourg. The 18-year-old Sandford and his older brother, David, arrived in Peterborough by horse-drawn cart on June 17 1845, where Sandford made his home with Dr. and Mrs. John Hutchison. Sandford Fleming contributed much to this area. His drawings and maps accurately depict the Peterborough area as it was in the mid-1800s, and his copious diaries provide enlightening detail. In turn, the Peterborough community enriched his life - his wife Jeannie Hall, whom he married in 1855, was a Peterborough native, and the daughter of Peterborough's sheriff. Fleming was always searching for broader horizons and greater challenges. His keen intelligence and scientific and artistic ability involved him in many significant accomplishments that included the establishment of Universal Standard Time, which he recommended to the Royal Canadian Institute in 1879, and which was adopted universally in 1884, the design of a prototype of an in-line skate, which he tested and pronounced "altogether satisfactory", at the age of 21, the foundation of the Royal Canadian Institute in Toronto in 1849, the design of Canada's first adhesive postage stamp, the Threepenny Beaver, in 1851, appointment as Chief Engineer of the Northern Railway in 1855, the proposal for a coast to coast railway line spanning "British North America" in 1858, and advocacy of a submarine cable which would link all the nations of the British Empire by telegraph. Pacific Cable was finally completed in 1902. In 1968 the new Community College in Peterborough was named after Sir Sandford Fleming. This sculpture includes the elements of a surveyor’s transit, the compass, time, significant dates in Fleming’s life and the globe. More Photos Previous Next

Abies balsamea < Back Balsam Fir Ojibwe Name: zhingob Scientific Name: Abies balsamea Significance in Ojibwe Cultures: The antimicrobial effects of Balsam Fir were found to be potent enough that Indigenous Peoples used the oil as an antiseptic on wounds. How to Identify the Leaves: "The balsam fir is one of the most recognizable trees in Ontario. It’s tall and narrow and tapers to a skinny point at the top. It looks a bit like a church steeple. When the tree is young, its bark is covered in sap blisters. The sticky sap is always on the tree, so be careful not to brush up against it. Its cones are barrel shaped and greyish brown and are 4 to 10 centimetres long. Its needles are 2 to 4 centimetres long and dark and shiny green, with two white bands underneath." Sources: Translation: https://ojibwe.lib.umn.edu/main-entry/zhingob-na Image: https://www.ontario.ca/page/balsam-fir Significance in Ojibwe Cultures: https://ojibwe.lib.umn.edu/main-entry/zhingob-na How to Identify Tree: https://www.ontario.ca/page/balsam-fir < Back Next >

Youkie Stagg < Back Originally Published On: January 1, 2016 Originally Published By: Haliburton Echo Lissome #5 Written By: Youkie Stagg Work created by Andrew Rothfischer in 2014. Curvilinear shapes are repeated several times throughout nature, through water waves, grass blowing in the wind, to human silhouettes. For this reason, curvilinear shapes are seen throughout many pieces of artwork, and are more and more common within modern architecture. “Lissome #5” is one of a series of curvilinear pieces made of polished concrete and fused glass. One of the most beautiful aspects of “Lissome #5” is the way it is positioned is relation to the sun. The piece is set within the large boulders in front of the Haliburton School of Art + Design, and when the sun rises and sets, the sunlight shines through the glass within the piece and the piece appears to glow. “Lissome #5” embodies grace and flexibility which truly reflects its name. The Sculpture Forest offers free guided tours each Tuesday from 10-11:30 am and a shorter “Curator Selection” tour on Wednesday from 12:10 – 12:50. Meet at the kiosk in the Fleming College parking lot. < Previous Article Next Article >

Darlene Bolahood engages in many forms of visual communication through the arts. She completed her B.Sc. at the University of Toronto, focusing on organic chemistry and philosophy, then continued to complete her MFA at the University of Waterloo. She has worked in industry as an artist and designer in textiles, retail and residential design, fashion and costume. She has exhibited her own studio work in mixed media painting and sculpture in both public and private galleries. Curriculum design and development projects for Ontario Colleges have included creative studies in fine arts, fine crafts, design, and computer animation and graphics. She is full-time faculty at the Haliburton Campus of Fleming College, delivering programs in Studio Art Certificates as well as the Visual and Creative Arts Diploma. < All Artists Darlene Bolahood ABOUT SCULPTOR Artist Bio Darlene Bolahood engages in many forms of visual communication through the arts. She completed her B.Sc. at the University of Toronto, focusing on organic chemistry and philosophy, then continued to complete her MFA at the University of Waterloo. She has worked in industry as an artist and designer in textiles, retail and residential design, fashion and costume. She has exhibited her own studio work in mixed media painting and sculpture in both public and private galleries. Curriculum design and development projects for Ontario Colleges have included creative studies in fine arts, fine crafts, design, and computer animation and graphics. She is full-time faculty at the Haliburton Campus of Fleming College, delivering programs in Studio Art Certificates as well as the Visual and Creative Arts Diploma. More About Bolahood Installed Sculptures Redwing Frond Previous Sculpture Next Sculpture

Marianne Reim is a German-Canadian sculptor who has worked and exhibited across the globe. Marianne Reim Website: mariannereim.com Marianne Reim (BA, SCA, SSC) graduated with a B.A. in Art & Art History from McMaster University in Hamilton, Ontario, Canada. She has been Artist in Residence in Japan, Yugoslavia, Italy and British Columbia, Canada. She has had many solo exhibitions and participated in numerous group shows. She exhibited her sculptures from 1994 to the present at such prestigious venues as: Art Gallery of Ontario, Toronto; Hamilton Art Gallery, Hamilton, Sculpture Society of Canada; Canadian Embassy, Tokyo; Gallery Fukashi, Matsumoto, Japan, Künstlerhaus, Ulm, Germany; Dante Centre, Ravenna, Italy; and at the Crawford Arts Centre, St. Andrew Scotland, Her works can be found in public and private collections. < Back to Artists

John Shaw-Rimmington is a dry stone wall builder and teacher. He is the president of Dry Stone Walling Across Canada (DSWAC). John Shaw-Rimmington Website: thinking-stoneman.blogspot.ca John Shaw-Rimmington has, in the past, specialized in restoring historic stone buildings. After working for the Uxbridge museum he extended his focus to using stone in landscaping and building dry stone walls. His knowledge of designing with stone has developed after years of masonry practice in Canada and comprehensive research into traditional dry stonework in Britain where he worked with a number of professional wallers. He teaches walling in southern Ontario and has designed and built many dry stone art installations across Canada as well as built a number of dry stone bridges in Ontario and Quebec. As well as doing many demonstrations and lectures, John is the president of the Dry Stone Walling Across of Canada (www.dswac.ca ), and also writes of a daily blog called Thinking With My Hands. < Back to Artists