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Peterborough born Don Frost had his future path laid out for him by winning first prize in a city wide art exposition at age six in grade one. The following year at age seven, Don had a group showing at the Peterborough Public Library. Public school had its usual trials and tribulations and it was not until grade 10 that Don discovered that he was colour blind to all but the primary colours. At this point Don’s life took a right turn and sculpture was all that he focused on. Don teamed up with a friend in grade 11 who became his art agent and they enjoyed considerable success in the Peterborough area. After high school Don took some time off to do his art and apprentice as a mechanic for a year. In 1973-74 he attended Sheridan Art College followed by a decision to become a professional sculptor having just received a major commission for a large 15' tall sculpture for a new mall being built in Peterborough, Ontario. This was followed by the creation of the largest sculpture in Canada in 1983 by winning a competition for an indoor work for the Michael Starr Building in Oshawa, Ontario. Always seeking new outlets for art Don acquired an art agent in Ottawa which led to an introduction to a patron who kept Don busy creating more than 40 sculptures in a period of twenty years. Don’s work internationally was recently a commission for four large works for a garden in Club Medjulis in Riyadh, Saudi Arabia. Previously to this in an expansive design project by the late King Hussein for a 1.6 km wall of huge relief panels commemorating the history of Jordan, Don’s work on six of these panels was accepted by King Abdullah. Experiencing greater notoriety for the global uniqueness of his art, Don was presented with awards from Peterborough County and commemorated in the Walk of Fame. Presently Don has art representatives across the United States and Canada. Email: don.frost@sympatico.ca < All Artists Don Frost ABOUT SCULPTOR Artist Bio Peterborough born Don Frost had his future path laid out for him by winning first prize in a city wide art exposition at age six in grade one. The following year at age seven, Don had a group showing at the Peterborough Public Library. Public school had its usual trials and tribulations and it was not until grade 10 that Don discovered that he was colour blind to all but the primary colours. At this point Don’s life took a right turn and sculpture was all that he focused on. Don teamed up with a friend in grade 11 who became his art agent and they enjoyed considerable success in the Peterborough area. After high school Don took some time off to do his art and apprentice as a mechanic for a year. In 1973-74 he attended Sheridan Art College followed by a decision to become a professional sculptor having just received a major commission for a large 15' tall sculpture for a new mall being built in Peterborough, Ontario. This was followed by the creation of the largest sculpture in Canada in 1983 by winning a competition for an indoor work for the Michael Starr Building in Oshawa, Ontario. Always seeking new outlets for art Don acquired an art agent in Ottawa which led to an introduction to a patron who kept Don busy creating more than 40 sculptures in a period of twenty years. Don’s work internationally was recently a commission for four large works for a garden in Club Medjulis in Riyadh, Saudi Arabia. Previously to this in an expansive design project by the late King Hussein for a 1.6 km wall of huge relief panels commemorating the history of Jordan, Don’s work on six of these panels was accepted by King Abdullah. Experiencing greater notoriety for the global uniqueness of his art, Don was presented with awards from Peterborough County and commemorated in the Walk of Fame. Presently Don has art representatives across the United States and Canada. Email: don.frost@sympatico.ca Artist Website Installed Sculptures Depth Previous Sculpture Next Sculpture

Mary Ellen Farrow All Sculptures A Walk in the Woods in Haliburton Number on Map 12 Artist Mary Ellen Farrow Material Limestone, Bronze Installation Date June 1, 2001 Learn About the Artist Mary Ellen sculpted “A Walk in the Woods in Haliburton”, at the studio of local sculptor John Beachli. The limestone and bronze piece stands 1.5 meters high and has been mounted on a granite base. The broad rounded lines conform to the natural character of the stone. The hiker, holding a bronze cast of a maple leaf , shows movement and emotion, but demands reaction. The contrast of the limestone to the summer forest creates a pleasant surprise as you approach it, but in winter blends in with a top hat and arm-full of snow. Artist Statement: I work almost exclusively in stone using broad, rounded, rhythmic lines that conform to the natural character of the stones. My goal is to produce work that is tactile, shows movement and emotion, but demands reaction. The work should speak for itself without explanation or title, but be able to be interpreted by individuals in their own way. The challenge of working on large public sculpture is most rewarding. I enjoy the mental contest of finding the idea, relating the idea to the history and environment of the site and then bring the idea to fruition. My recent monumental sculptures have had an intricate bronze detail added to them to give them a distinct flavour and contrast beautifully with the smooth lines of the stones. More Photos Previous Next

Tizirai Gumbere All Sculptures Together We Achieve the Extraordinary Number on Map 35 Artist Tizirai Gumbere Material Common Opal Installation Date November 1, 2020 Learn About the Artist Tizirai, known by his colleagues as “Gwama”, started sculpting in 1992 and was unwavering in his pursuit for excellence. During his lifetime, Tizirai’s work had an unmistakable trademark of contrasted handshakes. The handshake sculptures were the expression of his need to see inter-racial unity, he shared Martin Luther’s dream of seeing a world where people are not judged by the colour of their skin but by the content of their character. More Photos Previous Next

Andrew Rothfischer All Sculptures Lissome 5 Number on Map 17 Artist Andrew Rothfischer Material Polished Concrete, Fused Glass Installation Date June 1, 2014 Learn About the Artist Lissome is intended to show the curvilinear form that is often repeated everywhere. People see it in the grass blowing in the wind, the line of the spine in the human body and even in the highways that form the overpasses arcing overhead. Using cement to make the curved shape and Kiln formed glass or recycled float glass to accent said curves Andy has created the Lissome series. The light filters differently through the glass chosen to give a different look throughout the day as well as throughout the seasons. More Photos Previous Next

Carolanne MacLean All Sculptures Double Take Number on Map 40 Artist Carolanne MacLean Material Winterstone Installation Date October 1, 2022 Learn About the Artist This piece is a rendition of a female figure in green Winterstone; a torso with arms outstretched as the woman turns to look back. My interest is in the fundamental gesture of the figure as I try to create a rhythmic flow through the form and capture a moment in time and the fullness of the female body. Winterstone is a dry powder mix which when mixed with water produces a clay-like consistency. Initially it can be modeled easily like clay. As it starts to harden it can be carved with soft carving tools. After 24 hours it can be carved with hard carving tools. More Photos Previous Next

2018 < All Sculptures 2018 Downtown Haliburton Sculpture Exhibition $800.00 Lissome 5 Andrew Rothfischer Artist Contact Information 705-761-3828 andrewr@nexicom.net

2024 < All Sculptures 2024 Downtown Haliburton Sculpture Exhibition $5900.00 Annie Carolanne MacLean Annie This bronze sculpture stands 14 inches tall. It represents a tranquil and thoughtful young woman. With her hair tied back, Annie depicts the ease of beautiful youth. When Caroleanne was creating Annie, she explained that she works with a sculpture until she feels the rhythm of the shape. She continues sculpting until she is totally satisfied with something that is beautiful. Carolanne MacLean I feel I am working with energy, whether painting or sculpting. I am interested in the healing value of colour and the surprising beauty of the accidental mark, and intrigued by the very existence of our response to beauty. I am motivated to soothe the world through thoughtful introspection. I long to create a world where I can feel at peace and a little more in control. ~Caroleanne MacLean~ Carolanne MacLean was born in Toronto in 1949. She is a graduate with honours of the Ontario College of Art in Fine Art and has a B.A. from the University of Toronto. Her large encaustic abstract works are a study in light, colour and texture, sometimes involving the figure, often nonrepresentational. Her City Souls paintings capture moments, passing expressions on the faces around us. She pursues the beauty of the figure through a regular sculpture practice. Artist Contact Information Website : carolannemaclean.com Instagram: @ carolannemaclean Email : cmtoronto@pm.me Phone: 647-296-7259

2023 < All Sculptures 2023 Downtown Haliburton Sculpture Exhibition Contact Artist for Pricing Grow Together Eric Tardiff Grow Together Aluminium When we talk about cohabitation, I immediately think of social cohabitation, of living together in peace and respect for each other. We hope and desire the inclusion of different cultures and social classes in our society. That being said, the project that I propose to you here is intended to be unifying by its purpose and intriguing by its form. The sculpture suggests the inclusion of people around us for a better cohabitation starting with the Me and ending with Them It is an interactive sculpture where the visitor is invited to pose their figure in the last facial space, the ME. I chose to put the two official languages for a specific purpose of integrating the two host cultures. In addition, seen in profile, the sculpture also refers to a megaphone, symbolizing the desire to be heard. I think a lot of photos will be taken by visitors because of the interactive face concept. Éric Tardif Éric Tardif is from Kamouraska, a region in the Bas Saint-Laurent municipality in Quebec. Tardif originally studied Natural Sciences but turned to studying the arts and sculpture to explore his passion and artistic talent. In his work Tardif explores dimension, movement, and space. He works with several different materials and mediums in his work from wood, metal, and also has variety of mixed media 2D work as well. Tardif pushes the art world in both his concepts as well as his avant-garde method of steam-folding wood for his wood sculptures. This technique allows for his wooden sculptures to be full of movement and curved forms. He has received grants from CALQ (Conseil des arts et des lettres du Québec) and SODEC (Société de développement des entreprises culturelles) for several years. In recent years, Éric has expanded his artwork into bronze sculpture and has returned to his multimedia work. For the past 5 years, Eric has been working and designing Public Art and expressive outdoor sculptures in aluminum. He has more than 100 exhibitions to his name around the world and his work can be found in 10 galleries across North America. Artist Contact Information Website : erictardif.com Email : tardif065@gmail.com Phone: 613-286-5488 Facebook: EricTardifartiste

Mary Ellen Farrow All Sculptures Voyage Number on Map 30 Artist Mary Ellen Farrow Material Limestone Installation Date June 1, 2017 Learn About the Artist Carved on the Canadian ShieldFour artists from three countries visited Haliburton for a three week sculpture symposium in 2017 in celebration of Dysart 150, Ontario 150, and Canada 150. Beginning with a block of limestone, each artist was tasked with creating a piece that reflected the theme of carving on the Canadian Shield. When asked to participate in the 150 Sculpture Symposium, “Carved on the Canadian Shield”, I knew that I wanted to sculpt a canoe. The canoe is so much a part our heritage, created by the Indigenous People, used by the early settlers as transportation, exploration, trade, and commerce. Today the canoe is much a part of the local community, for sport and recreation, and is an integral part of the tourism trade.It is a bit of an enigma, seeing a canoe in the forest but that is part of the fun. I wanted it to be interactive, for children to be able to climb over it and play games in it, to simply enjoy. More Photos Previous Next

2021 < All Sculptures 2021 Downtown Haliburton Sculpture Exhibition Contact Artist for Pricing Athena Brett Davis Athena Athena was known in ancient Greece as the Goddess of Wisdom and War. She was beautiful, courageous, inspirational and known for being the protector of the city. Using all her accolades, I created Athena as a guardian of nature, one that can over see all aspects of her surrounding environmental conditions. Although she is in a fragmented state, this bronze sculpture illustrates the hardships of changes to the natural world that have occurred over time through pollution, global warming and the depletion of forests and marsh lands. Her textural appearance and color of patina, harmonize with the landscaping elements. Athena is also a symbol of strength, surviving the millennium of change, forever watching over and protecting nature Brett Davis Brett Davis was born in Toronto, Ontario, Canada in 1957. He graduated with honors from Toronto’s Central Technical School Special Fine Art Program in 1981 where he majored in sculpture, and won The K.A.Griffith Award and The Peter Haworth Award for Meritorious Achievement, and is a member of The Sculptors Society of Canada. He works in all facets of ferrous and non-ferrous metals from welding, fabrication, chasing and fountain design. Brett has also studied ancient and historical patinas for more than 25 years, while practicing in the art of chemical patination, which has gained him a notable reputation as a Patina Specialist in Metal Conservation. With over 25 years of experience, he specializes in the design, manufacturing, installation and maintenance of custom and commissioned bronze works designed specifically for interior and exterior environments. He has worked with many prominent landscaping and architectural firms integrating bronze sculptures and fountains into their unique designs and has won many public art competitions in Ontario, Canada. Brett’s travels abroad have also earned him an international reputation as a bronze artist, participating in many invitational international exhibitions and symposiums, and has numerous private and public works in Asia, United Kingdom, USA and Canada. The Haliburton Sculpture Forest has hosted two of Davis's pieces thus far: "Guardians of the Forest" in our permanent collection and "Athena" in the 2021 downtown exhibit. Artist Contact Information davis@ageofbronze.ca www.ageofbronze.ca

Gord Peteran All Sculptures Passage Number on Map 38 Artist Gord Peteran Material Red Cedar Installation Date June 16, 2021 Learn About the Artist My artwork is fuelled by the historical decorative arts.Unlike most artists I’m not looking for “new”, but rather the very, very old.I’m interested in testing the boundaries of what we know and trust. Disrupting the iconography of culture slightly, either by altering their context or proximity, can destabilize assumptions and suggest ideas that seem both correct and wrong in the same moment. Doorways are thresholds of our buildings, and also represent the threshold of our anxieties.Two doorway openings placed apart to imply a room, stand as both sentinels and facilitators of flow and passage.A dining table, . . . with oars, placed between these frames suggests both the safe space of home and references to this rural location.A table implies gathering, and in many ways represents the core of the family.Are there directional implications to a dining table?Is it in any way mobile?Who propels the ideas discussed at dinner?Can they stagnate or change course? The emblems and events of summer at a lake cannot be underestimated.They become imbedded in our psyche for life.Perhaps because they are filled with moments of joy, of discovery, learning, curiosity and camaraderie, . . . (the conditions necessary for creativity). The new conditions our world now faces provide potential opportunities. This artwork’s references are vast, from global warming and migratory populations, to the intimate summer ponderings of a child.The swinging doors once hanging from the doorframes have long since disappeared with only vague remnants of each left visible.Visitors can freely pass into, through, and out of this scene, setting in motion their own transformative art moment. More Photos Previous Next

2023 < All Sculptures 2023 Downtown Haliburton Sculpture Exhibition Contact Artist for Pricing Night Szonja Vucsetics Night Plane & Cedar Logs “Night” consists of two wooden sculptures side-by-side, depicting a reclining human figure wrapped in a blanket, sleeping beside a small campfire. The figure is carved out of a single plane tree log, and the fire from a cedar stump. Stained black, with pieces of shell and metal flake inlay, the blanket depicts a night sky rendering an image of the universe. This installation explores the connection between micro- and macrocosm (mortal human life within vast infinity), and nature as our beginning, ending, nurturer and destroyer. Szonja Vucsetics Szonja Vucsetics is a Hungarian - Canadian artist based in Toronto, working primarily in oil paint and mixed media on paper. She graduated in drawing and painting from OCAD University in 2007 and has lived and worked in Hungary, Jamaica and Canada. Fascinated from early childhood by the expressive voice of colour in nature and visual imagery, Vucsetics looked to expressionism and storybook illustrations to relate her work through her early years as an artist. Using art as a therapy through life experiences, traumas and journeys, her work continuously developed as a visual journal telling the story of lived and subconscious experiences. Her illustrative works speak the visual language of stories and dreams, playfully blurring the boundaries between reality and imagination, impression and expression, representation and abstraction. Through material explorations with brushwork and colour, her work often focuses on our relationship to land as the place that holds our stories. Recently, Vucsetics has been working on narrative depictions of nature and landscape as an allegory for the human conditions of death, rebirth, joy and suffering. Artist Contact Information Email : szonjatics@gmail.com Website : szonjasstudio.ca Phone Number: 647-909-5897 Instagram: @ szonjasstudio Facebook: Szonja's Studio