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- Innocence
2023 < All Sculptures 2023 Downtown Haliburton Sculpture Exhibition $1,800.00 Innocence Carolanne MacLean Innocence In the thoughtful pose of this piece, I am trying to capture the contemplative state of a young woman, loosely capturing the energy. Carolanne MacLean I feel I am working with energy, whether painting or sculpting. I am interested in the healing value of colour and the surprising beauty of the accidental mark, and intrigued by the very existence of our response to beauty. Carolanne MacLean was born in Toronto in 1949. She is a graduate with honours of the Ontario College of Art in Fine Art and has a B.A. from the University of Toronto. Her large encaustic abstract works are a study in light, colour and texture, sometimes involving the figure, often nonrepresentational. Her City Souls paintings capture moments, passing expressions on the faces around us. She pursues the beauty of the figure through a regular sculpture practice. Artist Contact Information Website : carolannemaclean.com Instagram: @ carolannemaclean Email : cmtoronto@pm.me Phone: 647-296-7259
- Earth and Sky
2019 < All Sculptures 2019 Downtown Haliburton Sculpture Exhibition $1,900.00 Earth and Sky Julie Campagna Julie Campagna lives in Toronto and has been a sculptor since graduating from the Ontario College of Art and Design in 1991. Along with her study of the human condition and her dedication to realizing her ideas in three-dimensions, the personal connection between artist and viewer has always been an integral part of Campagna’s life’s work. In 2001 she converted a second story apartment into a studio gallery and opened her door to the public. Campagna Bronze studio gallery offers a unique window into the sculpting process as well as the opportunity to take private workshops and learn the technique of wax modelling. Campagna’s sculptures are in private and public collections worldwide and her work can be viewed at www.campagnabronze.com “My quest for clarity in this tangled existence is why my ideas take form." Artist Contact Information 416.539.9206 julie@campagnabronze.com
- Aerial
2023 < All Sculptures 2023 Downtown Haliburton Sculpture Exhibition Contact Artist for Pricing Aerial Mark Puigmarti Aerial Forged Stainless Steel & Bronze Sometimes my work is a result of visualizing processes of forging effects, and reinterpreting these effects as details in the natural world. Ariel uses several forging processes that combine in the simplistic form of a heron about to take fight. Mark Puigmarti What seems like lifetimes ago I was refrigeration and HVAC mechanic. Working on commercial industrial gizmos that kept things or people warm or cold, while usually experiencing the polar opposite temperature of whatever it was I was trying to rectify. It is a respectable trade that many men and some women make a respectable living at. However, as much as I tried to make the piping arrangements visually pleasing, orderly, and followable there was something lacking. It just never quite clicked with my persistent dream to follow a more artistic path. One day about half way into a 25-year run at HVACR, I made it my mission to try and change what seemed truly unchangeable. Slowly with a long list of coincidences, happy accidents and a load of sacrifices, particularly by my supportive wife Chris, positive results started to accumulate in the intended direction of working with hot metal. This did indeed take 10 years of incremental progression to end up at the beginning of a new and completely unrecognizable life and style. It is not lost on me to grasp the sheer improbability to do that mid-career, in that career, or any for that matter. That cord was cut 14 years ago now." Artist Contact Information Email : mark@sparkswillflyforge.ca Website : sparkswillflyforge.ca Instagram: @sparkswillflyforge Facebook: @SparksWillFlyForge
- Das Buch XXIII
Marianne Reim All Sculptures Das Buch XXIII Number on Map 34 Artist Marianne Reim Material Steel, Chain Mail Installation Date January 1, 2019 Learn About the Artist Since 1994, Marianne Reim has been working on a series of books (DAS BUCH) cut from steel. They currently number 70. The books are personal interpretations of her history within a larger cultural history. These books contain steel pages, which can be turned and read, and they are bound. The antitheses of paperbacks, these books are constructed through a process of cutting, burning, and welding into the sheets of steel. In this manner, Marianne is able to inscribe a universal language through form and line. The content of the books emerges from memories. For example, DAS BUCH 10 was inspired by a visit to the Berlin Wall. DAS BUCH 18 contains a diary-like entry, another one in Latin reflects Marianne’s interest in the universality of language. Artist Statement: The specific forms of my work float on the surface of a well of memory. I create discreet objects, objects in series and installation. My preferred material is steel. In my constructions, the material wears its identity through rough-cut edges, visible welds and an undisguised slabness. I may combine them with glass, stone, text, and photographs. By cutting, burning and welding, experience and emotion are melded into steel. More Photos Previous Next
- Matriarchy
Tarzan Sithole All Sculptures Matriarchy Number on Map 36 Artist Tarzan Sithole Material Polished Springstone Installation Date November 1, 2020 Learn About the Artist Tarzan Sithole is a third-generation Zimbabwean stone sculptor. His works are also on display at the Kirstenbosch National Botanical Gardens and the Kew Gardens in London. This sculpture was donated by Sue Black and Chris Ralphs who owned a gallery in Mississauga. More Photos Previous Next
- Carolanne MacLean
Carolanne MacLean was born in Toronto in 1949. She is a graduate with honours of the Ontario College of Art in Fine Art and has a B.A. from the University of Toronto. Her large encaustic abstract works are a study in light, colour and texture, sometimes involving the figure, often nonrepresentational. Her City Souls paintings capture moments, passing expressions on the faces around us. She pursues the beauty of the figure through a regular sculpture practice. Artist's Statement: I feel I am working with energy, whether painting or sculpting. I am interested in the healing value of colour and the surprising beauty of the accidental mark, and intrigued by the very existence of our response to beauty. E-mail: cmtoronto@pm.me < All Artists Carolanne MacLean ABOUT SCULPTOR Artist Bio Carolanne MacLean was born in Toronto in 1949. She is a graduate with honours of the Ontario College of Art in Fine Art and has a B.A. from the University of Toronto. Her large encaustic abstract works are a study in light, colour and texture, sometimes involving the figure, often nonrepresentational. Her City Souls paintings capture moments, passing expressions on the faces around us. She pursues the beauty of the figure through a regular sculpture practice. Artist's Statement: I feel I am working with energy, whether painting or sculpting. I am interested in the healing value of colour and the surprising beauty of the accidental mark, and intrigued by the very existence of our response to beauty. E-mail: cmtoronto@pm.me Artist Website Installed Sculptures Double Take Previous Sculpture Next Sculpture
- To Cut or Not To Cut
John Beachli All Sculptures To Cut or Not To Cut Number on Map 15 Artist John Beachli Material Local Granite Installation Date August 1, 2006 Learn About the Artist Haliburton County has a long history of men working in the forest, in logging camps—such those run by Mossom Boyd—or cutting timber on their own land and also a history of sons learning skills from their fathers as they helped them with their work. This sculpture, carved out of local stone recovered from rock blasted from the Pre-Cambrian shield at a nearby building site, tells the story of a man and his son having a conversation over the stump of a tree that has just been felled. “To Cut or Not to Cut” is about the conversations that occur when a son is working with his father. It is also a representation of the never-ending push and pull of our relationship with the forest. We need the timber for building shelter, for heat, for a thousand different reasons; we also need the forests to conserve our environment, to protect our water, to provide habitat and to purify the air. How do you decide what to cut and what not to cut? More Photos Previous Next
- Jared Tait
Jared Tait is a member of the Sachigo Lake First Nation an Oji-Cree First Nation in Treaty 9, territory in the far north of Ontario near the Manitoba border. Jared was raised in Thunder Bay. He currently resides with his family in the countryside near Bancroft. In 2018, Jared began painting under the mentorship of his father, Tim Tait, a self-taught artist. Jared recalls his childhood being surrounded by his father’s paintings and being told stories within them. Since his exposure to art at a young age, Jared has created a strong appreciation and connection to art. Through his understanding of the Woodland style and the methods of telling stories through his work, Jared captures the deep relations to the land and its creatures. He builds on these motivations to preserve the sacred stories, symbolism and teachings. Jared creates imagery inspired by his personal and spiritual experiences and hopes to pass his teachings on to future generations. < All Artists Jared Tait ABOUT SCULPTOR Artist Bio Jared Tait is a member of the Sachigo Lake First Nation an Oji-Cree First Nation in Treaty 9, territory in the far north of Ontario near the Manitoba border. Jared was raised in Thunder Bay. He currently resides with his family in the countryside near Bancroft. In 2018, Jared began painting under the mentorship of his father, Tim Tait, a self-taught artist. Jared recalls his childhood being surrounded by his father’s paintings and being told stories within them. Since his exposure to art at a young age, Jared has created a strong appreciation and connection to art. Through his understanding of the Woodland style and the methods of telling stories through his work, Jared captures the deep relations to the land and its creatures. He builds on these motivations to preserve the sacred stories, symbolism and teachings. Jared creates imagery inspired by his personal and spiritual experiences and hopes to pass his teachings on to future generations. Installed Sculptures Bawaajigan - To Dream Previous Sculpture Next Sculpture
- VR Lion
2024 < All Sculptures 2024 Downtown Haliburton Sculpture Exhibition Not for Sale VR Lion Thoreau Bakker The VR Lion This sculpture is a remix of a public work located just outside of the Fairmount Royal York Hotel in downtown Toronto. The public work (uncredited sculptor) was digitally captured using photogrammetry and reworked in virtual reality sculpting software with the addition of a headset. It is a juxaposition of the traditional and contemporary, referencing the long tradition of lions as sculptural objects with modern digital tools. This sculpture was created using 3D scanning and 3D printing. Thoreau Bakker Thoreau is a Canadian artist and academic. He is currently pursuing a practised-based PHD at TMU. Thoreau studied studio art as an undergrad at Guelph in 2015, and was drawn to the aesthetics of contemporary sculpture and learning about digital fabrication. He was interested in materiality and the formal qualities of sculpture and wished to emulate the work of pop artists like Niki de Saint Phalle and Takashi Murakami. Thoreau loves to experiment with all kinds of different types of tools and materials. These include digital sculpting, clay sculpting, 3D scanning, 3D printing, CNC, mesh editing, mold making, fiberglass and resins. He hopes to work with aluminum and bronze in the future. Thoreau has shown his sculptures in the Elora Sculpture Project and has returned again this year to Haliburton. Artist Contact Information · Website: www.thoreaubakker.com · Email: tbakker@torontomu.ca · Phone: 519-830-2199 · Instagram: @thoreaubakker
- Forest Screen Bench
Scott McKay All Sculptures Forest Screen Bench Number on Map E Artist Scott McKay Material Corten Steel Installation Date January 1, 2020 Learn About the Artist Wendy Wilkins, the patron who purchased Mother Earth and commissioned the Sun Bench to accompany it, thought it would be lovely to add a couple more Scott McKay one-of-a-kind benches to create Mother Earth’s living room where a whole family or group of friends could gather. So, she worked with the Sculpture Forest to commission two new nature inspired benches - Forest Screen Bench and Fire Bench - to complete the set and create Mother Earth's living room. In 2018 the Haliburton Sculpture Forest teamed up with the Haliburton Village BIA (business Improvement Area) to create the Downtown Haliburton Sculpture Exhibition. This featured the display of six sculptures on the main street from Ontario artists from June to October. McKay’s Mother Earth was one of them. Mother Earth is McKay’s vision of the classical mother figure who is one with the tree of life. More Photos Previous Next
- Wind Dervish
John McKinnon All Sculptures Wind Dervish Number on Map 32 Artist John McKinnon Material Limestone Installation Date June 1, 2017 Learn About the Artist Carved on the Canadian Shield: Four artists from three countries visited Haliburton for a three week sculpture symposium in 2017 in celebration of Dysart 150, Ontario 150, and Canada 150. Beginning with a block of limestone, each artist was tasked with creating a piece that reflected the theme of carving on the Canadian Shield. My many trips across the Canadian Shield conjure up images of stone, wind, and timelessness. Over eons of time, the stone that never seems to change or move is picked up layer by microscopic layer and carried off with the wind. The wind itself, an invisible force that manifests its presence in the things that it moves and shapes, is an expression of time. I am thinking outside of time, thousands of years compressed into a moment. The idea here is to represent that layer of stone rising up and dancing like a Dervish in the wind. More Photos Previous Next
- Athena
2021 < All Sculptures 2021 Downtown Haliburton Sculpture Exhibition Contact Artist for Pricing Athena Brett Davis https://www.youtube.com/watch?v=4kSEnVhAjjM Athena Athena was known in ancient Greece as the Goddess of Wisdom and War. She was beautiful, courageous, inspirational and known for being the protector of the city. Using all her accolades, I created Athena as a guardian of nature, one that can over see all aspects of her surrounding environmental conditions. Although she is in a fragmented state, this bronze sculpture illustrates the hardships of changes to the natural world that have occurred over time through pollution, global warming and the depletion of forests and marsh lands. Her textural appearance and color of patina, harmonize with the landscaping elements. Athena is also a symbol of strength, surviving the millennium of change, forever watching over and protecting nature Brett Davis Brett Davis was born in Toronto, Ontario, Canada in 1957. He graduated with honors from Toronto’s Central Technical School Special Fine Art Program in 1981 where he majored in sculpture, and won The K.A.Griffith Award and The Peter Haworth Award for Meritorious Achievement, and is a member of The Sculptors Society of Canada. He works in all facets of ferrous and non-ferrous metals from welding, fabrication, chasing and fountain design. Brett has also studied ancient and historical patinas for more than 25 years, while practicing in the art of chemical patination, which has gained him a notable reputation as a Patina Specialist in Metal Conservation. With over 25 years of experience, he specializes in the design, manufacturing, installation and maintenance of custom and commissioned bronze works designed specifically for interior and exterior environments. He has worked with many prominent landscaping and architectural firms integrating bronze sculptures and fountains into their unique designs and has won many public art competitions in Ontario, Canada. Brett’s travels abroad have also earned him an international reputation as a bronze artist, participating in many invitational international exhibitions and symposiums, and has numerous private and public works in Asia, United Kingdom, USA and Canada. The Haliburton Sculpture Forest has hosted two of Davis's pieces thus far: "Guardians of the Forest" in our permanent collection and "Athena" in the 2021 downtown exhibit. Artist Contact Information davis@ageofbronze.ca www.ageofbronze.ca













