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Youkie Stagg < Back Originally Published On: January 1, 2016 Originally Published By: Haliburton Echo Dreaming Stones Written By: Youkie Stagg Work created by Kevin Lockau in 2001. When the first settlers in Ontario tried to develop farms and agriculture they were struck with the major obstacle of the Canadian Shield. To successfully grow their food they had to remove large amounts of rock from the ground so that the soil would be deep enough. Lockau used these boulders leftover from the first settlers for the piece “Dreaming Stones.” The piece is a 2.75 meter tall totem made of 6 granite boulders from Ontario. At the bottom of the totem is a sleeping wolf or coyote, which shows the preservation of nature. Going up the totem you can see leaves representing regeneration, the faces of the first pioneers, deep grooves of glacial erosion and plowing of the land, concentric circles representing the passing of time, and lastly the owl representing the modern day and the wisdom that comes with it. The piece reflects the struggles of the first settlers as well as the changing relationship between mankind and nature. The Sculpture Forest offers free guided tours each Tuesday from 10-11:30 am and a shorter “Curator Selection” tour on Wednesday from 12:10 – 12:50. Meet at the kiosk in the Fleming College parking lot. < Previous Article Next Article >

Andrew Rothfischer's concrete sculpture with fused glass allows light to pass through it, making for beautiful changes in colour. Lissome #5 Andrew Rothfischer Materials: Polished Concrete and fused glass Description: Curvalinear concrete form with accents of fused glass Installation Date: June, 2014 Number on Map: 17 Go to Gallery About the Sculpture: Lissome is intended to show the curvilinear form that is often repeated everywhere. People see it in the grass blowing in the wind, the line of the spine in the human body and even in the highways that form the overpasses arcing overhead. Using cement to make the curved shape and Kiln formed glass or recycled float glass to accent said curves Andy has created the Lissome series. The light filters differently through the glass chosen to give a different look throughout the day as well as throughout the seasons. < Back to Sculptures

Phillip Vander Weg is an American visual artist and professor of Art at Western Michigan University. Phillip Vander Weg Work Decommissioned in 2017 Phillip Vander Weg is a professor of Art at Western Michigan University. He has held that post since 1989 and has been chair of the Department of Art for most of that time Vander Weg is also director of the WMU Sculpture Tour Program, which he founded in 1991. He received his MFA in Sculpture from The University of Michigan’s Horace Rackham School of Graduate Studies in 1968. He also has a BS in Design from The University of Michigan. As an artist, Vander Weg has been exhibited regularly since 1969. Venues include Frederick Meijer Sculpture Park and Gardens in Grand Rapids, Cleveland State College, The University of Tennessee, Clemson University, and The Southeastern Center for Contemporary Art in Winston-Salem, N.C. Awards and honors include a Purchase Award at The 1996 Allegro Festival Exhibition, winner of The Vanderbilt University Sculpture Competition for Heard Library Interior in 1986, and a Purchase Award in the Art Of The Eighties competition at The Tennessee State Museum (Nashville) in 1982. Since 1972, he has had in excess of 25 private commissions (completed) of major sculptures for clients in the Midwest and Southeast, and his works are in the public and corporate collections of, among many others, The Butler Museum of Art, Tennessee State Museum, New York State University at Potsdam, and Gulf & Western Industries in New York City. He is an active member of The National Association of Schools of Art and Design, The College Art Association, FATE: Foundations in Art: Theory and Education, and The International Sculpture Conference. < Back to Artists

Darlene Bolahood is a Canadian visual artist who engages in many forms of visual communication through the arts. Darlene Bolahood Website: www.flemingcollege.ca/faculty/darlene-bolahood Darlene Bolahood engages in many forms of visual communication through the arts. She completed her B.Sc. at the University of Toronto, focusing on organic chemistry and philosophy, then continued to complete her MFA at the University of Waterloo. She has worked in industry as an artist and designer in textiles, retail and residential design, fashion and costume. She has exhibited her own studio work in mixed media painting and sculpture in both public and private galleries. Curriculum design and development projects for Ontario Colleges have included creative studies in fine arts, fine crafts, design, and computer animation and graphics. She is full-time faculty at the Haliburton Campus of Fleming College, delivering programs in Studio Art Certificates as well as the Visual and Creative Arts Diploma. < Back to Artists

Deep in the Haliburton Sculpture Forest lays Sleep of the Huntress by Doug Stephens. Sleep of the Huntress Doug Stephens Materials: Belmont Rose Granite Description: Woman sleeping in stone Location: Haliburton Sculpture Forest; South end of Waterfront Trail Installation Date: August, 2004 Number on Map: 14 Go to Gallery Artist’s Vision for the Sculpture: Walking through the forest is, for me, a time of contemplation: of peace and reflection. I see the viewer coming upon a rock, a ruddy rock, fitting for this place but not of this place. It is rough hewn and gnarled. As they approach it becomes evident that they are not alone; that they have happened upon an elegant sleeping woman, lost in the deep world of dreams. She exists in a spiritual realm: out of time and immaterial. All is quiet except for the sounds of the woods. The viewer is held for a moment in silence: hesitant and reflective in the presence of this woman of nature, calmly nestled on her craggy bed. < Back to Sculptures

Gord Peteran Gord Peteran has been creating artworks for corporate offices, public institutions and private clients for the past 20 years. He is a graduate of the Ontario College of Art. Peteran has lectured and been published extensively across Canada and the U.S. and has participated in numerous exhibitions and conferences. As well as being a professor at the Ontario College of Art and Design University in Toronto, Gord has also taught at Sheridan College in Oakville, the Rhode Island School of Design in Providence, the Haystack Mountain School in Maine, the Penland School in North Carolina and The California College of Arts. He has done many Artist Residencies across the continent. Gord has been the recipient of many Government Arts Council awards and grants throughout his career. In 2001 he won the Jean A. Chalmers National Arts Award and was also inducted into the Royal Canadian Academy of Arts. In 2004 he received a Chalmers Arts Fellowship. In 2005 Gord created the iconic "Red Doors" of the main entrance to the Haliburton School of Art + Design. Between 2006 and 2009 a mid career retrospective of his artwork toured nine Art Museums across the US. This exhibition was organized by the Milwaukee Art Museum in conjunction with the Chipstone Foundation, and supported by the Windgate Charitable Foundation. It was curated by Dr. Glenn Adamson, Head of Graduate Studies, Research Department at the Victoria and Albert Museum in London England. Dr. Adamson writes, “Peteran has launched a boundary crossing career opening up the category of furniture to an unprecedented range of psychological and conceptual content. He uses found objects, assemblage techniques, metal casting, fine cabinetry and drawing to create artworks that challenge the established Art, Design and Craft terms of reference.” A catalogue titled “FURNITURE MEETS ITS MAKER” is available through a mazon.ca . < Back to Artists

This is placeholder text. To change this content, double-click on the element and click Change Content. < Back This is a Title 02 This is placeholder text. To change this content, double-click on the element and click Change Content. This is placeholder text. To change this content, double-click on the element and click Change Content. Want to view and manage all your collections? Click on the Content Manager button in the Add panel on the left. Here, you can make changes to your content, add new fields, create dynamic pages and more. You can create as many collections as you need. Your collection is already set up for you with fields and content. Add your own, or import content from a CSV file. Add fields for any type of content you want to display, such as rich text, images, videos and more. You can also collect and store information from your site visitors using input elements like custom forms and fields. Be sure to click Sync after making changes in a collection, so visitors can see your newest content on your live site. Preview your site to check that all your elements are displaying content from the right collection fields. Previous Next

A one-of-a-kind dry stone bench created by Aaron Galbraith. Spirit of the Wild Aaron Galbraith Materials: Locally quarried granite Description: One of a kind dry stone bench made from locally quarried granite. Location: Haliburton Sculpture Forest; South Trail beside the stairs Installation Date: August, 2012 Number on Map: C Go to Gallery About the Bench: Carole Finn, local artist and community booster, donated the dry stone bench in memory of her late husband Don. Measuring 7 feet by 3 feet, the granite top of the bench weighs 1,400 pounds, with the many smaller rocks weighing in at 4,500 pounds. In the centre of the bench there is a mossy stone collected from the Finn's farm. 'Spirit of the Wild' took artist, Aaron Galbraith, 7 days to make. < Back to Sculptures

Answers to frequently asked questions. Frequently Asked Questions How long are the Sculpture Forest trails? The trails are a total of 1.4 kilometres in length. When is the Sculpture Forest open? Glebe Park is open from dawn to dusk. In the winter, the ski trails in the Sculpture Forest are lit. Are dogs allowed in the Sculpture Forest? Dogs are welcome. Dogs must be under the control of the owner. Please stoop and scoop and deposit in a garbage container. Is there a cost for entry? Entrance is by donation. There are donation boxes at the entrances and along the trails. You can also use Tip Tap to donate using a credit or debit card. Is the Sculpture Forest accessible? We are working to improve the accessibility of the Haliburton Sculpture Forest. Some notes on the current accessibility of the space: The Sculpture Forest Trails are wide and easy to walk on. The surface is fine compacted gravel or earth. The trails are not paved. Service animals are welcome Sculptures can be experienced visually and through touch For visitors using mobility aids (wheelchairs, walkers, canes, etc.) please note that some pieces have steps leading up to them. There is also a steep hill between "Sound Vessel: Forest" (Number 5 on our map) and "Beaver" (No. 6), which can be avoided using the lower trail. Entrance is free We are in the process of adding audio descriptions and tours are available through our PocketSights tour using the "Text to Speech" function For questions and concerns regarding the accessibility of the Sculpture Forest please contact us. Can we visit the Sculpture Forest in the winter? A portion of the Sculpture Forest is accessible by snowshoe or walking in the winter. There is no charge for the snowshoe trail. A number of the trails in the Sculpture Forest become cross-country ski trails in the winter. Walking and snowshoeing is permitted on the ski trails, free of charge. Please follow applicable signage. To ski on the trails, visitors need to buy a trail pass available at the kiosk in the College Parking Lot or at the entrance on Museum Rd. Is there parking? Parking is available at both entrances to Glebe Park. Are there washrooms? Washrooms are available at Haliburton Highlands Museum or Haliburton School of Art + Design, when they are open. Visitors can use the public washroom in Glebe Park, which is located near the entrance closest to the museum. Are there guided tours? We provide free guided tours in July and August, on Tuesdays from 10:00 am to 11:30 am. We have partnered with Yours Outdoors to provide great tours throughout the year. Cost depends on the size of the group. For more information please click here . Can we have a picnic? Yes, there are picnic tables in Glebe Park near the entrance to the Sculpture Forest. Are visitors welcome at the College? Yes, Fleming College welcomes visitors. There is a café in the College, which is open on weekdays when the College is in session. Please note: Fleming College is not currently open to the public. COVID restrictions apply. Can we walk or bike from Haliburton Village to the Sculpture Forest? Yes – on the Head Lake trail – see the Village map for details.

George Pratt's larger than life rendition of Pan, the Greek spirit god of fields and forests. Pan George Pratt Materials: Salt and Pepper Granite Description: Pan…the spirit god of the fields and forests who comes through Greek mythology. A “larger than life” figure of Pan rests against a tree stump while he plays his pan pipes. Location: Haliburton Sculpture Forest; North trail, near the historic museum buildings Installation Date: May, 2003 Number on Map: 2 Go to Gallery About the Sculpture: One of Pan’s favourite sports was pursuing beautiful wood nymphs that strayed into the high forests where he lived. His strange, coarse goat-like features frightened the nymphs and they would flee in fear of him. From this we got the term “panic”. He was particularly smitten by one nymph whose name was Syrinx but she did not welcome his attentions. One day, being pursued by Pan, she came to the river. Exhausted, she beseeched the water nymphs to protect her. Just as Pan was about to grasp her, she was transformed into one of the many reeds that grew along the river bank. Frustrated, Pan plucked the reeds and fashioned them into the first flute. Since that day, he can be found playing sweet music on the flute which is the embodiment of his unrequited love. We have come to call his instrument the ‘pan-flute’ but more correctly, its name is Syrinx after Pan’s lost nymph. This sculpture was carved out of an 8,700 Kg (19,300 Lbs) block. By the time the sculpture was completed, George had removed more than 3,000 Kg (7,000 Lbs) of stone, an impressive feat considering the work was done outdoors in blackfly season! < Back to Sculptures

Abies balsamea < Back Balsam Fir Ojibwe Name: zhingob Scientific Name: Abies balsamea Significance in Ojibwe Cultures: The antimicrobial effects of Balsam Fir were found to be potent enough that Indigenous Peoples used the oil as an antiseptic on wounds. How to Identify the Leaves: "The balsam fir is one of the most recognizable trees in Ontario. It’s tall and narrow and tapers to a skinny point at the top. It looks a bit like a church steeple. When the tree is young, its bark is covered in sap blisters. The sticky sap is always on the tree, so be careful not to brush up against it. Its cones are barrel shaped and greyish brown and are 4 to 10 centimetres long. Its needles are 2 to 4 centimetres long and dark and shiny green, with two white bands underneath." Sources: Translation: https://ojibwe.lib.umn.edu/main-entry/zhingob-na Image: https://www.ontario.ca/page/balsam-fir Significance in Ojibwe Cultures: https://ojibwe.lib.umn.edu/main-entry/zhingob-na How to Identify Tree: https://www.ontario.ca/page/balsam-fir < Back Next >

Found objects and upcycling are at the heart of this moose-shaped sculpture created by Leo Sepa. Moose Scraps Leo Sepa Materials: Assemblage of retired vintage farm equipment and other hardware Description: Found metal objects formed into the shape of the moose Height: 2 metres, length 2.5 metres Installation Date: June, 2001 Number on Map: 10 Go to Gallery About the Work: Found objects are at the heart of this sculpture, aptly titled "Moose Scraps", an assemblage of retired vintage farm equipment and other hardware, formed into the shape of one of Canada's largest mammals, the moose. Like many of Leo’s sculptures, the 2.5 meter piece exudes wit and charm. < Back to Sculptures